Now that a red line has been drawn and crossed with the death of Seattle metals artist and sculptor Nancy Worden (1954–2021), it’s possible to take stock of a lifetime dedicated to transforming materials into ideas that in the process flowered into social and institutional critique and humor of the highest order. Setting aside for […]
Brigitte Lang is a jewelry maker based in Perchtoldsdorf, Austria. The work series Defence Reactions, from 1981–1985, has become widely recognized due to its presence within the Sammlung Verbund collection of feminist avant-garde art in Vienna, in which Lang is the only jewelry maker represented amongst the artists.[1] It’s an honor to talk with her
The Body Is Such a Good Canvas Read More »
The premise is simple: Pore over the jewelry you own, choose your current favorite or a piece that’s especially noteworthy, and send in a photo along with the reason you selected it. The only criteria: you must own the piece and it must have been made by someone other than yourself. This series aims to
Our Favorite Jewelry Read More »
Susan Cummins, Damian Skinner, and Cindi Strauss, In Flux: American Jewelry and the Counterculture. Stuttgart: Arnoldsche Art Publishers, 2020 The cover of the book In Flux, image courtesy Arnoldsche Art Publishers In Flux: American Jewelry and the Counterculture traces the figures, aesthetics, and techniques that blur distinctions between cultural turmoil and studio jewelry. Authors
The Making of a (Counterculture) Jeweler Read More »
Established by San Francisco-based jewelry collector Susan Beech, the $20,000 Susan Beech Mid-Career Grant has as its objective to recognize a mid-career artist who has made a substantial contribution to the field of art jewelry. Ana Passos was one of two finalists. The jury consisted of grant founder and collector Susan Beech, internationally recognized maker
In Conversation with Ana Passos Read More »
It took about 10 years from her first encounter with our field for this Dutch collector to give in and start acquiring work. A passion had been ignited that turned her into an important art jewelry collector in her native land. Her death now serves to belatedly give her international attention. Greetings from JewelryLand postcard
Claartje Keur, February 6, 1938–March 19, 2021 Read More »
Ibram Lassaw, Pendant, circa 1990s, copper sheet with bronze, gold plated, 115 x 90 mm, photo: Denise Lassaw For close to 50 years, one of America’s first abstract sculptors playfully created unique bronze sculptures designed to wear as necklaces. Ibram Lassaw (1913–2003) was born in Egypt and arrived in New York as a child in
A History of Ibram Lassaw’s “Bosom Sculptures” Read More »
All Is Possible: Mary Ann Scherr’s Legacy in Metal February 21—December 23, 2020 Thomas E. Cabaniss Historic Residence, Gregg Museum of Art & Design, North Carolina State University, Raleigh, North Carolina, US Mary Ann Scherr, All Is Possible, n.d., cuff, sterling silver, from the collection of Suijin Li Snyder, photo: Jason Dowdle All Is Possible
During the last days of annus horribilis 2020, Lucy Sarneel died silently in her house in Amsterdam, too young at the age of 59. Lucy Sarneel in her studio, cover for her catalog Lucy Sarneel: Private Territory in Public, Amsterdam 2017, photo courtesy of CODA Since I visited her last exhibition, PLUS (at Galerie Marzee),
Boundless Energy and Joie de Vivre Read More »
Pipe in a case, Western Europe, 19th century, coral, gold, paste gems, 80 mm long, collection Hermitage Museum St Petersburg, photo courtesy of Hermitage Amsterdam Jewels! The Glitter of the Russian Court September 14, 2019–May 3, 2020 Hermitage Amsterdam, Amsterdam, the Netherlands Room after room in the exhibition Jewels! The Glitter of the Russian Court
Jen Townsend and Renée Zettle-Sterling, Cast: Art and Objects Made Using Humanity’s Most Transformational Process. Atglen, PA: Schiffer, 2017. ISBN: 9780764353383 Cast: Art and Objects Made Using Humanity’s Most Transformational Process, the book by Jen Townsend and Renée Zettle-Sterling, is an impressive achievement—not only through its sheer physical appearance, big and thick, with more than
Polyp Colony, John Paul Miller (American, 1918–2013), 1995, pure gold, 18-karat gold, enamel, Daphne Farago Collection, reproduced with permission, photo © Museum of Fine Arts, Boston In this interview, Emily Stoehrer explains how she came to her career as a curator and describes some of her approach to the exhibit Past Is Present: Revival Jewelry.
In Conversation with Emily Stoehrer Read More »
