Jill Baker Gower, Fleshgem Brooch #1, 2013, rubber, garnets, pearls, silver, 69.9 X 85.7 X 19 mm, photo by artist Jill Baker Gower is an artist, metalsmith, and educator. Her jewelry, often based on the female experience, has been widely exhibited and printed in publications such as Metalsmith magazine and the book 500 Enameled Objects. […]
Jill Baker Gower: Dermal Read More »
Chiara Scarpitti, Ushabti, 2015, ornamental pendant, gold-plated silver, Plexiglas, steel, passementerie, 300 x 150 x 10 mm, photo: U. Puca With a PhD in design and innovation, Chiara Scarpitti is an artist who combines anthropological research with digital manufacturing in thought-provoking jewelry. She thinks of herself as a designer who specializes in contemporary jewelry and
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Aurélie Guillaume, Florentino, 2015, necklace, enamel on copper, sterling silver, fine silver, powder-coated brass, gold-plated copper, 110 x 500 x 27 mm, photo: Eliot Wright Aurélie Guillaume, a recent graduate of Nova Scotia College of Art and Design University (NSCAD), won the 2015 L.A. Pai Gallery student competition. This award is based on technical excellence,
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Sofia Björkman making a sketch with a 3D pen, 2015, photo: Jenny Edlund Sofia Björkman is a contemporary jewelry phenomenon and an example for us all. She is a trained artist, a self-taught gallery owner, a creative mother, and open to it all. How does one woman pack so much into each day? Her show
Sofia Björkman—The Artist, Sofia Björkman—The Curator Read More »
The following interview was conducted in the wake of Areta Wilkinson’s exhibition titled Whakapaipai: Jewellery as Pepeha, which was shown at the Canterbury Museum in association with The National, Objectspace, and is now at The Dowse Art Museum. The work she presented is the result of four years of doctoral research, for which she was
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Rian de Jong, Found at: Sao Paulo/Made in: Rio Grande, 2015, ring, copper, silver, tourmaline, quartz, 35 x 30 x 10 mm, photo: artist Rian de Jong’s show at Gallery Loupe consists of photographs of landscapes where the jewelry was made, as well as the jewelry itself. Rian is an interesting artist not only because
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Apinya Boonprakob, Untitled, 2008, shoulder brooch, fine silver, sterling silver, 24-karat gold, freshwater pearls, tourmalines, 100 x 50 x 15 mm, photo: Shinratna Kaewdirok Apinya Boonprakob is a Thai jewelry artist who holds a PhD from the Royal College of Art, London, and exhibits internationally. She now works as a professor at Chulalongkorn University, Thailand.
Apinya Boonprakob: Something about Jewellery and a Woman Read More »
Mielle Harvey, Golden Bird Ring, 2011, sterling silver, 23-karat gold leaf, oil paint, 51 mm, photo by artist Mielle Harvey is a sensitive jeweler with interests in the birds and the bees, with living and dying, and all the fragile and meaningful aspects of life. Her show at Maurer Zilioli Contemporary Arts consists of both
Joe Sheehan is a carver from New Zealand. He carves basalt into the shape of TV remotes and other non-stone-age gadgets. They are simply beautiful. What more can I say? In his show at Velvet da Vinci, he displayed a wide array of these in conjunction with the work of another New Zealander, Craig McIntosh.
Joe Sheehan: The Quick and the Dead Read More »
With a background in fashion and millinery, Stephie Morawetz playfully constructs her jewelry with bright colors, overwhelming scale, and expressive shapes—creating adornment for a future when plastic is a rare commodity, and people of mixed cultures are not afraid to speak out loud through jewelry. Olivia Shih: You hold a BA in fashion and design from
Stephie Morawetz: Night and Day Read More »
“I think there is a difference between conversation and real talking. Real talking doesn’t exist very much. Most talk is just conversation, which I don’t really like. You cannot force real talk—and sometimes it can be overwhelming. Real talking is when language comes. It’s not guided by you. You might feel it, but only later
Talking with Manfred Bischoff Read More »
Ria Lins, a Belgian artist, is amazed by interpersonal relationships and by people’s ability to adapt rather easily to the rapid changes and diversity of our society. Her jewelry is inspired by these notions, as well as by themes like “contact,” “connection,” “comfort,” and “mending,” which convey her feelings and ideas to others. But it’s
