Articles

AJF Hangouts-South Africa

AJF Hangouts takes the pulse of the rapidly expanding world of global art jewelry. We hear from voices in emerging jewelry scenes, featuring those with the responsibility of representing their country as AJF Ambassadors. Despite the varying quality of video feeds, it’s quite amazing that we can now use this platform to connect people together […]

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HD: Lost in Translation

This is the way Zimmerhof works: A core group of five people (the hosts) invites a team of willing organizers—which tends to self-select every year—to put together the program for the next edition. The organizers pick the theme, think up a groovy line-up of speakers, get worried that they won’t show up, are reassured three

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AJF Hangouts

AJF Ambassadors Program AJF Hangouts takes the pulse of the rapidly expanding world of global art jewelry. We hear from voices in emerging jewelry scenes, featuring those with the responsibility of representing their country as AJF Ambassadors. Despite the varying quality of video feeds, it’s quite amazing that we can now use this platform to

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Blank Versus Anonymous Faun: Contemporary Jewelry and Male Eroticism

Alexander Blank, Bunny, 2006, gold, stag horn, 95 x 60 x 12 mm, photo: Stefan Heuser, modeled by Stefan Heuser Alexander Blank’s jewelry frequently riffs on the notion of pop-cultural-icons-as-cameo-portraits: bashed yellow “smiley-face” brooches, “skull” pendants seemingly made of the fossilized remains of Daffy Duck and the Tasmanian Devil and, in this piece, a roughly

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AJF ANNOUNCES THE $20K SUSAN BEECH MID-CAREER GRANT

Mill Valley, California, USA—Art Jewelry Forum (AJF) is pleased to announce a new international grant opportunity for mid-career artists established by San Francisco-based jewelry collector Susan Beech. The objective of this grant is to recognize a mid-career artist who has made a substantial contribution to the field and to provide resources for the artist to

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Boxed Nakedness: EXPORT Versus Bakker

VALIE EXPORT, Tapp und Tastkino (Touch Cinema), 1968–1971, performance, photo: mumok, Vienna The late 1960s were turbulent times. Liberation, emancipation, and democratization were the truths of the day. Social codes were exceeded, and people enjoyed the freedom of the sexual revolution. Taking off one’s clothes publicly, for instance at festivals like Woodstock, was a sign

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Made Together

Rirkrit Tiravanija, Soup/No Soup, 2012, Grand Palais, Paris, during which the artist transformed part of the Grand Palais into a huge, twelve-hour banquet serving only Tom Kha soup, photo: Marc Sanchez “In reaction against commodification in the art world, the relational paradigm read art in terms of its audience relations. The artist was no longer

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On Collecting

Why and how do people and institutions collect contemporary objects, whether design, art, ceramics, textiles, wood, or jewelry? The answers to these questions are of course manifold, but one thing is for sure: There is big difference between private and public collecting in the US and Europe, and the art and design fairs are playing

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AJF Hangouts-China

AJF Hangouts takes the pulse of the rapidly expanding world of global art jewelry. We hear from voices in emerging jewelry scenes, featuring those with the responsibility of representing their country as AJF Ambassadors. Despite the varying quality of video feeds, it’s quite amazing that we can now use this platform to connect people together

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AJF Hangouts-East Asia

AJF Hangouts takes the pulse of the rapidly expanding world of global art jewelry. We hear from voices in emerging jewelry scenes, featuring those with the responsibility of representing their country as AJF Ambassadors. Despite the varying quality of video feeds, it’s quite amazing that we can now use this platform to connect people together

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