History

Anni Albers’s and Alex Reed’s Drain and Paperclip Necklace

Like many of Anni Albers’s woven pieces, the 1941 hardware necklace series she made with former student Alex Reed was informed by her travels throughout South America. Reflecting on the incorporation of natural materials in ancient jewelry discovered in a tomb near Oaxaca, Mexico, Albers explained, “The art of Monte Alban had given us the […]

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Cranbrook Marks Bertoia at 100 with Jewelry Exhibition

Bent, Cast & Forged: The Jewelry of Harry Bertoia March 24–November 29, 2015 Cranbrook Art Museum, Bloomfield Hills, Michigan, USA For those interested in the history of 20th-century design, the name Harry Bertoia should be a familiar one. Bertoia’s humble beginnings as a 15-year-old Italian immigrant were soon eclipsed by his ambitious and prodigious work

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Getulio Alviani, Monorecchio

How useful are ideas of discipline in interpreting jewelry? In our increasingly post-disciplinary climate, differentiating between the realms that create and critique jewelry could seem no longer valid. Yet, some jewelry suggests that considering disciplines discretely can still be useful, particularly when authors engage with different disciplines to create objects unusual or overlooked in jewelry

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Lisa Walker: Necklace

The contemporary jewelry scene sometimes acts like it doesn’t matter where you come from. The nationality of makers—and viewers—is acknowledged and then denied, an accident of birth but not something that needs to be factored into the interpretation of the work.  So, what happens if you try and locate Lisa Walker as a New Zealand

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