Joyce Scott, photo: John Dean Susan Cummins: Joyce, when did you first know you were going to be an artist? Joyce Scott: In vitro. I was born with one of the best-decorated placenta. I know you have repeated the story of your mother and her influence on you many times, but would you mind repeating […]
Marian Hosking Susan Cummins: Please tell the story of when you knew you wanted to make jewelry. Marian Hosking: While at high school, I was interested in architecture, Le Corbusier and the Modern movement. I started an architecture degree at Melbourne University, only for a few weeks, in 1967. I believed I could be studying
Marian Hosking: greetings from … Read More »
Anne-Marie Rébillard, Series Trace, 2013, brooch, driftwood, plastic, epoxy, pigments, cotton, 70 x 70 x 30 mm, photo: Michel Gauvin Missy Graff: Please tell me about your background. How did you become interested in making jewelry? Gabrielle Desmarais: When I first began college, I studied administration while making fashion jewelry for small shops in town.
Gabrielle Desmarais and Anne-Marie Rébillard: Ce qui n’est pas là Read More »
If you want an article about how the 3D printer will change our world and usher in a New Industrial Revolution go elsewhere. There is no dearth—on the web, in the news, or in print—of literature that compares 3D printing to the second coming. As for me, I’m not sure whether we have really
3-D Printing: Hot Air? Read More »
Atelier Zobel, Ring, 22k and 18k gold, sterling silver, black diamond (2.5ct), champagne colored diamonds VS1 (0.12ct total weight), black diamonds (0.12ct total weight), size 7, photo: Andrea Marx Susan Cummins: Peter, what is your role at Atelier Zobel? Peter Schmid: I am the new face of Atelier Zobel. I worked for Atelier Zobel for
Yvonne Joris Died: September 29, 2013 in Leuven, Belgium It was June 1982 when I first met Yvonne Joris at my eponymous gallery in Philadelphia. Within minutes, I fell under her enthusiastic spell and passion for the arts. She was accompanied by Evert van Straaten, who eventually became the director (now retired) of the Kröller-Müller
In Memory of Yvonne Joris Read More »
Sponsored by Cranbrook Academy of Art and Art Jewelry Forum In this talk, Mònica Gaspar uses the term “object-ography” (writing about objects) to describe her practice, which finds her curating around and researching on the encounters and “dis-encounters” between people and things in everyday life. She introduces the audience to some of the art jewelry,
An Evening with Mònica Gaspar at Cranbrook Read More »
Melissa Tolar, Crystal Dimension with Red, 2012, brooch, enamel, copper, sterling silver, plastic, copper leaf, glass, Swarovski crystal, quartz, 88.9 x 63.5 x 25.4 mm, photo: artist Susan Cummins: How did this curatorial collaboration come about? Please describe a little about yourselves in the process. Brian Weissman: Every now and then, Erin and I like
Siamese Connection Read More »
Sponsored by California College of the Arts and The Rotasa Foundation Marginalized from mainstream culture, contemporary jewelers have started colonizing the spaces available to them to (re)define their practices and the field at large. In this joint lecture, Liesbeth den Besten and Benjamin Lignel, contributors to Contemporary Jewelry in Perspective, look at two facets of
Dissolve and Disseminate! Read More »
Contemporary jewelry is doing OK. It does not need another pat on the back in the form of a 300-page book of images. When taking on the task of editor in 2010, Damian Skinner decided to treat Contemporary Jewelry in Perspective as an opportunity to examine jewelry as a mature, fully developed practice. Rather than
This Is Not a Book (Part 2) Read More »
Simon Cottrell, Layer clump leg, 2013, brooch, Monel 400, mirrored synthetic polymer resin, stainless steel, 110 x 80 x 50 mm, photo: artist Susan Cummins: Before we start with the more in-depth questions, please tell me how you came to be where you are, doing what you are doing. Simon Cottrell: In 1997, I completed
SIMON COTTRELL: SURFACE DEPTHS Read More »
Contemporary jewelry is doing OK. It does not need another pat on the back in the form of a 300-page book of images. When taking on the task of editor in 2010, Damian Skinner decided to treat Contemporary Jewelry in Perspective as an opportunity to examine jewelry as a mature, fully developed practice. Rather than
This Is Not A Book (Part 1) Read More »
