Reviews

Are the Hand and the Machine Really Equal? Just Ask the Experts.

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Upper level gallery case study: Wedding Ensemble, Karl Lagerfeld for House of Chanel, autumn/winter 2014–2015 haute couture, Manus x Machina: Fashion in an Age of Technology, 2016, photo: Courtesy of CHANEL Patrimoine Collection © The Metropolitan Museum of Art Manus x Machina: Fashion in an Age of Technology, the most recent fashion extravaganza of an […]

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It’s Complicated

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  Shultz Gallery, photo: Cheri Falkenstien-Doyle That the art of Southwestern jewelry connects intricately to Native peoples’ contacts with 19th-century visitors to their homelands is a key takeaway of the Jim and Lauris Phillips Center for the Study of Southwestern Jewelry at the Wheelwright Museum of the American Indian in Santa Fe, New Mexico. Staggering

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Display Matters

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Exhibition view, Ai Weiwei—Rebar in Gold and gallery collaborations, 2016, work in foreground by Ai Weiwei, Elisabetta Cipriani Jewellery by Contemporary Artists, Design Miami/Basel 2016, courtesy of the gallery As a curator of contemporary art, I am used to going to art fairs: Not to collect per se—even though I am always looking for acquisitions

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Maggie Schpak, History’s Accessorizer

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Exhibition view, Reigning Men: Fashion in Menswear, 1715–2015, 2016, Los Angeles County Museum of Art, photo: Museum Associates/LACMA Reigning Men: Fashion in Menswear, 1715–2015 April 10–August 21, 2016 Los Angeles County Museum of Art (LACMA) Whether we consciously adopt a particular style or fashion, or thoughtlessly throw on clothes, our identity is communicated through our

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Notes From the Border

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The Narva Art Residency (entrance hall), Narva, Estonia, photo: Liina Lelov KAФEDRA: Exhibition by the Department of Jewellery and Blacksmithing April 30–May 29, 2016 Narva Art Residency, Narva, Estonia KAФEDRA is a multifaceted exhibition showcasing the work of the department of jewelry and blacksmithing at the Estonian Academy of Arts. It was organized by Kadri

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Designing Beauty

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Installation view of Beauty—Cooper Hewitt Design Triennial, dress in foreground by Giambattista Valli, Fall/Winter 2014–2015 couture collection, tulle degradé, silk taffeta, photo: Matt Flynn, courtesy of Cooper Hewitt, Smithsonian Design Museum Beauty—Cooper Hewitt Design Triennial February 12–August 21, 2016 Cooper Hewitt, Smithsonian Design Museum, New York, New York, USA This, the fifth installment in the

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Can it Walk? Jewelry as Spatial Process gets tested

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Elisabeth Holder and Gabi Schillig (eds.), Schmuck als urbaner Prozess. Artistic Interventions in Urban Space. Documentation of a Research Project (Tübingen: Ernst Wasmuth Verlag, 2015). Bilingual German / English. ISBN 978 3 8030 0784 1 With texts and contributions by: Susanne Anna, Jacqui Chan, Willi Dorner, Karsten M. Drohsel, Elisabeth Holder, Barbara Maas, Yuka Oyama,

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Money, Number, Matter

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Exhibition view, (IM)PRINT, 2016, easy!upstream, Munich, photo: the (IM)PRINT Team (IM)PRINT February 24–28, 2016 easy!upstream, Munich, Germany Curated by Beatrice Brovia, Nicolas Cheng, Hanna Hedman, and Kajsa Lindberg They say that money makes the world go round but, really, it is printing that deserves this accolade. In a literal sense the banknotes and coins of

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Thomas Gentille: Untitled and Unknowable

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Thomas Gentille, Untitled. Thomas Gentille. American Jeweler, 2016, foreground work: two pins in plexiglass and plywood (left) and aircraft plywood, industrial glass, maple and pigment (right), Die Neue Sammlung—The Design Museum, Munich, photo: Benjamin Lignel Untitled. Thomas Gentille. American Jeweler February 27–June 5, 2016 Die Neue Sammlung—The Design Museum, Munich, Germany Untitled. Without a name.

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