(left) Helen Williams Drutt wearing earrings, necklace, brooch, cuff, and ring, all from her collection, photo: Andrea Baldeck; (right) Gijs Bakker, Waterman Brooch, 1990, PVC, photograph, diamonds, 152 x 67 x 6 mm, Museum of Fine Arts, Houston, Drutt Collection, photo: artist/ARS NY Throughout history, jewelry has been social marker and amulet, used to enhance […]
Contemporary Jewelry Takes a Stand Read More »
Namita Gupta Wiggers published this short essay in the book Contemporary Jewelry in Perspective, by Damian Skinner.▲ Jewelry has long served as primary evidence of wealth and status throughout global cultures. From a dowry delivered by a father to secure his daughter’s future to polite Victorian-era references to male genitalia as the “family jewels,” connections
Jewelry as a Way to Transfer Wealth Read More »
Wall at Susan Beech’s house, work by (just jewelry, left to right): Hanna Hedman, Vera Siemund, Nancy Worden, Christoph Zellweger, Pierre Cavalan, Heather White van Stolk, Anthony Roussel, Susanne Klemm, Marilyn da Silva, Maria Phillips, Jasmin Winter, Hanna Hedman, Lori Talcott, Kiff Slemmons, photo: John White I have known Susan Beech for about 30 years.
In Conversation with Susan Beech Read More »
This brief essay was originally published in Damian Skinner’s book Contemporary Jewelry in Perspective.▲ Jewelry accompanies the individual into the public space and into the crowd. It’s in the street that jewelry operates in the tension between the personal and the public, at once an object of private use and an object with an immense
Art Jewelry as a Public Art Read More »
Wallace Chan, Stilled Life, brooch, titanium, imperial jadeite, lavender jadeite, ruby, diamond, fancy colored diamond, 60 x 170 x 50 mm, photo: courtesy of Wallace Chan, Hong Kong In the fine jewelry realm, Amanda Triossi is a well-known jewelry historian who has worked at Sotheby’s and Bulgari during her prolific and multifaceted career. In this
Amanda Triossi: Glittering Objects and Brilliant People Read More »
Why and how do people and institutions collect contemporary objects, whether design, art, ceramics, textiles, wood, or jewelry? The answers to these questions are of course manifold, but one thing is for sure: There is big difference between private and public collecting in the US and Europe, and the art and design fairs are playing
Marion Fulk wearing pieces by (clockwise, from top left): Idiots, David Bielander, Jennifer Trask, and Hanna Hedman, photo: Laura Smoller Marion Fulk is an avid and discerning jewelry collector. She happily travels the world from her hometown of Little Rock, Arkansas, in search of new jewelry discoveries. She prefers extensive walking and navigating of public
The audience at The Meet, 2016, a symposium organized by Art Jewelry Forum in partnership with Current Obsession and Norwegian Crafts; Villa Stück, Munich, photo: Benjamin Lignel Why do collectors pick an artist over another? Or choose this piece by an artist, when that other piece is clearly more spectacular? How do curators select works
Well, I Like You … But I’m Not Sure I Want to Take You Home with Me Read More »
Didier, Ltd. booth, Masterpiece London, the grounds of the Royal Hospital Chelsea, Royal Borough of Kensington and Chelsea, London, UK, photo: Didier, Ltd. Didier, Ltd. is a London-based gallery founded in 2006 by Didier and Martine Haspeslagh. It specializes in jewelry created by leading modern masters—painters and sculptors—who are recognized internationally for their art. Didier,
Didier and Martine Haspeslagh of Didier, Ltd. Read More »
Karin Roy Andersson, Gray Necklace, 2015, necklace, scales of recycled plastic (from snuff boxes, oil bottle, and glycol bottle) sewn together with wire, steel frame, silver, 150 x 230 x 50 mm, photo: artist The Swedish collector Inger Wästberg is a big advocate of Swedish contemporary jewelry and has helped to bring more attention to
Inger Wästberg: Collector with a Mission Read More »
Toni Greenbaum One day perhaps, when we as a species have fully awakened, when we have mastered the Force—we will find a hologram of Toni Greenbaum within every jewelry box. Upon opening the container of our newly acquired jewel, we will be greeted by the illuminated figure of Ms. Greenbaum, materializing in a flickering beam
The Collectorship Awakenss Read More »
Photos by Kellie Riggs, taken during the Hangzhou Contemporary International Jewelry and Metal Arts Triennial 2015—China Academy of Art Photos by Kellie Riggs, taken during the Hangzhou Contemporary International Jewelry and Metal Arts Triennial 2015—China Academy of Art Dr. Carin Reinders, director of the CODA Museum in Apeldoorn, Netherlands, was one of many movers and
