This is the gallery sheet listing artists and artwork for Is Your Contemporary Jewellery Body-Positive?, which was organized by TempContemp and on exhibit at Platform Arts, in Djillong/Geelong, Australia, June 3–30, 2023. If contemporary jewelry is a body site-specific art form, then surely it has to have a stance on body positivity? So, are we […]
Is Your Contemporary Jewellery Body-Positive? Read More »
This is the catalog for Elegy, which was scheduled for March 10–April 9, 2020 and invited 12 Australian women artists to present jewelry and objects that facilitate mourning for a world in peril. The project asked us to recognize the profound mental and emotional impacts of climate change on individuals and society, and to acknowledge
As a maker, a wearer, and a viewer of contemporary jewelry, Melinda Young is interested in jewelry beyond its life as adornment. This interest extends to the processes that engender that object, the actions that describe making, and the notion that to “wear” or be adorned with jewelry does not necessarily mean that it is
Everything and Nothing – jewellery beyond adornment Read More »
While the question of exhibition making occupies an ever more important place in art theory, there has never been, thus far, a publication on the subject with jewelry as its focal point. This publication aims to remedy this absence, and provide an overview of jewelry exhibition history, an understanding of the challenges inherent to showing
Shows and Tales – On Jewelry Exhibition-Making Read More »
Reflecting on some of the contributions to the jewelry field by Otto Künzli, Lisa Walker, and Yuka Oyama.
Peter Bauhuis’s material experiments often “play” visual tricks; for example, in his show Armillaria, at Gallery Funaki, he displays a little “bronze” cup in the cabinet of curiosities he has fashioned from the pristine walls of the Crossley Lane space. The cup, which is part of “the Kolomna Report,” the official announcement he made of
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The inaugural Mari Funaki Award attracted an outstanding response from over 500 international and local artists. The show, which comprised 31 selected works from the overwhelming number of submissions, was open until September 13, 2014, in Melbourne, Australia. The judges–renowned practitioners and educators Warwick Freeman and Simon Cottrell, and leading curator and writer Julie Ewington–performed
Inaugural Mari Funaki award review Read More »
An exhibition of works by Patrícia Correia Domingues and Sara Gackowska at Gallery Funaki Melbourne. In August 2014, the Mari Funaki Award for Contemporary Jewellery awarded Patrícia Correia Domingues and Sara Gackowska each with the prize in the emerging artist category. Both jewelers were unknown to the three judges (Warwick Freeman, Simon Cottrell, and Julie
Unnatural Phenomena Read More »
Architect Eli Giannini explores Swiss jeweler David Bielander’s solo exhibition of idiosyncratic objects at Gallery Funaki in 2014.
This text contextualizes glass jewelry through the lens of history and contemporary practice. A brief overview of contemporary usage is supported by quotes from several of the artists whose works are featured in the text. Images of several exhibited works are included as well. It is useful for an overarching look at the use of
Cutting Edge: RAM Explores Contemporary Glass Jewelry Read More »
