Topic: contemporary jewelry

Trace Collectors

Everything around us has been touched, used, cracked, broken—evidence that reveals an object’s existence ​and experience. Min Jae Eom creates simple surfaces and forms that, when carried on the body, slowly gather traces of the wearer. The marks that are collected through these time-based works are not simply scratches, dents, and stains; rather, they become a witness, a …

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BETWEEN / SPACES

Jamie Scherzer explores balance between the contained systematic nature of form and its transition into more unprincipled, chaotic outcomes. Scherzer allows the material to direct an understanding of concrete entities. The final result of these inquiries may range from jewelry, to object, to print. By inking and printing these experimental metal surfaces, Scherzer creates tactile works …

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Jumble Gym: Playful Randomness in Contemporary Jewelry

Stefan Gougherty creates jewelry that is curious and interactive. Sampling content from trash to treasure, these playful objects are unpretentious and subversive. Exploring the surreal through engineering and illusion, these antics of adornment can confound our expectations. In celebration of our collective progress, Gougherty leverages industrial materials and manufacturing processes to anchor the work firmly …

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TIME / TIME PAST

This is the catalog for Time/Time Past, an exhibition of contemporary jewelry by Iris Eichenberg and Marta Costa Reis. Time/Time Past was held in Lisbon, at Galeria Reverso, July 20–September 15, 2018; and at Munich Jewellery Week 2019, at Goldberg Studios, March 13–16, 2019. Courtesy of Marta Costa Reis.

Re: Halcyon Dream Catalogue

Excerpt from Shannon Stratton’s essay regarding Anna Lindsay MacDonald’s 2016 solo exhibition, Re: Halcyon Dream: “Anna Lindsay MacDonald’s work seems to resonate with Soulilliou’s theory of ornament, playing with the idea of appearance and disappearance in the face of technology. Her black and white palette recalls dazzle camouflage, but even more so, predicts a future …

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