Culture

Jill Baker Gower: Dermal

Jill Baker Gower, Fleshgem Brooch #1, 2013, rubber, garnets, pearls, silver, 69.9 X 85.7 X 19 mm, photo by artist Jill Baker Gower is an artist, metalsmith, and educator. Her jewelry, often based on the female experience, has been widely exhibited and printed in publications such as Metalsmith magazine and the book 500 Enameled Objects. […]

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Lessons from Adam Grinovich

Jeweler Adam Grinovich trying on someone’s Rolex at Schmucksymposium Zimmerhof, Bad Rappenau, Germany Jeweler Adam Grinovich trying on someone’s Rolex at Schmucksymposium Zimmerhof, Bad Rappenau, Germany Toward the end of the Q&A portion of the talk he gave during Zimmerhof 2015, Adam confessed that he had recently acquired a crazy obsession with getting a Rolex.

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Everyone’s a Critic/Curator/Comedian!

Elvis Costello and Kelsey Grammar, 04-22-2003 episode of Frasier, image source: NBC Writing about art (or music) is like dancing (or sometimes singing, or occasionally knitting) about architecture, or maybe football, as once quipped either comedian/art collector Steve Martin, or comedian/artist Martin Mull, or maybe musician/comic actor Elvis Costello, or possibly even experimental satirist/Zappa-esque musician

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Cut, Washed, and Worn

Georgian Mourning Ring, 1772, sepia ink, hair, crystal, 18-karat gold, white enamel, 16 x 14.5 mm, photo: Erie Basin Does the sentimentality behind antique hair jewelry simply fade away over time? While the original owners of these objects are deceased and we typically do not know whom the locks of hair belonged to, with some

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Lessons from Carlo Scarpa

Installation view of Palazzo Abatellis, Palermo, Sicily, Italy Museum interior and display design by Carlo Scarpa, 1953 For all their alleged “insularity,” makers in this field are remarkably curious, and invariably compile extensive (mental or actual) visual archives on, well, the world around them. You and I think of it as a way to justify

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