Theory of Craft

Throwing Stones in Glass Houses: On Criticism, Art History and Critical Discourse

Criticism is a kind of art history done about new or recent objects. It involves judgment, but without the benefit of hindsight. Criticism is different to art history, which isn’t so concerned with judgment. Instead, art history explores the relationship of objects with each other, with history and with various aspects of society. Art history

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Damian Skinner’s Workshop at University of the Arts

Damian Skinner, Art Jewelry Forum Speakers Tour, University of the Arts, Philadelphia, Pennsylvania, September 23, 2013 Dr. Damian Skinner, renowned writer, contemporary jewelry critic, and editor of Contemporary Jewelry in Perspective, recently led a workshop for students in the jewelry/metals program at the University of the Arts in Philadelphia, Pennsylvania. His intent was to reshape

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Texts and Pretexts

Art Jewelry Forum Speakers Tour, San Diego State University, San Diego, California, October 14–16, 2013 The San Diego State University jewelry and metalwork program had the pleasure of hosting Benjamin Lignel, editor of Art Jewelry Forum and contributing writer to Contemporary Jewelry in Perspective, for two days this October. Lignel gave a lecture on the

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Texts and Pretexts

The contemporary jewelry field is much less resilient to the use of words and texts than its craft heritage would have us believe. Words help us define our practice and describe (or dress up) our things. In fact, words are what we use to help these things graduate to the status of cultural goods. They

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Also Known as Jewellery*

Emmanuel Lacoste, Langues (Two Pieces) Tongue Jewel, 2006, fine gold Also Known As Jewellery* is a hybrid model, somewhere between a survey exhibition – seventeen of the best French or French-based jewelers who are contributing to the ‘spectacular evolution’ of contemporary jewelry in France – and an argument about what contemporary jewelry is and does.

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