TWEEX 2 exhibition, photo: Xavier Ury Susan Cummins: How does TWEEX 2 expand on the theme of the transmission of knowledge from the teacher to the student in the jewelry programs in Belgium, which you began with TWEEX 1? Françoise Vanderauwera: Using the theme of transmission, the whole TWEEX project contributes to a better understanding […]
Donald Friedlich, Aqua Series Brooch, 2013, glass, 22-karat gold, 18-karat gold, 14-karat gold, 57 x 60.3 x 9.5 mm, photo: Larry Sanders Missy Graff: Please tell me about your background. How did you become interested in making jewelry? Donald Friedlich: In my early 20s, I met a jeweler while ski bumming in Stowe, Vermont. Up
Donald Friedlich: Organic Matter Read More »
Laura Deakin, Our Planet on Tuesday the 14th August 2012, 2012, necklace, polyester resin, newspaper pigment, silver, 660 mm, photo: artist Missy Graff: Please tell me about your background. How did you become a jeweler? Laura Deakin: My parents have always been a huge influence in my life. My dad is an illustrator and retired
Laura Deakin: My Press Read More »
Marie-Louise Kristensen portrait, photo: Jeanette Land Schou Susan Cummins: Please describe your project called BANGKO{K}LLECTION. Why did you choose Bangkok? Marie-Louise Kristensen: Well it’s more like Bangkok chose me. In 2011, a while after I finished working on CPH:DUCKS (a solo exhibition at Goldfingers in Copenhagen), I got in contact with Atty, the director of
Marie-Louise Kristensen BANGKO{K}LLECTION Read More »
Agathe Saint-Girons, Révolution ring, 2005, pink gold, moonstones, 580 mm, photo: Elsa Vanier Missy Graff: What is the Circuits Bijoux, and who organized it? Elsa Vanier: Circuits Bijoux is presented by Ateliers d’Art de France in partnership with Les Arts Decoratifs Museum and the Un Bijou à l’Autre Association. Circuits Bijoux will be presenting around
Agathe Saint-Girons: 20 Years in TRANS Read More »
Joyce Scott, photo: John Dean Susan Cummins: Joyce, when did you first know you were going to be an artist? Joyce Scott: In vitro. I was born with one of the best-decorated placenta. I know you have repeated the story of your mother and her influence on you many times, but would you mind repeating
Marian Hosking Susan Cummins: Please tell the story of when you knew you wanted to make jewelry. Marian Hosking: While at high school, I was interested in architecture, Le Corbusier and the Modern movement. I started an architecture degree at Melbourne University, only for a few weeks, in 1967. I believed I could be studying
Marian Hosking: greetings from … Read More »
Anne-Marie Rébillard, Series Trace, 2013, brooch, driftwood, plastic, epoxy, pigments, cotton, 70 x 70 x 30 mm, photo: Michel Gauvin Missy Graff: Please tell me about your background. How did you become interested in making jewelry? Gabrielle Desmarais: When I first began college, I studied administration while making fashion jewelry for small shops in town.
Gabrielle Desmarais and Anne-Marie Rébillard: Ce qui n’est pas là Read More »
If you want an article about how the 3D printer will change our world and usher in a New Industrial Revolution go elsewhere. There is no dearth—on the web, in the news, or in print—of literature that compares 3D printing to the second coming. As for me, I’m not sure whether we have really
3-D Printing: Hot Air? Read More »
Atelier Zobel, Ring, 22k and 18k gold, sterling silver, black diamond (2.5ct), champagne colored diamonds VS1 (0.12ct total weight), black diamonds (0.12ct total weight), size 7, photo: Andrea Marx Susan Cummins: Peter, what is your role at Atelier Zobel? Peter Schmid: I am the new face of Atelier Zobel. I worked for Atelier Zobel for
Yvonne Joris Died: September 29, 2013 in Leuven, Belgium It was June 1982 when I first met Yvonne Joris at my eponymous gallery in Philadelphia. Within minutes, I fell under her enthusiastic spell and passion for the arts. She was accompanied by Evert van Straaten, who eventually became the director (now retired) of the Kröller-Müller
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Sponsored by Cranbrook Academy of Art and Art Jewelry Forum In this talk, Mònica Gaspar uses the term “object-ography” (writing about objects) to describe her practice, which finds her curating around and researching on the encounters and “dis-encounters” between people and things in everyday life. She introduces the audience to some of the art jewelry,
An Evening with Mònica Gaspar at Cranbrook Read More »
