The Emerging Artist award was first given out in 2000 as part of the Art Jewelry Forum’s commitment to encouraging younger artists to pursue careers in this field. Since its inception, AJF is delighted to have been able to increase the financial award several times to its current $5000 level. In addition, starting in 2003, […]
Emerging Artist Award Increased to $5000 Read More »
This essay was first delivered as a talk at the Society of North American Goldsmiths conference in Savannah, Georgia, in March 2008. About eighteen months ago, I attended the American Craft Council’s big conference in Houston. The agenda was heavily skewed towards a view that the future of craft lies in installation art that employs
DIY, Websites and Energy: The New Alternative Crafts Read More »
When the Museum of Arts and Design (MAD) opens its doors in its new space on Columbus Circle in New York City in fall 2008, it will inaugurate the Tiffany & Co Foundation Jewelry Gallery. ‘The opening jewelry exhibition, Elegant Armor, draws from the museum’s entire jewelry collection, with works from the 1940s to the
The Museum of Arts and Design, New York Read More »
The AJF trip to Philadelphia in 2009, was our first in conjunction with the SNAG conference and a whole lot of fun. It was a very good group and everyone had a favorite moment. At the conference itself, I think most everyone would agree that Myra Mimlitsch Gray gave the most inspired talk. She got
AJF Trip 2009: Philadelphia Read More »
AJF is accepting applications for its 2009 Emerging Artist Award. The amount of this year’s award is $5000. This is the ninth year that AJF has awarded a contemporary jewelry artist a cash award.
2009 Emerging Artist Award Announcement Read More »
Lola Brooks, brooch, 18kt gold, stainless steel, vintage ivory, diamonds, 4.5×4.5×1.5 The recent work of contemporary art jewelers such as Brigitte Adolph, Melanie Bilenker, Lola Brooks, Gesine Hackenberg, Anna Lorich, Mary Pearse, Monika Strasser and Renee Zettle-Sterling underscores the link, inherited or not, between past and present and establishes a framework for investigating the role
Heirlooms: Navigating the Personal in Contemporary Jewelry Read More »
A chance meeting with Bob Ebendorf at Penland and my penchant for his work has led to an ongoing, pen-pal relationship. It has been amazing to me that such a casual relationship could grow into a satisfying friendship based on spirited discussions of the scope of contemporary jewelry. So it was with a mix of
A Visit with Bob Ebendorf Read More »
Cindi Strauss recently completed the five-year project of creating the Ornament as Art exhibit and catalog, which showcases the avant-garde jewelry from the Helen Williams Drutt collection. She holds a bachelor’s degree in art history from Hamilton College and master’s degree in the history of decorative arts from Cooper-Hewitt/Parsons School of Design. She has been
Cindi Strauss in Conversation Read More »
Trish Rodimer’s career has taken her from suburban Philadelphia to New York City to Chicago to San Francisco, where she’s worked in corporate communications for companies as varied as Avon, Kraft and Pacific Gas & Electric. Trish served on the AJF board as the past president. In 2007, Sally von Bargen talked with Trish about her interest in
Giovanni Corvaja, 18 and 24 ct gold with 950 platinum wire, 10 X 10 X 4 cm Fast forward to California. ‘While I was living there, I took Christie Romero’s antique and period jewelry course. Christie is a wonderful teacher and guide and she introduced me to the American Society of Jewelry Historians, where I
In 2008, noted collector Donna Schneier gave a substantial part of her contemporary jewelry collection to the Metropolitan Museum. The associate curator at the museum, Jane Adlin, is collaborating with Donna on an upcoming exhibition and a publication devoted to Donna’s gift. They kindly shared some jewelry thoughts with Susan Cummins. Susan Cummins: Donna, why
Donna Schneier and Jane Adlin Read More »
This essay first appeared in Metalsmith magazine, published by the Society of North American Goldsmiths (SNAG). Bruno Martinazzi, E Se Rivolto Inver di Lei si Piega Quel Piegare E’Amore, neckpiece, 1999, 20kt yellow gold. Photo: Tony Cuhno ‘Follow your nose. Like it, wear it, lend it. Either you get it, or you don’t.’– Lois Boardman Boardman and Drutt have a
