The Jewellery Box chronicles Jorunn Veiteberg’s jewelry collection. Our reviewer calls it one of the best books about jewelry ever. Life-sized photos of the pieces—presented in order of purchase—appear almost from the start. Refreshing! Veiteberg examines her motivation to collect, shining a light on this human urge The author quotes from her diaries and talks about […]
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Several recent sales of modern and contemporary studio jewelry at prominent auction houses have set records for individual jewelers, signaling that the market for this work is growing. In October 2021, Bonhams Los Angeles held its first auction devoted to studio jewelry, with 308 pieces from a cross-section of many of the most significant makers,
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Contemporary jewelry has many foundations, awards, and grants, all of them a bit different. The Françoise van den Bosch Foundation,[1] named after a Dutch artist who died young, has been a well-established institution for over 40 years. How did it achieve this, when others have vanished in the mists of time? A sketch of the
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Cartier and Islamic Art: In Search of Modernity May 14–September 18, 2022 Dallas Museum of Art, Dallas, TX, US At the dawn of the 20th century, the introduction of the aesthetic elements of Islamic art through exhibitions, publications, travels, and personal collections fueled new ideas and possibilities at Cartier. The Maison began to conceptualize and
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On January 29, 2022, Berend Peter Hogen Esch passed away; he was the last surviving member of the BOE-group. Early in his career, Berend Peter Hogen Esch chose his double first name, Berend Peter, as his artist’s name. He died in the house where he had lived since 1979 with jewelry artist Marion Herbst (1944–1995),
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Art Jewelry Forum is pleased to share the news that members of our community find noteworthy. Is something missing? The success of this compilation of compelling events, exhibitions, and items of interest to the jewelry community depends on YOUR participation. If you’re a member of AJF at the Silver level or above, you can add
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Betty Cooke: The Circle and the Line September 19, 2021–January 2, 2022 The Walters Art Museum, Baltimore, MD, US A successful retrospective exhibition feels like an immersive experience. The visitor should almost get the impression of traveling in a time machine. There’s a certain magnificence in viewing so much of an artist’s body of work
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Quiet Elegance: The Jewelry of Eleanor Moty, ed. Matthew Drutt, with contributions by Bruce W. Pepich, Matthew Drutt, and Helen W. Drutt English. Stuttgart: Arnoldsche Art Publishers, 2020. It is a well-established fact that European contemporary jewelers are better represented with beautifully designed, fully illustrated, scholarly monographs than their American counterparts, regardless of the latters’
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Now that a red line has been drawn and crossed with the death of Seattle metals artist and sculptor Nancy Worden (1954–2021), it’s possible to take stock of a lifetime dedicated to transforming materials into ideas that in the process flowered into social and institutional critique and humor of the highest order. Setting aside for
Brigitte Lang is a jewelry maker based in Perchtoldsdorf, Austria. The work series Defence Reactions, from 1981–1985, has become widely recognized due to its presence within the Sammlung Verbund collection of feminist avant-garde art in Vienna, in which Lang is the only jewelry maker represented amongst the artists.[1] It’s an honor to talk with her
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The premise is simple: Pore over the jewelry you own, choose your current favorite or a piece that’s especially noteworthy, and send in a photo along with the reason you selected it. The only criteria: you must own the piece and it must have been made by someone other than yourself. This series aims to
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Susan Cummins, Damian Skinner, and Cindi Strauss, In Flux: American Jewelry and the Counterculture. Stuttgart: Arnoldsche Art Publishers, 2020 The cover of the book In Flux, image courtesy Arnoldsche Art Publishers In Flux: American Jewelry and the Counterculture traces the figures, aesthetics, and techniques that blur distinctions between cultural turmoil and studio jewelry. Authors
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