Melissa Cameron, RPG @ 1:9 (pin), 22m radius @ 1:9 (neckpiece), Anti-personnel Round (pin), Un-handle (pendant), 2015, powder-coated steel trowel, stainless steel, polyester-cotton ribbon, largest 440 x 125 x 35 mm, photo: artist In her latest body of work, Body Politic, Melissa Cameron departs from earlier themes to explore the political arena. Melissa confronts her […]
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Zorya, Virus Crystallized Cluster Necklace worn by Jodie Hruby, 2014, linen flax rope, white crystals, magnetic stainless steel clasp, 500 mm in circumference, photo: Tomáš Brabec and Patrik Borecký As part of Stockholm Design Week 2016, and in conjunction with the Czech Centre in Stockholm, Platina has shown the work of design duo Daniel Pošta and Zdeněk
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Yutaka Minegishi, Poo Ring, 2013, ring, lignum vitae, 34 x 26 x 23 mm, photo: Arne Schultz Yutaka Minegishi’s minimalist work embraces the exploration of form and the nuances of natural materials. Working directly with the material, with no predetermined plan or sketch, Yutaka creates intimate tactile work. We spoke with him last summer to
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Nolia Shakti, Object, 2016, object, steel nails, silver, freshwater pearls, 85 x 70 x 40 mm, photo: artist Nolia Shakti is a reflective artist who likes to challenge social stereotypes and the status quo. She comments on consumerism with her Throw Away Gold collection, made primarily out of Nespresso capsules, and on gender definitions with
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Frances Stachl, Corner Beads, Square Beads, Square on Round Beads, 2015, necklaces, photo: The National New Zealand jeweler Frances Stachl is exhibiting a new body of work, Bead, at The National in Christchurch, New Zealand. Frances like to set herself challenges, elaborates on her affair with the necklace, and talks about wearability, a key aspect
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Cover of the book Findings, by Manon van Kouswijk, 2015, 30 x 24.5 x 1.7 cm, photo: artist Manon van Kouswijk has much to celebrate. Her exhibition In Order of Appearance has just opened at Amsterdam’s Galerie Ra, and her book, Findings (written by AJF editor Benjamin Lignel), has just been published. Van Kouswijk shares
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Timothy Veske-McMahon, Glyph VIII, 2015, necklace, repurposed plastic, aluminum, 400 x 400 x 30 mm, photo: artist AJF asked this year’s five young 2016 Artist Award finalists to tell us a bit about their backgrounds and their thoughts on the future of the art jewelry field. Their work represents a group of outstanding pieces of
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Goph Albitz, Untitled, 2014, cuff, 18-karat fused gold on sterling silver, 18-karat bezels and borders, 10.6-carat rhodolite garnet, 1.0 CTW diamonds, 0.45 CTW rubies, 67 x 51 x 44 mm, photo: artist Now in his fiftieth year as a jeweler artist-designer, Goph Albitz has traversed a range of aesthetics, from clean and precise jewelry informed
Lynn Batchelder, Cover (detail), 2014, necklace, steel, 356 x 152 x 25 mm, photo: artist AJF asked this year’s five young 2016 Artist Award finalists to tell us a bit about their backgrounds and their thoughts on the future of the art jewelry field. Their work represents a group of outstanding pieces of contemporary jewelry.
Eija Mustonen, Apron and Mittens, 2014–2015, objects, nickel, silver, copper, life size, photo: Jesse Pylsy Eija Mustonen is an artist who invites introspection. Her work emphasizes craftsmanship and challenges ornamentation; it is personal and rooted in her native Finnish cultural heritage. Her recent work will be shown at gallery Four in Gothenburg, Sweden. Eija is
Tobias Alm, The Châtelaine no. 3, 2015, châtelaine, gilded sterling silver, velvet, leather, steel, 200 x 1500 x 70 mm, photo: artist Swedish jewelry artist Tobias Alm reconfigures leather Craftsman tool belts, incorporating the functional elements with delicately chased and repousséd silver and gilt flourishes reminiscent of 18th-century rococo châtelaines. The resulting hybrid objects are
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Jessica Calderwood, Cut Down, 2013, brooch, enamel, copper, sterling silver, ceramic decals, china paint, stainless steel, 51 x 51 x 6 mm, photo: artist Jessica Calderwood, a sculptor, image maker, and jeweler, uses the medium of enameling to explore issues of gender and identity, and to make statements about everyday life. Her pieces, meant to
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