Reviews

London in May: COLLECT 2010

Leslie Craze Gallery (Leslie Craze in black at center) Ruthin Craft Centre, Kevin Coates installation  A few of the galleries displayed mini-exhibitions of a single artist such as Wendy Ramshaw at Lesley Craze Gallery, Kevin Coates at Ruthin Craft Centre and Iris Eichenberg’s wonderful pink pieces at Galerie Louise Smit. Rome-based Alternatives Gallery showed an […]

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Schmuck 2010: A Report

Schmuck 2010, held in Munich from March 3 –9, 2010, was the center of five fever-pitched days of jewelry and adornment. Over 30 exhibitions were presented citywide, representing a variety of countries, academic programs and individual studio jewelers. Installation detail, Schmuck 2010 Adam Grinovich, Necklace: Function & sense #1: Function 1, 2008, leather, polish, iron,

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Designers on Jewellery

Designers on Jewellery: Twelve Years of Jewellery Production by Chi ha paura…? opened last month at the San Francisco Craft + Design Museum and is on display until May 16, 2010. The show marks the jewelry design brand’s twelfth year in the making. Founded by Gijs Bakker, jewelry and product designer and co-founder of Droog Design,

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Finnish Jewellery 1600-2009

It’s clear from the title of this exhibition that it has large ambitions, stretching from the Renaissance to the present day. As the introductory wall text puts it, ‘Over the centuries, Finnish craftsmen were able to learn their trade and practice it in neighbouring countries. Innovations and impulses were first received from the west, and later from the east. After the Second World War, Finnish jewellery design discovered its own style, which has become recognized around the world.’

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Gerd Rothmann: Catalog Raisonné 1967-2008

It’s not often you see an art book whose text is more interesting than the photographs. But such is the case with this retrospective catalog of the work of Gerd Rothmann. The hefty 404-page book shows the artist’s entire oeuvre (or at least everything he documented) from 1967 to 2008. The 589 photographs give a good idea of Rothmann’s changing styles and there are occasional full-page illustrations of some of his most distinctive pieces. But the text is a must-read for every collector, whether or not they know or care about the work itself.

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