Dr. Petra Hölscher serves an important role in our community as the dedicated curator of an annual jewelry exhibition in a museum of global renown. This in-depth interview not only spans her education and career, but also touches on the histories of the collections of the Danner Foundation and Die Neue Sammlung and the curations […]
In Conversation with Dr. Petra Hölscher Read More »
Sofia Björkman and Karin Roy Andersson attended the 2020 Parcours Bijoux—the third edition—and generously sent in photos to share with AJF’s readers. (And thank you to Ben Lignel for contributing a photo, as well!) Parcours Bijoux hosted some 30 events; this photo essay includes impressions from 10 different exhibitions, including one Björkman and Andersson put on together. Don’t
Photos from Parcours Bijoux Read More »
The moon over Zhuxi I gaze out the window of a seminar room where masters and officials are discussing the current state of lacquer art. The full moon rises above the mountains of Zhuxi. It silhouettes the trees whose resin is extracted at night to produce some of the finest lacquer in China. Meanwhile, inside,
Lacquer Rises in the East Read More »
In Pakistan and in India, there is a word—darshan—for looking at images. It comes from Hinduism, and refers to indigenous receptivity of sacred images. Darshan is visual receptivity, an intense absorption. Whether it’s jewelry, shrines, cinema, this indigenous absorption, a culturally specific receptivity to imagery, wraps around all forms of visual sites. Ali Khurshid, Shrine
Reading Pakistan’s Jewelry Read More »
When AJF profiled Iris Eichenberg and Jimena Ríos’s Hand Medal Project[1] in early May 2020, it was hard to imagine what the future held. The organizers wanted to honor the bravery of frontline medical workers fighting COVID-19. They hoped that the global jewelry community could create a tangible way to honor their care by creating
Helping Hands (In English/En Español) Read More »
The following essay highlights the work of Eva van Kempen during the current challenges regarding the themes of health, women’s rights, and individual freedoms. The text takes its cue from the catalog—not yet made public—of the Nuda Vita exhibition that should have taken place in Munich during Munich Jewellery Week 2020, which was unfortunately canceled
A student of literature and a passionate advocate of art jewelry, gallerist Marta Tamagit opened her gallery and incubator, Tamagit, in Barcelona, to bridge the gap between artist and collector, maker and wearer. Her multifaceted platform not only showcases the work of jewelry artists from all over the world, it also encourages collectors to “co-create”
In Conversation with Marta Tamagit Read More »
At the Escuela de Arte de Sevilla, in Spain, metalworking students usually spend early spring working with local workshops to make religious jewels and decorations in preparation for the Holy Week, or Semana Santa. This year was different, as it was for so many around the world. As a result of COVID-19, there were no
A great show was expected. A major exhibition, held since 1959, with nothing to compare. By the second week of March, a total of 120 jewelry events were supposed to take place in Munich. Nothing predicted the “poetics” of an all-European pandemic, although more sensitive noses could smell gunpowder even in the United States. Then
Wartime Schmuck and Force Majeure Read More »
Cristina Filipe, Contemporary Jewellery in Portugal: From the Avant-Garde of the 1960s to the Early 21st Century. Stuttgart: Arnoldsche Art Publishers, 2019. Published in 2019 in both a Portuguese and an English version, this book offers a historical and critical approach to contemporary jewelry in Portugal. With a very clear organization, the work consists of
The Book Contemporary Jewellery in Portugal Read More »
Drag Power – Gender, pride & glamour November 3, 2019–March 1, 2020 CODA Museum, Apeldoorn, the Netherlands Curated by Paul Derrez, Willem Hoogstede, and Roosmarij Deenik R’JEAN by Arjan van Nieuwkoop, Angelina Loqui, photo from the series Drag Royals Each Side Has a Face, 2018, photo courtesy of CODA The exhibition Drag Power – Gender,
Fearlessly Self-Made Read More »
This year, the 17th Erfurter Schmucksymposium took place August 5–19, 2019, in Erfurt, Germany. It had the motto—and how could it be any different on the centennial of the most important design school of the 20th century?—”100 years of Bauhaus.” And thus the title 17:100 does not stand for the final score of some unknown
The 17th Erfurter Schmucksymposium 17:100 Read More »
