Collecting

The Schmuckmuseum, Pforzheim

Ethnographic Collection, Pforzheim Jewellery Museum, Photo Brigida Gonzalez Modern Collection, Pforzheim Jewellery Museum, Photo Brigida Gonzalez Modern Collection, Pforzheim Jewellery Museum, Photo Brigida Gonzalez I’m most taken by the potential of precious materials, most struck by how truly debased manufacturing jewelry is in its use of traditional jewelry materials. These objects from the last 500

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Ornament as Art: Avant-garde Jewelry from the Helen Williams Drutt Collection

This review was first published in The Journal of Modern Craft, v.3, n.2, July 2010, pp.269-272. And so here it is, the enormous catalogue to the Helen Williams Drutt collection, acquired by the Museum of Fine Arts, Houston (MFAH) in Texas and co-published by that institution and Arnoldsche. Presided over by Cindi Strauss, curator of

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And Viewers Like You

This essay was first delivered as a talk at SOFA Chicago in November 2010. Watching, Looking, Learning ‘And viewers like you.’ The title of this talk was stolen from the PBS sign-off to most of their programs. They thank various corporations, foundations and individuals and then they thank ‘viewers like you.’ They are expressing gratitude

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Curatorial Conundrums: Exhibiting Contemporary Art Jewelry in a Museum

This essay was first delivered on a panel ‘Touch in Contemporary Art’ at the College Art Association, Los Angeles, in 2009, through travel funds provided by the Society of North American Goldsmiths. The paper was further developed into a lecture and presented at SOFA Chicago in November 2009 and subsequently presented at University of El

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London in May: COLLECT 2010

Leslie Craze Gallery (Leslie Craze in black at center) Ruthin Craft Centre, Kevin Coates installation  A few of the galleries displayed mini-exhibitions of a single artist such as Wendy Ramshaw at Lesley Craze Gallery, Kevin Coates at Ruthin Craft Centre and Iris Eichenberg’s wonderful pink pieces at Galerie Louise Smit. Rome-based Alternatives Gallery showed an

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