Reviews

The Revolutionary Object

Art Jewelry Forum is pleased to present a short series of critical essays, collectively called Crafted Words, as a result of our partnership with Radiant Pavilion. Supported by AJF, Creative Victoria, and the City of Melbourne, Crafted Words encourages craft writers from Victoria, Australia, to consider critical discourse around contemporary craft, and supports reflection and discussion on work shown […]

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Play and Possibility

Art Jewelry Forum is pleased to present a short series of critical essays, collectively called Crafted Words, as a result of our partnership with Radiant Pavilion. Supported by AJF, Creative Victoria, and the City of Melbourne, Crafted Words encourages craft writers from Victoria, Australia, to consider critical discourse around contemporary craft, and supports reflection and discussion

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Radiant Pavilion—Illuminations

Art Jewelry Forum is pleased to present a short series of critical essays, collectively called Crafted Words, as a result of our partnership with Radiant Pavilion. Supported by AJF, Creative Victoria, and the City of Melbourne, Crafted Words encourages craft writers from Victoria, Australia, to consider critical discourse around contemporary craft, and supports reflection and discussion on work shown

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Looking for Openings, Describing Radiant Pavilion

Art Jewelry Forum is pleased to present a short series of critical essays, collectively called Crafted Words, as a result of our partnership with Radiant Pavilion. Supported by AJF, Creative Victoria, and the City of Melbourne, Crafted Words encourages craft writers from Victoria, Australia, to consider critical discourse around contemporary craft, and supports reflection and discussion on work shown

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Tribute to Manfred Bischoff

Exhibition view, Tribute to Manfred Bischoff, 2017, drawings, Handwerkskammer München, photo: Wilfried Petzi Manfred Bischoff, Tribute to Manfred Bischoff March 9 – April 8, 2017 Galerie Handwerk, Munich, Germany The first impression of the Tribute to Manfred Bischoff exhibition is dominated by the large photographs on the walls of the Handwerkskammer exhibition space in Munich.

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Are the Hand and the Machine Really Equal? Just Ask the Experts.

Upper level gallery case study: Wedding Ensemble, Karl Lagerfeld for House of Chanel, autumn/winter 2014–2015 haute couture, Manus x Machina: Fashion in an Age of Technology, 2016, photo: Courtesy of CHANEL Patrimoine Collection © The Metropolitan Museum of Art Manus x Machina: Fashion in an Age of Technology, the most recent fashion extravaganza of an

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It’s Complicated

  Shultz Gallery, photo: Cheri Falkenstien-Doyle That the art of Southwestern jewelry connects intricately to Native peoples’ contacts with 19th-century visitors to their homelands is a key takeaway of the Jim and Lauris Phillips Center for the Study of Southwestern Jewelry at the Wheelwright Museum of the American Indian in Santa Fe, New Mexico. Staggering

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Display Matters

Exhibition view, Ai Weiwei—Rebar in Gold and gallery collaborations, 2016, work in foreground by Ai Weiwei, Elisabetta Cipriani Jewellery by Contemporary Artists, Design Miami/Basel 2016, courtesy of the gallery As a curator of contemporary art, I am used to going to art fairs: Not to collect per se—even though I am always looking for acquisitions

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Maggie Schpak, History’s Accessorizer

Exhibition view, Reigning Men: Fashion in Menswear, 1715–2015, 2016, Los Angeles County Museum of Art, photo: Museum Associates/LACMA Reigning Men: Fashion in Menswear, 1715–2015 April 10–August 21, 2016 Los Angeles County Museum of Art (LACMA) Whether we consciously adopt a particular style or fashion, or thoughtlessly throw on clothes, our identity is communicated through our

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Notes From the Border

The Narva Art Residency (entrance hall), Narva, Estonia, photo: Liina Lelov KAФEDRA: Exhibition by the Department of Jewellery and Blacksmithing April 30–May 29, 2016 Narva Art Residency, Narva, Estonia KAФEDRA is a multifaceted exhibition showcasing the work of the department of jewelry and blacksmithing at the Estonian Academy of Arts. It was organized by Kadri

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Designing Beauty

Installation view of Beauty—Cooper Hewitt Design Triennial, dress in foreground by Giambattista Valli, Fall/Winter 2014–2015 couture collection, tulle degradé, silk taffeta, photo: Matt Flynn, courtesy of Cooper Hewitt, Smithsonian Design Museum Beauty—Cooper Hewitt Design Triennial February 12–August 21, 2016 Cooper Hewitt, Smithsonian Design Museum, New York, New York, USA This, the fifth installment in the

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