Maiko Takeda, Atmospheric Reentry, 2013, headwear, plastic film, acrylic, silver, dimensions variable, photo: Bryan Huynh Looking at the work of artists from a wide range of practices—artists like Yuka Oyama, Rachel Timmins, Lucy McRae, or Nick Cave—there seems to be a surge of interest for deploying ornamentation, or body art, over the whole body of […]
Roseanne Bartley wearing Necklace 1978, Melbourne, September 2016, photo: Roseanne Bartley A note on bibliographical references: The typographical complexity of this publication requires that we bend some of the rules of AJF’s style guide. Bibliographical references are given in the body of text as “(Author, page)” rather than in footnotes. —Benjamin Lignel, editor INTRODUCTION This
An Encounter with Necklace 1978 Read More »
AJF Hangouts takes the pulse of the rapidly expanding world of global art jewelry. We hear from voices in emerging jewelry scenes, featuring those with the responsibility of representing their country as AJF Ambassadors. Despite the varying quality of video feeds, it’s quite amazing that we can now use this platform to connect people together
AJF Hangouts-South Asia Read More »
Cover, Glenn Adamson, Elissa Auther, Edward S. Cooke, Jr., Tanya Harrod, Stephen Knott (editors), The Journal of Modern Craft, volume 9, issue 1, March 2016, photo: Benjamin Lignel The latest issue of the Journal of Modern Craft was plonked into my letterbox with some months of delay. My guess is that this extra time is
You Are Not a Lemming Read More »
“Is there a place for installation-based works in the field of contemporary jewelry?” Is there? In 20 very brief minutes, Portland, Oregon-based artist and AJF contributor Courtney Kemp delivers a densely researched exposé in front of a humming audience. She picks at the scab of “jewelers that make no jewelry, but on a large scale”
AJF Hangouts takes the pulse of the rapidly expanding world of global art jewelry. We hear from voices in emerging jewelry scenes, featuring those with the responsibility of representing their country as AJF Ambassadors. Despite the varying quality of video feeds, it’s quite amazing that we can now use this platform to connect people together
AJF Hangouts-South Africa Read More »
This is the way Zimmerhof works: A core group of five people (the hosts) invites a team of willing organizers—which tends to self-select every year—to put together the program for the next edition. The organizers pick the theme, think up a groovy line-up of speakers, get worried that they won’t show up, are reassured three
HD: Lost in Translation Read More »
AJF Ambassadors Program AJF Hangouts takes the pulse of the rapidly expanding world of global art jewelry. We hear from voices in emerging jewelry scenes, featuring those with the responsibility of representing their country as AJF Ambassadors. Despite the varying quality of video feeds, it’s quite amazing that we can now use this platform to
Strange Pleasures workshop, 2014, Edgbaston Community Centre, Birmingham, UK, photo: Toni Mayner Every once in a while, I receive an essay or a post that provides some insight into how people not “native” to contemporary jewelry might see it: what use that have for it, and what it can do to them. Siân Hindle, a
That Weird Attraction/Revulsion Thing: On Performing Art Jewelry Read More »
Marina Abramović (left) performing The Artist Is Present, 2010, The Museum of Modern Art, New York, photo: Andrew Russeth Here’s a little guideline for art world success: If you’re an artist staging a performance in a gallery, do as little as humanly possible. For her exhibition The Artist Is Present, Marina Abramović famously held court
Demo Job: Craft, Art, and the Politics of Demonstration Read More »
Alexander Blank, Bunny, 2006, gold, stag horn, 95 x 60 x 12 mm, photo: Stefan Heuser, modeled by Stefan Heuser Alexander Blank’s jewelry frequently riffs on the notion of pop-cultural-icons-as-cameo-portraits: bashed yellow “smiley-face” brooches, “skull” pendants seemingly made of the fossilized remains of Daffy Duck and the Tasmanian Devil and, in this piece, a roughly
Blank Versus Anonymous Faun: Contemporary Jewelry and Male Eroticism Read More »
Mill Valley, California, USA—Art Jewelry Forum (AJF) is pleased to announce a new international grant opportunity for mid-career artists established by San Francisco-based jewelry collector Susan Beech. The objective of this grant is to recognize a mid-career artist who has made a substantial contribution to the field and to provide resources for the artist to
AJF ANNOUNCES THE $20K SUSAN BEECH MID-CAREER GRANT Read More »
