Karin Seufert, Untitled, 2016, necklace, PVC, thread, 90 x 110 x 27 mm (without the thread), photo: artist Karin Seufert is a German artist who received her training in the Netherlands and currently lives in Berlin. Her work has been featured in numerous exhibitions worldwide and has also included curatorial projects and lectures around the […]
Ombré Gallery, front of gallery, photo: Ombré Gallery It’s always exciting to see a new gallery emerge in the art jewelry field. Ombré Gallery opened this past fall and already has an exciting roster of artists. Jenna Shaifer, the gallery’s founder and director, introduces us to her gallery and discusses what excites her about the
Jayne Wallace, Cloudwatcher (from Personhood in Dementia Research Project), 2011, necklace, rubber, velvet, stainless steel, 90 x 60 mm, photo: artist The Journal of Jewellery Research (JJR) is a collaborative online publication recently founded by three jewelers who also juggle the roles of art jewelry historian, critic, postgraduate research lead, and educator. Roberta Bernabei, Jayne
In Conversation with the Journal of Jewellery Research Read More »
Marjan Unger has been involved with the Dutch jewelry scene for a very long time, performing as a thinker, a curator, a professor, a historian, and a collector. Many of these roles are coming together as she prepares for the opening exhibition of the collection she has given to the Rijksmuseum. Along with the exhibition
In Conversation with Marjan Unger and Suzanne van Leeuwen Read More »
Carina Shoshtary, In the Beginning there Was Red, 2017, headpiece, spruce bark, almond shells, graffiti, glass, paint, photo: Laurens Grigoleit I had the pleasure of interviewing Carina Shoshtary a year ago as one of the finalists for the AJF Artist Award. Fast forward a year and here we are again, this time with her as
Katrin Eitner at the gallery during the exhibition Ulo Florack Smashed Investment on the Wall, Berlin, 2015, photo: Galerie Katrin Eitner Galerie Katrin Eitner is located in Berlin, Germany and experiments with new ways to be a contemporary jewelry gallery in these times of great change. Her model is not focused on a brick-and-mortar location,
Renate Heintze, Vogel und Stein, 1987, brooch, aluminum, cast, citrine quartz, stainless steel, 85 mm wide; and Mann und Kissen, 1987, aluminum, cast, turquoise, stainless steel, 70 mm wide, photos: Janos Stekovics This year at the International Handwerkskammer during Munich Jewelry Week, Renate Heintze was honored both as the Klassiker der Modern 2017 and with
In Conversation with Renate Luckner-Bien about Renate Heintze Read More »
Lori Talcott, Escapulario1, 2016, neckpiece, oxidized silver, lead, wool, steel, ribbon, mirror, 380 x 160 x 35 mm, photo: Teresa McCann Tracy Steepy and Lori Talcott have been working and teaching together since they met serendipitously in 2008. This is their first exhibition together at Platina. Sandra Wilson caught up with them to find out
Tracy Steepy and Lori Talcott Read More »
Sergey Jivetin, Spectacle. Chart Dividers, 2016, sculptural utensil, antique optical device, vintage navigational instrument, brass, 200 x 100 x 120 mm, food by John N. Novi, photo: artist Sergey Jivetin is recognized for masterfully manipulating unlikely materials—such as watch hands, eggshells, needles, and steel jeweler’s saw blades—into poetically articulated forms exhibiting a softness contradictory to
Cristina Filipe interacting with her piece Faith (A Chain of Rings that Belongs to Her) during the exhibition Abaixo as Fronteiras. Vivam o Design e as Artes, curated by Bárbara Coutinho at MACE – Museu de Arte Contemporânea de Elvas, September 2016, photo: Eduardo Sousa Ribeiro. Collection MUDE – Design and Fashion Museum, Lisbon Art
In Conversation with Cristina Filipe Read More »
Tone Vigeland, Neckpiece, 1985, steel, 14- to 18-karat gold, 120 mm inner diameter, 240 mm outer diameter, photo courtesy Galleri Riis, photo: Hans-Jørgen Abel The Norwegian jeweler Tone Vigeland is about to celebrate her 80th birthday, and the Design Museum in Munich has organized a fantastic show of her jewelry and published a catalog to
In (Brief) Conversation with Tone Vigeland Read More »
Coco Sung at Galerie Biró Junior 2017 with her illuminated puzzle-installation in the background, photo: Axel Bussmeyer Coco Sung is a South Korean jewelry artist based in Berlin, Germany. With a background in Western painting, she creates jewelry through an intensive sketching process and integrates vibrant narratives into her work. In this interview, we talk
