History

The Making of a (Counterculture) Jeweler

  Susan Cummins, Damian Skinner, and Cindi Strauss, In Flux: American Jewelry and the Counterculture. Stuttgart: Arnoldsche Art Publishers, 2020 The cover of the book In Flux, image courtesy Arnoldsche Art Publishers In Flux: American Jewelry and the Counterculture traces the figures, aesthetics, and techniques that blur distinctions between cultural turmoil and studio jewelry. Authors […]

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All Is Possible

All Is Possible: Mary Ann Scherr’s Legacy in Metal February 21—December 23, 2020 Thomas E. Cabaniss Historic Residence, Gregg Museum of Art & Design, North Carolina State University, Raleigh, North Carolina, US Mary Ann Scherr, All Is Possible, n.d., cuff, sterling silver, from the collection of Suijin Li Snyder, photo: Jason Dowdle All Is Possible

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Planet Glitter

Pipe in a case, Western Europe, 19th century, coral, gold, paste gems, 80 mm long, collection Hermitage Museum St Petersburg, photo courtesy of Hermitage Amsterdam Jewels! The Glitter of the Russian Court September 14, 2019–May 3, 2020 Hermitage Amsterdam, Amsterdam, the Netherlands Room after room in the exhibition Jewels! The Glitter of the Russian Court

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Cast

Jen Townsend and Renée Zettle-Sterling, Cast: Art and Objects Made Using Humanity’s Most Transformational Process. Atglen, PA: Schiffer, 2017. ISBN: 9780764353383 Cast: Art and Objects Made Using Humanity’s Most Transformational Process, the book by Jen Townsend and Renée Zettle-Sterling, is an impressive achievement—not only through its sheer physical appearance, big and thick, with more than

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In Memory of June Schwarcz

Born June 10, 1918, Denver, Colorado Died August 2, 2015, Sausalito, California June Schwarcz, Vessel 593, 1971, electroformed copper foil with plique-à-jour enamel, height 127 x 236 mm, photo M. Lee Fatherree June Schwarcz, one of the masters of contemporary craft, has passed away at the age of 97. June’s enamel work and sculptural copper

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Anni Albers’s and Alex Reed’s Drain and Paperclip Necklace

Like many of Anni Albers’s woven pieces, the 1941 hardware necklace series she made with former student Alex Reed was informed by her travels throughout South America. Reflecting on the incorporation of natural materials in ancient jewelry discovered in a tomb near Oaxaca, Mexico, Albers explained, “The art of Monte Alban had given us the

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