AJF Florence 2016 trip participants, photo: Joan Borinstein Between October 24 and October 31, 2016, Art Jewelry Forum (AJF) visited Padua, Vicenza, and Florence in order to experience art jewelry in Italy today. The visit, as AJF trips always do, provided collectors old and new with a rich diet of studio and school visits, […]
Art Jewelry Forum’s 2016 Trip to Italy Read More »
Exhibition view, COLLECT, 2015, the Saatchi Gallery, London, photo: Juno Snowdon The last of 17 filled-out questionnaires has just landed in my inbox, and once again, I marvel at the availability and professionalism of the organizers of jewelry events (which will be abbreviated as “JEs” in the rest of this article) around the world: All
Surging and Hopeful: Jewelry Weeks around the Globe Read More »
(left) Helen Williams Drutt wearing earrings, necklace, brooch, cuff, and ring, all from her collection, photo: Andrea Baldeck; (right) Gijs Bakker, Waterman Brooch, 1990, PVC, photograph, diamonds, 152 x 67 x 6 mm, Museum of Fine Arts, Houston, Drutt Collection, photo: artist/ARS NY Throughout history, jewelry has been social marker and amulet, used to enhance
Contemporary Jewelry Takes a Stand Read More »
Maiko Takeda, Atmospheric Reentry, 2013, headwear, plastic film, acrylic, silver, dimensions variable, photo: Bryan Huynh Looking at the work of artists from a wide range of practices—artists like Yuka Oyama, Rachel Timmins, Lucy McRae, or Nick Cave—there seems to be a surge of interest for deploying ornamentation, or body art, over the whole body of
Roseanne Bartley wearing Necklace 1978, Melbourne, September 2016, photo: Roseanne Bartley A note on bibliographical references: The typographical complexity of this publication requires that we bend some of the rules of AJF’s style guide. Bibliographical references are given in the body of text as “(Author, page)” rather than in footnotes. —Benjamin Lignel, editor INTRODUCTION This
An Encounter with Necklace 1978 Read More »
AJF Hangouts takes the pulse of the rapidly expanding world of global art jewelry. We hear from voices in emerging jewelry scenes, featuring those with the responsibility of representing their country as AJF Ambassadors. Despite the varying quality of video feeds, it’s quite amazing that we can now use this platform to connect people together
AJF Hangouts-South Asia Read More »
Cover, Glenn Adamson, Elissa Auther, Edward S. Cooke, Jr., Tanya Harrod, Stephen Knott (editors), The Journal of Modern Craft, volume 9, issue 1, March 2016, photo: Benjamin Lignel The latest issue of the Journal of Modern Craft was plonked into my letterbox with some months of delay. My guess is that this extra time is
You Are Not a Lemming Read More »
“Is there a place for installation-based works in the field of contemporary jewelry?” Is there? In 20 very brief minutes, Portland, Oregon-based artist and AJF contributor Courtney Kemp delivers a densely researched exposé in front of a humming audience. She picks at the scab of “jewelers that make no jewelry, but on a large scale”
AJF Hangouts takes the pulse of the rapidly expanding world of global art jewelry. We hear from voices in emerging jewelry scenes, featuring those with the responsibility of representing their country as AJF Ambassadors. Despite the varying quality of video feeds, it’s quite amazing that we can now use this platform to connect people together
AJF Hangouts-South Africa Read More »
This is the way Zimmerhof works: A core group of five people (the hosts) invites a team of willing organizers—which tends to self-select every year—to put together the program for the next edition. The organizers pick the theme, think up a groovy line-up of speakers, get worried that they won’t show up, are reassured three
HD: Lost in Translation Read More »
AJF Ambassadors Program AJF Hangouts takes the pulse of the rapidly expanding world of global art jewelry. We hear from voices in emerging jewelry scenes, featuring those with the responsibility of representing their country as AJF Ambassadors. Despite the varying quality of video feeds, it’s quite amazing that we can now use this platform to
Strange Pleasures workshop, 2014, Edgbaston Community Centre, Birmingham, UK, photo: Toni Mayner Every once in a while, I receive an essay or a post that provides some insight into how people not “native” to contemporary jewelry might see it: what use that have for it, and what it can do to them. Siân Hindle, a
That Weird Attraction/Revulsion Thing: On Performing Art Jewelry Read More »
