In 2010, Rock Hushka gave a lecture at SOFA NY titled ‘Holding Objects: The Psychoanalytic Mechanisms of Wearing Jewelry.’ In his lecture, Hushka explained that he came to the subject of art jewelry seeking to understand the relationship between the artist and the wearer. He began by exploring the idea that jewelry appeals to many […]
This essay was first delivered as a talk at SOFA Chicago in November 2010. Watching, Looking, Learning ‘And viewers like you.’ The title of this talk was stolen from the PBS sign-off to most of their programs. They thank various corporations, foundations and individuals and then they thank ‘viewers like you.’ They are expressing gratitude
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This essay was first delivered on a panel ‘Touch in Contemporary Art’ at the College Art Association, Los Angeles, in 2009, through travel funds provided by the Society of North American Goldsmiths. The paper was further developed into a lecture and presented at SOFA Chicago in November 2009 and subsequently presented at University of El
Curatorial Conundrums: Exhibiting Contemporary Art Jewelry in a Museum Read More »
Darren Waterston, Hpertrophy (crustacea), 2010, crabs, paint, courtesy of the artist and the Inman Gallery, Houston Hermann Jünger, Necklace, 1957, gold 1000/750, rubies, sapphires, moonstone, culture pearls, enamel, emeralds, exhibited at the Brussels World’s Fair 1958, donation of the artist to Die Neue Sammlung – The International Design Museum Munich, courtesy of Die Neue Sammlung
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This essay was first delivered as a talk at the Going to Extremes SNAG conference in 2010 in Houston, Texas, on March 13, 2010. Aliyah Gold Amelia Toelke While thinking about these questions, I happened to mention them to gallerist Sienna Patti and we fell into a meaningful conversation about how one defines an emerging
At the Crossroads of Trends and Traditions: Emerging American Jewelry Artists Today Read More »
This essay was developed from the lecture ‘Holding Objects: What It Means to Wear Jewelry: The Psychoanalytic Mechanisms,’ presented at the Facets of Meaning symposium at Tacoma Art Museum, June 28, 2009. A version of the talk was also presented at SOFA NY in June 2010. Marcia Macdonald, If You Sit Still … You Can
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Susan Cummins, chair of the Art Jewelry Forum (AJF), and Susan Kempin, award program chair, are pleased to announce this year’s Emerging Artist Award winner, Agnes Larsson. Larsson was chosen from among 117 entries, from 38 countries.
Art Jewelry Forum Announces Agnes Larsson Winner of 2010 Emerging Artist Award Read More »
There was a lovely chill in the air as the AJF London trip got off to an appropriate start with a tea and scones event at the traditional Draycott Hotel. Most of the participants had not been to the COLLECT fair before, so we asked Liesbeth den Besten, a writer and curator from Amsterdam to
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This essay was first published in Signs of Change: Jewellery Designed to Make a Better World (Perth: Form, 2010). The accompanying exhibition was held at FORM Gallery in Perth, Australia, from April 9–May 30, 2010. On the Tiger’s Back Helen Britton and Justine McKnigh, Necklace Brooch T-shirts We can see the contemporary jewelry movement playing
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Erin Rose Gardner, Pink Things (brooch), 2009, silver, enamel paint and steel pin back, courtesy of the artist emiko oye, The Duchess 2 from ‘My First Royal Jewels Jewellery Collection 2008,’ 2008, repurposed LEGO®, rubber cord, sterling silver, courtesy of the artist Gemstones and the history of jewelry as a signifier of luxury (and decadence)
AJF is pleased to announce that the Fuller Craft Museum in Brockton, Massachusetts, is the recipient of the AJF 2010 jewelry exhibition award. Perry A Price, assistant curator of exhibitions and collections, submitted the winning proposal. The $1000 award will support the production of a catalog for the exhibition Atelier Janiyé and the Legacy of Miye
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Laura Prieto-Velasco, Phona-Form Brooch 2, iron wire, carpet tacks, paint, tape, silver Laura Prieto-Velasco, Phona-Form Brooch 3, iron wire, carpet tacks, paint, silver Seth Papac, Collected and Fabricated Parure, 22 karat gold, silver, brass, paint, found objects When attempting to locate contemporary metalwork within the discourse of contemporary art, an artist like Cornelia Parker often
To Be: (Determined) – An Exhibition of the First Five Read More »
