Becky Bliss, photo: Sandy Connon Photography New Zealander Becky Bliss first trained as a graphic designer before becoming a contemporary art jeweler after completing a bachelor’s in applied arts at Whitireia Community Polytechnic in 2010. The works in the exhibition Found, at Avid Gallery, Wellington, further develop Bliss’s exploration of surface using traditional and found […]
Becky Bliss: Found Read More »
Sean Gilson, Ring, 2016, opal, natural black pearls, steel, diamonds, 24 x 26 x 20 mm, photo: Aaron Faber gallery A new group show at Aaron Faber gallery showcases work from around the world which flaunts spectacular—and unusual—gems. These gems are rare curiosities and, to some extent, they fall outside the conventional market for precious
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Robert Baines, Perception 4 & 5, 2015, pendants, silver, powder coat, electroplate, (left to right) 50 x 45 x 23 mm, 50 x 51 x 25 mm, photo: Jeremy Dillon Renowned Australian goldsmith Robert Baines is an artist-goldsmith, scholar, and commentator on the field of contemporary crafts. He has won numerous international awards and, in
Robert Baines: Perceptions Read More »
Felix Lindner, Gold, 2016, bracelet, silver, anodized aluminum, plastic, 44 x 200 x 12 mm, photo: Samantha Font-Sala German artist Felix Lindner creates colorful jewelry that combines common materials, such as pieces of plastic toys, with exquisitely hand-fabricated findings. In this interview, Lindner reflects on his life-long immersion in jewelry culture, the influences that culminate
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Brooklyn Metal Works studio, 2012, photo: Brian Weissman Brooklyn Metal Works (BKMW) is a metal art studio that offers space for rent for the development of work in the metalsmithing field, as well as offering concept-based classes and gallery space to promote artists, designers, and makers. BKMW aims to advance the field of metalsmithing and to
Brian Weissman and Erin S. Daily Read More »
Marjorie Schick, Tribute to Professor Alma Eikerman, 1995, necklace, papier-mâché, paint, 464 x 502 x 114 mm, photo: Gary Pollmiller Gaudy. Oversized. Humorous. “So American.” Marjorie Schick has been making louder work than anyone else in the field for the last 55 years. She also worked with performance as early as 1977, and tested
Who’s Afraid of Marjorie Schick? Read More »
Interior view of Beyond Fashion Founded by the couple Karin De Buysere and René Darmont in 2000, Beyond Fashion is a contemporary jewelry gallery in Antwerp, Belgium, that is invested in questioning the limits of “traditional jewelry,” often through themes like transgression and reflection. Olivia Shih: Please tell us a bit about yourself. What were
Karin De Buysere and René Darmont Read More »
The audience at The Meet, 2016, a symposium organized by Art Jewelry Forum in partnership with Current Obsession and Norwegian Crafts; Villa Stück, Munich, photo: Benjamin Lignel Why do collectors pick an artist over another? Or choose this piece by an artist, when that other piece is clearly more spectacular? How do curators select works
Well, I Like You … But I’m Not Sure I Want to Take You Home with Me Read More »
Christina Odegard and Bronze Sculptures, undated, bronze, 406 to 914 mm tall, photo: Matin Christina Odegard’s deep appreciation for the beauty and elegance of natural materials, as well as her extensive exploration of form, is apparent in her work. Meanwhile, “shibumi” is a Japanese word referring to a particular aesthetic of simple, subtle, and unobtrusive
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Didier, Ltd. booth, Masterpiece London, the grounds of the Royal Hospital Chelsea, Royal Borough of Kensington and Chelsea, London, UK, photo: Didier, Ltd. Didier, Ltd. is a London-based gallery founded in 2006 by Didier and Martine Haspeslagh. It specializes in jewelry created by leading modern masters—painters and sculptors—who are recognized internationally for their art. Didier,
Didier and Martine Haspeslagh of Didier, Ltd. Read More »
(left) Caroline Slotte, Round Piece, from the Landscape Multiple series, 2012, reworked second-hand ceramics, 245 mm in diameter; Anna Talbot, Blue Wolf, 2012 brooch, old box, anodized aluminum, brass, wood veneer, steel, 80 x 80 x 20 mm, private collection, photo: artists It is universally acknowledged that contemporary jewelry subverted completely the “hierarchy of materials”[1]
The Memory of Things: Slotte versus Talbot Read More »
Samantha Skelton’s jewelry booth at ACC Baltimore, photo: artist A maker with a background in large-scale sculptural work and an avid interest in graphic design, Samantha Skelton was awarded the Halstead Grant in 2015. In this interview, the Pittsburgh-based jewelry designer and artist talks about her career after receiving the grant, and what a day
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