Artist

Grown Digital

Nervous System, Kinematics Dress 1, 2014, 3D-printed nylon using selective laser sintering, photo: Steve Marsel In May 2015, as part of extended research on contemporary jewelers’ use of new media, I had the good fortune of spending two hours with Jesse Louis-Rosenberg and Jessica Rosenkrantz, the duo who created Nervous System and brought digital cool […]

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Rebecca Hannon: Contemporary Camouflage

Rebecca Hannon, Wave Necklace, 2016, laminate, 960 x 60 x 60 mm, photo: Andrea Wagner The brightly colored, interlocking, laminate shapes that form the perplexingly composed necklaces and brooches in Rebecca Hannon’s recent exhibition Contemporary Camouflage are the result of investigations into the effects color has on form, and the complex configurations made possible through laser

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Carolina Apolonia: Of Things Unknown but Longed for Still

Outdoor view, Carolina Apolonia’s studio, Middelburg, Netherlands, photo: Galerie Beyond Carolina Apolonia is a jeweler based in Middelburg, Netherlands, whose work has been shown in a number of exhibitions in Europe as well as Asia. She trained at the Royal Academy of Art in Antwerp, Belgium, and was the owner of gallery io for contemporary

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Jaydan Moore: Lost Causes

Jaydan Moore, Specimen #7, 2014, sculpture, found silver-plated platters, 66 x 72 x 5 cm, photo: Mercedes Jelinek Jaydan Moore is quickly gaining recognition. His recent exhibition, Lost Causes, at Ornamentum Gallery, has further sparked interest in his young career. Lost Causes, which pairs Moore with accomplished British metalsmith David Clarke, presented the different creative

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Annie Fensterstock

Annie Fensterstock, Vine Cuff, 2015, 22-karat yellow gold, 18-karat yellow gold, 18-karat white gold, full-cut diamonds, rose-cut white sapphires, 64 x 45 x 16 mm, photo: Christine Blackburne New York-based jewelry artist Annie Fensterstock is known for her intricate, richly adorned designs which utilize ancient goldsmithing techniques and traditional materials such as gold, silver, and

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Neke Moa: Mahi a-ringa

Neke Moa, Kai (Food), 2014, pendants, pounamu (New Zealand nephrite jade), paint, cord, tallest: 100 mm, photo: Spring Rees The smooth surfaces of Māori artist Neke Moa’s sculptural stone necklaces are etched with undulating lines and embellished with red enamel. Moa’s highlighted details give the impression that a red-hot vitality flows below the surface of

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Jorge Castañón: Gestures, Repairs, and other Emergencies

Jorge Castañón, Las Madrigueras, 2007, necklace, ebony, itin wood, eucalyptus, linen, 210 x 450 x 20 mm, photo: artist Jorge Castañón is a significant jeweler in Argentina. He has developed his work both as a jeweler and as a craft master, springing from a traditional craftsmanship approach to contemporary jewelry. In 1990 he founded the

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The Ephemeral Art of Petals, Paints and Bods

  Travis Chantar, (left) Julian Woodhouse, 2015; (right) Ledom, 2015, both from Tribe by Chantar Cut flowers are an iconic representation of ephemerality, the cycle of beauty and the process of death. Flowers and Tribes, two photographic series by New-York-based Travis Chantar, depict young, nude sitters adorned with ephemeral petal arrangements and body-paintings. I was

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