Andy Lowrie, Leaf Demon, 2016, brooch, paint, copper, sterling silver, stainless steel pin, 100 x 105 x 30 mm, photo: Michelle Bowden The co-founders of Brooklyn Metal Works, Erin Daily and Brian Weissman, teamed up with jewelry artist Steven Holman to curate an exhibition that explores humankind’s oscillation between autonomy and spiritual influence. From rabbit […]
Erin S. Daily, Steven Gordon Holman, and Brian Weissman Read More »
Interior of Tinsel Gallery The concept of portraiture is an intriguing one in art jewelry. From allusions to historical references to the modern “selfie,” the range of interpretations it lends itself to is boundless. Tinsel Gallery, in Johannesburg, South Africa, is currently showing the group show Portrait. In this interview, I talk with one of
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Rebecca Hannon, Wave Necklace, 2016, laminate, 960 x 60 x 60 mm, photo: Andrea Wagner The brightly colored, interlocking, laminate shapes that form the perplexingly composed necklaces and brooches in Rebecca Hannon’s recent exhibition Contemporary Camouflage are the result of investigations into the effects color has on form, and the complex configurations made possible through laser
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Outdoor view, Carolina Apolonia’s studio, Middelburg, Netherlands, photo: Galerie Beyond Carolina Apolonia is a jeweler based in Middelburg, Netherlands, whose work has been shown in a number of exhibitions in Europe as well as Asia. She trained at the Royal Academy of Art in Antwerp, Belgium, and was the owner of gallery io for contemporary
Carolina Apolonia: Of Things Unknown but Longed for Still Read More »
(left) The Shibumi Gallery doors and meeting area, 2016, photo: Mark Tucsman; (right) April Higashi in her gallery, 2015, photo: Maren Caruso I have known April Higashi for many years and—full disclosure—she worked for me when I owned a gallery for a number of years. I think April is the ideal model for the new
HS project organizers Peter Deckers and Hilda Gascard during their visit to Tanel Veenre’s The Will / Tahe exhibition, Tallinn, September 2016, photo: Sarah Walker-Holt In July 2012, Dutch-born jeweler and educator Peter Deckers sent me an email. He had launched a mentoring program a year before, independent of his teaching work at Whitireia (Wellington).
Maria Rosa Franzin, September 2016, photo: Luciano Tomasin I have been interviewing jewelry makers since 2001, and this has included several exponents of the School of Padua, together with professor Mario Pinton. It is therefore a pleasure to now hear about further developments at the school through the thoughts of one of the key teachers
Maria Rosa Franzin: Past Present Read More »
Exhibition view, Moniek Schrijer, Double Happiness, 2016, The National, Christchurch, New Zealand, photo: The National Moniek Schrijer is a jeweler based in New Zealand. Having first trained in jewelry design and manufacturing, she then spent several years working in a metal arts foundry before obtaining her graduate diploma in jewelry and print making from Whitirea.
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Jaydan Moore, Specimen #7, 2014, sculpture, found silver-plated platters, 66 x 72 x 5 cm, photo: Mercedes Jelinek Jaydan Moore is quickly gaining recognition. His recent exhibition, Lost Causes, at Ornamentum Gallery, has further sparked interest in his young career. Lost Causes, which pairs Moore with accomplished British metalsmith David Clarke, presented the different creative
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John Moore, Diamond Verto Necklace, 2015, sterling silver, 18-karat gold, diamonds, steel, silicone, magnets, 210 mm diameter, photo: artist Bonnie Levine is the kind of person who wants to do things right. She’s honest, earnest, and takes care to think before she leaps. So I can imagine that before she decided to start a gallery,
Annie Fensterstock, Vine Cuff, 2015, 22-karat yellow gold, 18-karat yellow gold, 18-karat white gold, full-cut diamonds, rose-cut white sapphires, 64 x 45 x 16 mm, photo: Christine Blackburne New York-based jewelry artist Annie Fensterstock is known for her intricate, richly adorned designs which utilize ancient goldsmithing techniques and traditional materials such as gold, silver, and
Annie Fensterstock Read More »
(left) Iris Eichenberg; (right) Cindi Strauss For many years, Art Jewelry Forum has given a “young or emerging jewelry award.” This year, Susan Beech offered to give a grant of $20,000 for a mid-career jewelry project. Susan hopes to highlight those makers who are busy developing their working styles and consumed by the efforts of
In Conversation with Iris Eichenberg and Cindi Strauss Read More »
