Articles

Ruudt Peters: Corpus

Ruudt Peters, Corpus, Galerie Rob Koudijs The large charcoal grey shapes lay camouflaged against the draped black fabric –  their nebulous contours and flat surfaces absorbing the light around them. From afar you struggle to assign something recognizable to the indeterminate shapes. Some appear as stark Rorschach tests – perfectly mirrored inkblots, others as corresponding […]

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McQueen in Manhattan

Rebecca Annand reports for AJF: Alexander McQueen: Savage Beauty, The Metropolitan Museum of Art Enter New York’s Metropolitan Museum through the Great Hall. Pass by the entrances to Greek and Roman Sculpture and Egyptian Galleries to a narrow side escalator. Go up to the second floor along the balcony, through Buddhist sculptures and past cases

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2011 SOFA Speaker

In 2011, Jeannine Falino gave a lecture at SOFA NY titled “For People Who Are Slightly Mad”: American Modernist Jewelry. In her lecture, Falino talked about her upcoming Museum of Arts and Design exhibition called Crafting Modernism, presenting the work of some of the modernist jewelers whose work is featured in the show. This lecture was sponsored

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Loaded

I’ve been trying to understand a trend, not just in art jewelry, but pop culture in general. The sharp, angular shapes of handguns and semi-automatic rifles as graphic black silhouettes or cheeky, bubblegum pink outlines are everywhere. T-shirts, decals, pendants and even cufflinks – guns, apparently, are ‘in.’ Karl Lagerfeld, Gunshoe Now I will be

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Art Jewelry 2.0

Since its inception in the mid-twentieth century, art jewelry has been defined by limited hand production in an artistic studio-practice paradigm. However, in the 1980s, advances in computer-aided design and manufacturing technologies led to the expansion of this definition, rendering the studio and hand manufacturing useful characterizations rather than steadfast criteria for defining art jewelry.

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