The Jewellery Box chronicles Jorunn Veiteberg’s jewelry collection. Our reviewer calls it one of the best books about jewelry ever. Life-sized photos of the pieces—presented in order of purchase—appear almost from the start. Refreshing! Veiteberg examines her motivation to collect, shining a light on this human urge The author quotes from her diaries and talks about […]
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Museum of Arts and Design. Jewelry Stories: Highlights from the Collection 1947–2019. Edited by Barbara Paris Gifford. Stuttgart: Arnoldsche, 2021. Published in conjunction with the exhibition 45 Stories in Jewelry, Jewelry Stories: Highlights from the Collection 1947–2019 offers a visual as well as literary feast. It celebrates the art jewelry collection of New York’s Museum
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Manfred Bischoff: Ding Dong, Rike Bartels, ed., with contributions by Cornelie Holzach, Liesbeth den Besten, Matthew Drutt, Helen W. Drutt English, and Karl Bollmann, book design by Gabi Veit (Stuttgart: Arnoldsche, 2021). Even for those of us who love and are surrounded by books, every once in a while there will be one that comes
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Cartier and Islamic Art: In Search of Modernity May 14–September 18, 2022 Dallas Museum of Art, Dallas, TX, US At the dawn of the 20th century, the introduction of the aesthetic elements of Islamic art through exhibitions, publications, travels, and personal collections fueled new ideas and possibilities at Cartier. The Maison began to conceptualize and
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Iris Eichenberg: Where Words Fail June 25–October 30, 2022 Museum of Craft and Design, San Francisco, CA, US “That we find a crystal or a poppy beautiful means that we are less alone, that we are more deeply inserted into existence than the course of a single life would lead us to believe.” —John Berger
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350 Words for Jewellery isn’t the kind of a book you’d bring on vacation. Instead, jewelry designer and researcher Barbara Schmidt’s deliberate prose leads the reader on an intellectually stimulating journey that roams broadly through the expansive world of jewelry.[i] Referencing 75 different languages, Schmidt follows the deep connection of jewelry to all aspects of
45 Stories in Jewelry: 1947 to Now February 13, 2020–April 10, 2022 Museum of Arts and Design, New York City, NY, US The Museum of Arts and Design in New York City has organized an exhibition featuring 105 works from their permanent jewelry collection of over 950 pieces. Curated thematically, the showcases are designed to
Contemplation and Conversation About 45 Stories in Jewelry: 1947 to Now Read More »
DesignLab #11 | LithoMania January 21–April 3, 2022 Kunstgewerbemuseum der Staatlichen Museen zu Berlin, Germany Claudia Banz, Ute Eitzenhöfer (eds), LithoMania Design Lab #11, Stuttgart: Arnoldsche, 2022. In the exhibition LithoMania, gemstone and jewelry students from Idar-Oberstein look from a distance at their primal material, the gemstone. They ask questions full of curiosity and criticality
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Réka Fekete, A Dance of Light and Shadow, self-published, 2021. Réka Fekete doesn’t have much time left. There is a time in our lives when things fall apart and we feel unable to control the slow collapse. It happens to all of us. Réka doesn’t want to have a recurring cancer at age 39. She
Deganit Stern Schocken: How Many Is One: Jewellery/Objects/Installations, Stuttgart: arnoldsche Art Publishers, 2021. Like her jewelry, the title of Deganit Stern Schocken’s monograph, How Many Is One, is intriguing, stimulating, not easily unraveled, but rewarding when you pry deeper. Even the first word “How” in the unpunctuated title is challenging as it can be read
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Shinji Nakaba/ UBUI (First Time) November 6–December 31, 2021 Gallery Loupe, Montclair, NJ, US The historical, the erotic, and the overlooked only begin to describe the jewelry of the unconventional Japanese jeweler Shinji Nakaba (b. 1950). The artist was virtually unknown in the West until 2001, when his work began to achieve wider recognition.[1] As
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Betty Cooke: The Circle and the Line September 19, 2021–January 2, 2022 The Walters Art Museum, Baltimore, MD, US A successful retrospective exhibition feels like an immersive experience. The visitor should almost get the impression of traveling in a time machine. There’s a certain magnificence in viewing so much of an artist’s body of work
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