Susan Cummins interviewed Allie Farlowe in 2008. Farlowe was, at that time, assistant curator at the Mint Museum of Craft + Design in North Carolina, United States. Susan Cummins: Tell us something about your background and your role at the Mint Museum.
Allie Farlow in Conversation Read More »
In 2009 Susan Beech attended SOFA NY wearing a necklace by Ruudt Peters called Lingam. A sexually provocative piece and a show-stopper, it drew many responses from those around her. And Susan loved every minute of it. ‘I did enjoy people’s expressions, not wanting to stare but unable to help themselves.’
Collector Susan Beech Read More »
Trish Rodimer: Congratulations, Masumi, on being named the Art Jewelry Forum Emerging Artist for 2008. There was a high level of competency exhibited by the entrants this year, but the jurors felt that your work distinguished itself. We are interested in your thoughts about your work. Masumi Kataoka: I am interested in emphasizing the intimate
Elisabeth Agro is the Nancy M. McNeil Associate Curator of American Modern and Contemporary Crafts and Decorative Arts at the Philadelphia Museum of Art. She talks to Susan Cummins, AJF chair, about her presentation at SOFA NY in 2009. Susan Cummins: AJF has asked you to be our featured speaker at SOFA NY. Can you
Elisabeth Agro in Conversation Read More »
What was the sound of the front door slamming? What kind of imprint would your living-room carpet leave on your naked knees? How did your mother smell when she left Saturday night for a party? These are some of the assignments that Iris Eichenberg gives her students so that through childhood memories they might gain insight into their obsessions and develop them into an artistic language.
From Hand to Hand: Passing on Skill and Know How in European Contemporary Jewellery Read More »
It is said that Arctic peoples have one hundred words for snow. There could easily be that many words to describe the gold jewelry in Masters: Gold: Major Works by Leading Artists. At first glance the 40 featured jewelers have little to connect them, other than their extraordinary facility with the precious material. Internationally known artists such as Wendy Ramshaw and Bruno Martinazzi are rightfully included, but there are many pleasant surprises as well that make this book well worth looking for.
Masters: Gold – Major Works by Leading Artists Read More »
Kevin Coates calls himself a ‘ghost whisperer’ and he’s right. The jewelry, table ornaments and drawings of this British artist carry a unique message of fantasy and enchantment, coupled with a Cellini-like mastery of goldsmithing techniques. Dr Elizabeth Goring and Dr Helen Clifford contribute thoughtful and detailed analyses of Coates’s creative processes and passions, including
Kevin Coates: A Hidden Alchemy – Goldsmithing: Jewels and Tablepieces Read More »
The three jurors for the Emerging Artist Award — Cindi Strauss, curator of Modern and Contemporary Decorative Arts and Design at The Museum of Fine Arts, Houston; Ron Porter, long-standing member of AJF and a collector of contemporary jewelry; and Andrea Janosik, jewelry artist and recipient of the AJF’s 2007 Award, reflect on the process
Jurors Reflect on 2008 Emerging Artist Award Read More »
At first sight, this new exhibition at the Palo Alto Art Center, California, holds the delight of a child’s playroom. There are oversize drawings on the walls, a large case with a train set in a rocky, wintry landscape and some display cases with peepholes to entice the viewer. Children – and any adults raised on
The Miniature World of Bruce Metcalf Read More »
With over 400 images by nearly 200 artists, there is a lot to look at in Adorn: New Jewelry by Amanda Mansell. The book’s chapters are organized by jewelry type (rings, brooches, etc.) with a short introduction for each section. The jewelers represented are mostly young and European, many of whom attended the Royal College of Art in London. There are only a handful of United States jewelers featured.
Adorn: New Jewelry Read More »
If there’s one word I would disagree with in the title of this book, it would be ‘madness.’ This weighty volume (519 pages) with its black and white comic book-style cover is in fact an exciting tribute to the serious, fun, dangerous and voluptuously varied work of 77 past and present students of Otto Künzli,
The Fat Booty of Madness: The Goldsmithing Class at Munich Art Academy Read More »
Katja Prins, Continuum brooch, 2007, silver, sealing wax, 83 x 76 x 35 mm Katja Prins, Bound By Blood Necklace, 2007, wooden beads, cotton, 300 mm long As enigmatic as the title may be, provocative essays by Ward Schrijver, Graziella Folchini Grassetto, Ursula Ilse-Neuman and others inform the reader to appreciate the cohesion of the
Katja Prins: The Uncanny Valley Read More »
