De Keerzijde, Bloemlezing CODA Collectie June 27–October 6, 2019 CODA, Apeldoorn, The Netherlands De Keerzijde, Bloemlezing CODA Collectie (The Reverse Side, Anthology from the CODA Collection) is the first exhibition by CODA’s new jewelry curator, Vanessa de Gruijter, who started the job in January 2019. With her first show at CODA, de Gruijter focused on […]
Have you ever checked out the Françoise van den Bosch Collection? In order to do so, you don’t even have to visit the Stedelijk Museum in Amsterdam, where it’s housed. The foundation that built the collection has put every piece of jewelry on its website. A grid of pictures appears on the screen, in seemingly
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Building on the Body: Identity, Materials, Jewelry August 2–September 22, 2019 108|Contemporary, Tulsa, Oklahoma, USA Take a moment to close your eyes and imagine a construction site. You might see people wandering, people working, equipment, dirt, or dust kicked into the air. The site looks disorganized, but you might imagine there’s a reason for the
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In this interview, Olivia Shih talks with Grace Stewart and Nancy Cook about the Metal Museum’s 40th anniversary exhibition, 40 Under 40, a showcase of the next generation of innovative and brilliant metal artists. Stewart, formerly the director of collections and exhibitions at the Metal Museum, curated the exhibit. Prior to holding that position, she
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Kellie Riggs is an independent curator, writer, and jeweler, and the founder of the blog greater-than-or-equal-to.com. She’s the recipient of a Fulbright grant for her project entitled Past and Present: Italian Contemporary Jewelry as Art and curator of the exhibition Non-Stick Nostalgia, currently on view at the Museum of Arts and Design. Riggs lived for
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Josephine Winther, Rubyfruits, 2003, necklace, cast faceted rubies in dyed resin, eyelets in 18-karat gold, gold-colored silk thread with passementerie, Danish Arts Foundation, photo: Iben Kaufmann An important exhibition exploring the concept of power in jewelry just took place in Denmark. In honor of the 750th anniversary of castle Koldinghus, The Splendour of Power, curated
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Jewellery: Made By, Worn By December 13, 2017–June 3, 2018 Museum Volkenkunde, Leiden, the Netherlands A Feast One of the most renowned Dutch museums of ethnology, the Volkenkunde, in Leiden, presents a feast for the eyes with its current big production. If you felt Médusa, in Paris, was a lot, that was just 400 pieces.
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“… Greek and Arab coins and gold chains and old jewels brought from the Orient are often discovered in Norway,” writes the Argentinian author Jorge Luis Borges in his essay “The Scandinavian Destiny.”[1] Decades later, the artist Esther Shalev-Gerz (born 1948, Lithuania) visits Borges’s grave in Geneva, only to discover that part of its carvings
BRON November 11, 2017–January 28, 2018 CODA, Apeldoorn, the Netherlands On Sunday November 12, 2017, Ruudt Peters’s exhibition BRON opened at CODA, in Apeldoorn, providing a spectacle of glass capsules, light, film, and jewelry as never seen before. November 12, 2017, CODA, Apeldoorn, the Netherlands, photo: Liesbeth den Besten The logistics and organization of this
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Inger Wästberg is something of a renaissance woman who has led a most interesting and multifaceted life—from political advisor, member of the Stockholm City Council, and director general of the Office of the Disability Ombudsman to arts advocate, author, and art jewelry collector. You can read about her background in an interview Susan Cummins conducted
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Anna Schetelich at OONA Gallery, June 2017, photo: Charlotte Schetelich After studying cultural science, Anna Schetelich had the pleasure of collaborating with several different museums in Berlin. During this time, the crossovers between art and fashion became very popular, and she was introduced to art jewelry by a friend. This discovery fascinated her to the
Bethony Vernon, The Boudoir Box (closed), 1999–2000, case with erotic accessories, silver, leather, feathers, 690 x 330 x 190 mm, collection of the artist, photo: © Betony Vernon As the curator at the Musée d’Art Moderne de la Ville de Paris (MAMVP) since 2002, Anne Dressen is responsible for the big jewelry exhibition Medusa: Jewelry
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