To Speak with a Golden Voice July 16, 2020–April 11, 2021 Bill Reid Gallery of Northwest Coast Art, Vancouver, Canada “One basic quality unites all of the works of mankind that speak to us in human, recognizable voices across the barriers to time, culture, and space: the simple quality of being well made.” —Bill Reid […]
All Is Possible: Mary Ann Scherr’s Legacy in Metal February 21—December 23, 2020 Thomas E. Cabaniss Historic Residence, Gregg Museum of Art & Design, North Carolina State University, Raleigh, North Carolina, US Mary Ann Scherr, All Is Possible, n.d., cuff, sterling silver, from the collection of Suijin Li Snyder, photo: Jason Dowdle All Is Possible
The corona outbreak had only just become an unavoidable fact, the International Fair (IHM) was canceled, most intercontinental jewelry lovers had stayed home, and the program in Munich was thus diluted when the newly curated Danner Rotunda opened for a press preview on the morning of March 13, 2020. The omens were bad. Anglika Nollert,
Danner Rotunda, Edition 4 Read More »
Barbara Schmidt, 25 Reasons Why to Wear Jewellery. Munich, Germany: Druckerei Vogl GmbH&Co, 2016. How often do we have the opportunity to explore contemporary art jewelry[1] through short stories written by one of our own? I enjoy reading, but I find academic writing tedious, so Barbara Schmidt’s book 25 Reasons Why to Wear Jewellery grabbed my
How Many Reasons to Wear Jewelry Do You Need? Read More »
Extraordinaire! February 26–August 30, 2020 mudac, Musée de design et d’arts appliqués contemporains, Lausanne, Switzerland The mudac’s current exhibition invites you to take a dreamlike stroll through the old walls of the Maison Gaudard, its various rooms full of unusual objects. It’s a way of paying homage to this historic building in the old town
Surreal Yet More Accessible Read More »
Animalia—Collection of Splendor & Pastel January 19–August 30, 2020 CODA Museum, Apeldoorn, the Netherlands The exhibition Animalia contains pastels, objects, and jewelry depicting animals, such as Helen Britton’s spider brooch or Alexander Blank’s evil rabbit. Some are also made of animals: bone, for example, a fly, or a stuffed wattlebird turned into a necklace by
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Cristina Filipe, Contemporary Jewellery in Portugal: From the Avant-Garde of the 1960s to the Early 21st Century. Stuttgart: Arnoldsche Art Publishers, 2019. Published in 2019 in both a Portuguese and an English version, this book offers a historical and critical approach to contemporary jewelry in Portugal. With a very clear organization, the work consists of
The Book Contemporary Jewellery in Portugal Read More »
Pipe in a case, Western Europe, 19th century, coral, gold, paste gems, 80 mm long, collection Hermitage Museum St Petersburg, photo courtesy of Hermitage Amsterdam Jewels! The Glitter of the Russian Court September 14, 2019–May 3, 2020 Hermitage Amsterdam, Amsterdam, the Netherlands Room after room in the exhibition Jewels! The Glitter of the Russian Court
Drag Power – Gender, pride & glamour November 3, 2019–March 1, 2020 CODA Museum, Apeldoorn, the Netherlands Curated by Paul Derrez, Willem Hoogstede, and Roosmarij Deenik R’JEAN by Arjan van Nieuwkoop, Angelina Loqui, photo from the series Drag Royals Each Side Has a Face, 2018, photo courtesy of CODA The exhibition Drag Power – Gender,
Fearlessly Self-Made Read More »
Lyle Reimer, Lyle XOX: Head of Design. New York: Rizzoli, 2019. Let’s push the conversation about art jewelry by looking at a makeup artist from the drag and fashion world who photographs himself while wearing trash on his head, shall we? Lyle Reimer’s fantastic assemblages, captured with formal portrait photography, are collected in Rizzoli’s stunning
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Body Control November 2, 2019–January 26, 2020 Museum Arnhem, Arnhem, the Netherlands Exhibiton view, Body Control, 2019–2020, Museum Arnhem, The Netherlands, photo: Eva Broekema. Text panels introduce the subthemes Digital, Symbiosis, (Im)Perfection, Man/Woman?, Sexual Freedom, Upgrade and (Im)Mortal. Jewelry and fashion, worn on the body, can express concerns about issues in our society. It seems
Jewelry That Raises (Too Many) Questions about the Body Read More »
The American Craft Council’s 2019 conference, Present Tense, was identified at the outset as a “national conversation on craft in an increasingly tense and complex present.” This theory turned into practice meant an ambitious schedule of lecture hall panels punctuated with “Object Story” interludes; tours to area galleries, art schools, and other places; workshops that
Review of the ACC Present Tense Conference Read More »
