Portrait of Karl Fritsch Susan Cummins: Gerd Rothmann wrote about the bowl you created for this show by saying: ‘Out of this bar of gold Karl Fritsch has wrought, using a heavy hammer in a somewhat disrespectful (if not brutal, or in any case quite unsubtle) way, a somewhat misshapen looking bowl. It would seem […]
Karl Fritsch: ‘Lucy’ or scientifically: AL288-1 Read More »
Portrait of Lisa Walker Susan Cummins: You have received recognition through prizes like the 2010 Francoise van den Bosch award and your work has been collected by museums in New Zealand and Europe. You have certainly taken the lead in producing some of the most challenging contemporary jewelry this field has ever seen. What are
Lisa Walker: Powderly Read More »
Portrait of Anja Eichler Susan Cummins: Your new show at Vander A Gallery is called Urbanauts. What does that word mean? Anja Eichler: Urbanaut (pl. Urbanauts) is an invented word. Its roots come from Latin ‘urbanus’ = urbanized, courteous, witty and from Greek: ‘nautés’ = sailors. An Urbanaut cruises the cities as a sailor does
Anja Eichler: Urbanauts Read More »
Eagle Associates, LLC 9309 Inglewood Court Potomac, MD 20854 Email: eaglel@leagleart.com Phone: 301-365-1510 (Office) 240-997-0023 (Cell) 301-365-6798 (Fax) Services offered to art owners include valuation to meet all requirements, planning and advisory services, and collection management. Valuation: • Pre-acquisition and pre-disposition valuations inform buyers of market levels for a specific piece by a particular artist
Leatrice S Eagle, JD, ASA, AAA Read More »
350 West 57th Street, New York, NY 10019 Phone: 212 245 1136 Email: kmcarmel@aol.com Website: www.katecarmel.com Kate Carmel is a certified member of the Appraisers Association of America and is compliant with all USPAP requirements. When she was chief curator of the American Craft Museum (now the Museum of Arts and Design) in New York,
Facèré Jewelry Art Gallery 1420 5th Avenue, Suite 108 Seattle, WA 98101 Email: facereart@aol.com Phone: 206-624-6768 Website: www.facerejewelryart.com Karen Lorene, in retail for 40 years, is a member of the International Society of Appraisers and a Senior Member of the National Association of Jewelry Appraisers. For six years she appraised on Antiques Roadshow. She has
In 2012, Ursula Ilse-Neuman gave a lecture at SOFA NY titled ‘The Transcendent Jewelry of Margaret De Patta: Vision In Motion’. In her lecture, Ilse-Neuman spoke about De Patta’s relationship with modernism and particularly the artistic movement of constructivism. The talk was based on the exhibition Space-Light-Structure: The Jewelry of Margaret De Patta at the Museum of Arts
Mobilia Gallery in Boston, Massachusetts, has been exclusively representing Mariko Kusumoto for many years. The gallery is owned and run by the sisters Joanne and Libby Cooper. They represent many major craft artists in a variety of media but jewelry has always had a strong presence. Mariko exists on the edge of jewelry making. In other words she sometimes makes jewelry but she mainly makes magical boxes and sometimes they contain jewelry. Her fertile imagination and unusual background have lead to some wonderful pieces, which we will discuss in this interview.
Susan Cummins: You have told the story many times that you were raised in Japan in a Buddhist temple and then moved to the United States. How old were you when you moved?
Mariko Kusumoto: I was 23 years old.
Did you study jewelry and metal work here or in Japan? Tell us about your training.
I attended a high school that offered a fine art major, where I learned the basic skills of drawing, sculpture, design and painting. After that I went to Musashino Art College in Tokyo. For the first two years, my major was oil painting and then I transferred to printmaking, focusing on etching. I moved to San Francisco and attended the Academy of Art University, where I pursued printmaking. However right before I graduated, I took a book art class and also beginner and intermediate jewelry and small metal art sculpture classes, which completely changed my direction from two-dimensional work to three-dimensional. I’m not a printmaker anymore but I use etching techniques for much of my work. When I was into printmaking, I was always fascinated by etched metal more than by the printed images on the paper.
Galerie Specktrum in Munich, Germany, is having an exhibition this month with Nanna Melland. For the second interview in his series, Aaron Decker talks with Nanna and so, with a bit of synchronicity, we will post this interview to accompany her show. Nanna is a Norwegian jeweler of real intensity. And Aaron is a recent
178 Hicks Street #3, Brooklyn, NY 11201 Phone: 646 318 1944 Email: e_essner@msn.com Elizabeth Essner is a certified member of the Appraisers Association of America. She is USPAP certified and can provide appraisals for insurance, estate tax and charitable donations. A specialist in twentieth century design for nearly a decade, Elizabeth Essner began evaluating modern decorative arts focusing
Elizabeth Essner, AAA Read More »
Portrait of Joanne Rhoades and Jane Groover Susan Cummins: How long have you owned the gallery? Who else is involved? Jane Groover: I opened Taboo Studio in 1988 with three other partners. Joanna Rhoades became a partner in 1994 and it has been just the two of us for the past eighteen years. We met
Structure and Purpose Read More »
Aaron Decker portrait Aaron Decker: When did you start studying jewelry? Leonor Hipolito: 1994. I started studying sculpture in Lisbon, Portugal at Ar.Co (School of Art and Visual Communication) and had a technical education at School Contacto Directo. I wanted to continue with sculpture, but then I switched to jewelry. I was very focused on
