Love & Loss: Fashion and Mortality March 13–June 7, 2015 Lentos Kunstmuseum Linz, Austria The exhibition Love & Loss took place at the Lentos Kunstmuseum Linz, in Upper Austria. The curator Ursula Guttmann puts her focus on the “new realism” in fashion emerging in the 90s and influencing the scene until today. While in the […]
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Exhibition view, Body Jewels, 2015, TextielMuseum, Tilburg, The Netherlands, photo: Michel Zoeter Body Jewels March 29, 2014–March 15, 2015 TextielMuseum, Tilburg, The Netherlands Body Jewels The most direct “body” adornments must be tattoos and piercings. However, one layer up and away from the skin and you are looking at textiles that envelop us from birth
Anew Negotiation: Thai Contemporary Wearable Art March 27–April 25, 2015 Bilk Gallery, Canberra, Australia Exhibition set-up, Anew Negotiation: Thai Contemporary Wearable Art, 2015, Helen Aitken-Kuhnen (gallery director) in discussion with Taweesak Molsawat and Bow Wasinondh, Bilk Gallery, Canberra, Australia, photo: Mio Kuhnen Curated by Bow Wasinondh, it is the first outing by Thai contemporary jewelers in Australia.
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Bent, Cast & Forged: The Jewelry of Harry Bertoia March 24–November 29, 2015 Cranbrook Art Museum, Bloomfield Hills, Michigan, USA For those interested in the history of 20th-century design, the name Harry Bertoia should be a familiar one. Bertoia’s humble beginnings as a 15-year-old Italian immigrant were soon eclipsed by his ambitious and prodigious work
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Symmetry Is the Work of the Devil March 19–April 16, 2015 Anna Miles Gallery, Auckland, New Zealand Anna Miles Gallery, Auckland, New Zealand, photo: Lucy Boermans Progressing from the gentle arrow beckoning me away from the cacophony of Upper Queen Street to the hidden entrance of 10/30 and the Anna Miles Gallery, I am quietly
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Damian Skinner and Finn McCahon-Jones, Fingers: Jewellery for Aotearoa New Zealand—40 Years of Fingers Jewellery Gallery. Auckland: David Bateman, 2014. ISBN:978-1-86953-862-0 Fingers: Jewellery for Aotearoa New Zealand is an informative book that leaves you craving for more: This is a rich subject that can hardly be covered fully within 150 pages. On the one hand,
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Museo del Gioiello Palladian Basilica, Piazza dei Signori, Vicenza, Italy I had a wish. I wanted to be among the first visitors at the Museum of Jewellery in Vicenza. Last year, on December 24, I purchased the ticket. It was number 3. Symbolically prophetic, I thought, while hiding in my hand the precious memento. The
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Lin Cheung, Tomfoolery: Objects & Jewellery. London: Tomfoolery Publishing UK, 2014. ISBN: 978-0-9572988-0-4 For those not well versed in the artful linguistic gymnastics of London’s East End, tomfoolery is Cockney rhyming slang for jewellery. It is also defined in the dictionary as foolish behavior, utter nonsense, rubbish, and it is in the space between these
Beauty of the Beast January 24–May 10, 2015 Museum Arnhem, Arnhem, The Netherlands A certified taxidermist demonstrated during opening night how to fasten a bird’s skin—with feathers attached—around a plastic mold. Beauty of the Beast, Museum Arnhem, Arnhem, the Netherlands, photo: Monika Auch Taxidermy—the process of skillfully conserving dead animals or pieces of animals—is a
Master Metalsmith: Myra Mimlitsch-Gray September 12–November 30, 2014 National Ornamental Metal Museum, Memphis, Tennessee, USA The text running down the side of the exhibition title wall reads like a group crit word bank à la 90s graphic design star David Carson. Prefixes dis-, re-, and up- are followed by their corresponding suffixes. A clutch of
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A Symposium Review ThinkingJewellery 10—SchmuckDenken 10On Our Way to a Theory of JewelleryArt and good life – Art between leisure and social responsibilityOctober 18–19, 2014Trier University of Applied Sciences, Idar-Oberstein The unexpected German train strike during the weekend of the ThinkingJewellery 10 symposium could almost be interpreted as a response to this year’s theme of “art between leisure
Attendees fill the Washington State History Museum auditorium, photo: Lindsey Snell The SMG aims to assemble an annual event with diverse programming to support the metals community across the Northwest. The Protective Ornament curator and current Metalsmith editor, Suzanne Ramljak, was the welcome keynote to this year’s lecture series. Ramljak’s opening presentation, All Is Fair
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