Conversation Piece, Gold Rush, 2017, pendant and exhibition view, gold from e-waste, aluminum, mixed media, photo: Nicolas Cheng – Beatrice Brovia (Conversation Piece) Gold Rush, an exhibition that recently opened at Maurer Zilioli Contemporary Arts, delves into the controversial material culture of gold through the lens of consumer electronics. This exhibition is the brainchild of […]
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OHMYBLUE team photo taken outside the gallery, with Alessandro Laita, Bruna Pini, Chiaralice Rizzi, and Elena Rizzi, photo: Riccardo Banfi OH MY BLUE, in Venice, Italy, is a gallery and retail space exhibiting contemporary art jewelry as well as designer housewares and clothing. In this conversation, gallerist Elena Rizzi discusses her bespoke display system, describes
Stefano Marchetti, Untitled, 1989, sample of a brooch without a pin, silver, gold, patina on silver, 1 x 65 x 65 mm, photo: artist When the AJF tour group visited Italian goldsmith Stefano Marchetti (along with Annamaria Zanella) in September of 2016, it came to our attention that an interview with this skilled artist, who
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Nora McCarthy, Graphite Drawing by Jordan Lentz, 2017, photo: Lillstreet Art Center Chicago’s Lillstreet Art Center is home to artist studios, art classes in a variety of mediums, an artist-in-residence program, and the multiple exhibition spaces that make up Lillstreet Gallery. In this interview, I speak with Jewelry Curator Nora McCarthy about her role in
Joyce J. Scott is a force of nature and a completely unique American jeweler. She also creates art in a number of other forms. In my conversation with her, we discussed her work, the MacArthur Grant she recently received, her reasons for making political jewelry, and how she feels about being an artist—and in particular
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Geraldine Fenn, Lover’s Eye, 2015, pin, silver, 9-karat yellow gold, oil paint on brass, diamond, pearl, 85 x 25 x 8 mm, photo: Sarah de Pina Tinsel Gallery, in South Africa, is developing a reputation for showcasing innovative and exciting work, mixing commercial events with more conceptually driven exhibitions that push the boundaries of art
Mari Ishikawa looking in a showcase at the exhibition Annamaria Zanella—In Form of Jewel, Nuremberg Design Museum, 2005, photo: S. Falso Each year, Art Jewelry Forum organizes a trip for collectors, curators, and enthusiasts to visit one or two cities to tour jewelry galleries, visit artist studios, and explore museums with jewelry collections. In 2016,
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ENJI Studio Jewelry by Niki Grandics, 2016 Halstead Grant winner, photo: Hajnalka Stiblane San Diego-based ENJI Studios produces one-of-a-kind jewelry and small-run production lines under a business model that makes giving back to the local community one of its core tenets. In this interview, I speak with 2016 Halstead Grant awardee Niki Grandics, founder of
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Malin Lövgren, Linnéa Eriksson, Karin Roy Andersson, Hanna Liljenberg, 2016, photo: Lasse Karlsson Established in 2010 and located in Gothenburg, Four’s concept combines a contemporary jewelry gallery, shop, and workshop in a creative space that showcases the owners’ own work, as well as artists from around the world. In a vibrant art jewelry city such
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Mallory Weston, Snakeskin Disco Ball, 2016, gold-plated brass, oxidized copper, leather, Styrofoam, 305 x 305 x 762 mm, photo: Ian Shriver The seductive snakeskin-inspired jewelry in Mallory Weston’s exhibition, Of Ophidia, at Sienna Patti represents a new direction for the Philadelphia-based artist. Still rooted in the study of symbols, this recent body of work is
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Exhibition view, Gioielli in Fermento 2016, Torre Fornello Ancient Stables, Piacenza Hills, Italy, photo: Angela Petrarelli Passionate about both wine and contemporary jewelry, Eliana Negroni discusses the rise and rise of Gioielli in Fermento, an international jewelry competition whose brief seeks to marry wine with jewelry. Run out of Italy’s wine hills, this project taps into the
Lucy Sarneel, (background) Grey Beady, 2014, brooch, zinc, acrylic paint, varnish, 85 x 50 x 50 mm; (left) Both Ways, 2014, brooch, zinc, 30 x 75 x 20 mm; (right) Starflower, 2013, brooch, zinc, 55 x 55 x 15 mm, photo: Rob Bohle Dutch artist Lucy Sarneel is very busy: While simultaneously attending to various teaching
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