Articles

The Change We Can Wear

This essay was first published in Signs of Change: Jewellery Designed to Make a Better World (Perth: Form, 2010). The accompanying exhibition was held at FORM Gallery in Perth, Australia, from April 9–May 30, 2010. On the Tiger’s Back Helen Britton and Justine McKnigh, Necklace Brooch T-shirts We can see the contemporary jewelry movement playing

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Notes on Excess

Erin Rose Gardner, Pink Things (brooch), 2009, silver, enamel paint and steel pin back, courtesy of the artist emiko oye, The Duchess 2 from ‘My First Royal Jewels Jewellery Collection 2008,’ 2008, repurposed LEGO®, rubber cord, sterling silver, courtesy of the artist Gemstones and the history of jewelry as a signifier of luxury (and decadence)

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To Be: (Determined) – An Exhibition of the First Five

Laura Prieto-Velasco, Phona-Form Brooch 2, iron wire, carpet tacks, paint, tape, silver Laura Prieto-Velasco, Phona-Form Brooch 3, iron wire, carpet tacks, paint, silver Seth Papac, Collected and Fabricated Parure, 22 karat gold, silver, brass, paint, found objects When attempting to locate contemporary metalwork within the discourse of contemporary art, an artist like Cornelia Parker often

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Art Jewelry Forum Accepting Applications for 2010 Award to Emerging Jewelry Artist

Contact: Gail Hufjay 914-282-9844info@artjewelryforum.org Mill Valley, CA, February 23, 2010—The Art Jewelry Forum (AJF) is accepting applications for its 2010 Emerging Artist Award.  The amount of this year’s award is $5,000.  This is the 11th year that AJF has awarded a contemporary jewelry artist a cash award.  The purpose of the award is to acknowledge promise,

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2009 SOFA Speaker

In 2009, Namita Wiggers gave a lecture at SOFA Chicago titled ‘Curatorial Conundrums: Exhibiting Contemporary Art Jewelry in a Museum.’ In her lecture, Wiggers spoke about different strategies for displaying contemporary jewelry in museum environments, as well as an exhibition she curated at the Museum of Contemporary Craft called Touching Warms the Art. This talk was

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A Craftsperson’s Experience Within a Fine Art Program

Ahna Adair,Vogue Pattern No. 1462, Souvenirs of an Unfinished Project, 2008, detail-postcard, 6 x 8.5 inches Ahna Adair, Vogue Pattern No. 1462, Souvenirs of an Unfinished Project, 2008, found fabric, archival photos, postcards Ahna Adair, Vogue Pattern No. 1462, Souvenirs of an Unfinished Project, 2008, detail-rings sewn of found fabric, 1 Ahna Adair, In Process

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