When artists hear the word ‘marketing’ our toes tend to curl up. Savvy self-promoters are usually castigated within the creative community as sellouts, cynics and punchlines. Within the rarefied air of the ‘fine art’ world there’s big money to be had, but for the niche world of art jewelry it’s more like sink or swim. […]
To Market, To Market Read More »
The Dragon Is Dead In olden times, we believed in supernatural forces. A stray look from a stranger would be enough to induce a panic that we had fallen victim to the evil eye. These phenomena had no rational explanation, so could not be controlled by normal means. Instead, they required the intervention of magical
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In 2010, Cindi Strauss gave a lecture at the SNAG conference in Houston titled ‘At the Crossroads of Trends and Traditions: Emerging American Jewelry Artists Today.’ In her lecture, Strauss presented a series of findings about the state of contemporary jewelry practice in the United States, as well as the relationship that these makers have
In 2010, Rock Hushka gave a lecture at SOFA NY titled ‘Holding Objects: The Psychoanalytic Mechanisms of Wearing Jewelry.’ In his lecture, Hushka explained that he came to the subject of art jewelry seeking to understand the relationship between the artist and the wearer. He began by exploring the idea that jewelry appeals to many
This essay was first delivered as a talk at SOFA Chicago in November 2010. Watching, Looking, Learning ‘And viewers like you.’ The title of this talk was stolen from the PBS sign-off to most of their programs. They thank various corporations, foundations and individuals and then they thank ‘viewers like you.’ They are expressing gratitude
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This essay was first delivered on a panel ‘Touch in Contemporary Art’ at the College Art Association, Los Angeles, in 2009, through travel funds provided by the Society of North American Goldsmiths. The paper was further developed into a lecture and presented at SOFA Chicago in November 2009 and subsequently presented at University of El
Curatorial Conundrums: Exhibiting Contemporary Art Jewelry in a Museum Read More »
Darren Waterston, Hpertrophy (crustacea), 2010, crabs, paint, courtesy of the artist and the Inman Gallery, Houston Hermann Jünger, Necklace, 1957, gold 1000/750, rubies, sapphires, moonstone, culture pearls, enamel, emeralds, exhibited at the Brussels World’s Fair 1958, donation of the artist to Die Neue Sammlung – The International Design Museum Munich, courtesy of Die Neue Sammlung
Austerity Measures Read More »
This essay was first delivered as a talk at the Going to Extremes SNAG conference in 2010 in Houston, Texas, on March 13, 2010. Aliyah Gold Amelia Toelke While thinking about these questions, I happened to mention them to gallerist Sienna Patti and we fell into a meaningful conversation about how one defines an emerging
At the Crossroads of Trends and Traditions: Emerging American Jewelry Artists Today Read More »
This essay was developed from the lecture ‘Holding Objects: What It Means to Wear Jewelry: The Psychoanalytic Mechanisms,’ presented at the Facets of Meaning symposium at Tacoma Art Museum, June 28, 2009. A version of the talk was also presented at SOFA NY in June 2010. Marcia Macdonald, If You Sit Still … You Can
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Susan Cummins, chair of the Art Jewelry Forum (AJF), and Susan Kempin, award program chair, are pleased to announce this year’s Emerging Artist Award winner, Agnes Larsson. Larsson was chosen from among 117 entries, from 38 countries.
Art Jewelry Forum Announces Agnes Larsson Winner of 2010 Emerging Artist Award Read More »
There was a lovely chill in the air as the AJF London trip got off to an appropriate start with a tea and scones event at the traditional Draycott Hotel. Most of the participants had not been to the COLLECT fair before, so we asked Liesbeth den Besten, a writer and curator from Amsterdam to
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This essay was first published in Signs of Change: Jewellery Designed to Make a Better World (Perth: Form, 2010). The accompanying exhibition was held at FORM Gallery in Perth, Australia, from April 9–May 30, 2010. On the Tiger’s Back Helen Britton and Justine McKnigh, Necklace Brooch T-shirts We can see the contemporary jewelry movement playing
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