Geraldine Fenn, Lover’s Eye, 2015, pin, silver, 9-karat yellow gold, oil paint on brass, diamond, pearl, 85 x 25 x 8 mm, photo: Sarah de Pina Tinsel Gallery, in South Africa, is developing a reputation for showcasing innovative and exciting work, mixing commercial events with more conceptually driven exhibitions that push the boundaries of art […]
Malin Lövgren, Linnéa Eriksson, Karin Roy Andersson, Hanna Liljenberg, 2016, photo: Lasse Karlsson Established in 2010 and located in Gothenburg, Four’s concept combines a contemporary jewelry gallery, shop, and workshop in a creative space that showcases the owners’ own work, as well as artists from around the world. In a vibrant art jewelry city such
Karin Roy Andersson Read More »
Exhibition view, Gioielli in Fermento 2016, Torre Fornello Ancient Stables, Piacenza Hills, Italy, photo: Angela Petrarelli Passionate about both wine and contemporary jewelry, Eliana Negroni discusses the rise and rise of Gioielli in Fermento, an international jewelry competition whose brief seeks to marry wine with jewelry. Run out of Italy’s wine hills, this project taps into the
Jim Cotter, various pieces from the Cement series, 1990–2010, various materials and dimensions, photo: J. Cotter Studio Jim Cotter is a jewelry artist and gallery owner based in Colorado. Over the years I have heard many stories about Cotter, his humor, and his love of life. (It was a pleasure to finally meet him while
Jim Cotter: J. Cotter Gallery Read More »
Interior view, Fingers gallery, photo: Michael Couper Fingers is more than just a gallery. With 40+ years of history, it’s a reflection of the extensive progress of art jewelry, but also a reflection of social and political changes in New Zealand. Today we speak with Pauline Bern and Alan Preston, two members of the cooperative,
Interview with Alan Preston and Pauline Bern Read More »
QUOIL’s interior, Wellington, New Zealand, photo: Billie Brook QUOIL is a contemporary jewelry gallery in Wellington, New Zealand, that represents solely New Zealand artists. The breadth of the work represented is refreshing and stands witness to the creative strength of the country. QUOIL’s current exhibition, from December 2016 through January 2017, is LUSTRE, a bright
(left) The Shibumi Gallery doors and meeting area, 2016, photo: Mark Tucsman; (right) April Higashi in her gallery, 2015, photo: Maren Caruso I have known April Higashi for many years and—full disclosure—she worked for me when I owned a gallery for a number of years. I think April is the ideal model for the new
John Moore, Diamond Verto Necklace, 2015, sterling silver, 18-karat gold, diamonds, steel, silicone, magnets, 210 mm diameter, photo: artist Bonnie Levine is the kind of person who wants to do things right. She’s honest, earnest, and takes care to think before she leaps. So I can imagine that before she decided to start a gallery,
Exterior view, Ra Gallery, 1979, Lange Leidsedwarsstraat, Amsterdam, photo: courtesy Ra Gallery The past decade has given most independent art practitioners occasional cause for dismay, as culture budgets get slashed and jewelry departments fight for their economic survival. In this climate, I find it particularly important to celebrate the resilience of jewelry dealers around the
In Conversation with Paul Derrez, Mike Holmes, and Noel Guyomarc’h Read More »
Daniel Kruger, Necklace, 2014, silver, acrylic, pigment, 540 mm long, largest element: 85 x 85 mm, photo Udo W. Beier Olga Zobel is the director of Galerie Biró, a gallery that serves as a benchmark in the field. A pivotal player in the establishment of Munich as the European capital of contemporary jewelry, Zobel is also
Henriette Schuster, Conglomerates, 2016, rings, silver, blackened silver, gold, largest 35 x 25 x 20 mm, photo: artist Now in its second iteration, the Mari Funaki Award for Contemporary Jewellery is an international biennial award founded in memory of the life and legacy of its namesake, Australian artist Mari Funaki. In this interview, Katie Scott,
Ame Gallery, photo: Andy Kwan Former interior architect Anna Cheng was all set to enter the family business selling traditional fine jewelry in the competitive Hong Kong market. But fate intervened. While traveling through Europe and the US, Cheng was exposed to contemporary art jewelry, fell in love with it, and the rest, as they
