Interviews

AJF Live with Sulo Bee

Since the beginning of the pandemic, Art Jewelry Forum has expanded its efforts to connect more directly with the jewelry community by regularly hosting live chats online. These feature artist studio visits, talks with gallerists about shows they’re hosting, interviews with curators and authors, and other programming tied to various jewelry weeks from around the […]

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(Left to right) Mahnaz Ispahani Bartos, Helen Drutt, and Holly Hochner

Mahnaz Ispahani Bartos

Mahnaz Ispahani Bartos has roots in Persia and South Asia, where she was raised. There, jewelry is interwoven into every life ritual Her gallery, Mahnaz Collection, specializes in original jewelry made by transformational, independent jewelers active from the mid-20th century to the present The gallerist also feels a deep connection to the American Southwest and

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Work by Patricia Domingues

Lines and Fractures

The world inside a cut-apart stone looks like a universe or a landscape, says Domingues. “You can lose yourself in this microworld” She creates lines, fractures, and cuts in both natural and artificial gemstones to craft jewelry that resembles landscapes The tension between intentional acts and uncontrolled accidents fascinates Domingues Patricia Domingues works with natural

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Rita Soto Ventura, Illa Manka I, from the Illa Manka series

Art Jewelry—Where Sensations and Reflections Converge

Rita Soto hails from Chile. For her Susan Beech Mid-Career Grant application, she proposed to produce an oral history of contemporary jewelry made by women in South America. She planned to travel around the continent and collect stories from women artists to create an archive and micro-documentaries accessible online. Soto was a LOEWE Craft Prize

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Catherine Blackburn x Skye Paul, Mahsi Cho Hunting Bag

Stitching Is Medicine

Catherine Blackburn was born in Patuanak, Saskatchewan, of Dene and European ancestry. She is a member of the English River First Nation. Blackburn is a multidisciplinary artist and jeweler whose common themes address Canada’s colonial past, often prompted by personal narratives. In her practice, Blackburn merges mixed media and fashion to create dialogue between historical

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