Classic Jewelry

Black Jewelers: A History Revealed—Curtis Tann: Almost Lost to Time

Also in this series: Black Jewelers: A History Revealed—Rediscovery Black Jewelers: A History Revealed—Bill Smith And coming soon: Coreen Simpson Earlier this week, we introduced this new series, which documents African American artists of the past who have made important contributions to the field of art jewelry.[1] The first profile spotlights Curtis Tann. This artist

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the cover of Quiet Elegance: The Jewelry of Eleanor Moty

A Tasteful Tribute to an Exquisite Aesthetic

Quiet Elegance: The Jewelry of Eleanor Moty, ed. Matthew Drutt, with contributions by Bruce W. Pepich, Matthew Drutt, and Helen W. Drutt English. Stuttgart: Arnoldsche Art Publishers, 2020. It is a well-established fact that European contemporary jewelers are better represented with beautifully designed, fully illustrated, scholarly monographs than their American counterparts, regardless of the latters’

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Dark Victory

Now that a red line has been drawn and crossed with the death of Seattle metals artist and sculptor Nancy Worden (1954–2021), it’s possible to take stock of a lifetime dedicated to transforming materials into ideas that in the process flowered into social and institutional critique and humor of the highest order. Setting aside for

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The Making of a (Counterculture) Jeweler

  Susan Cummins, Damian Skinner, and Cindi Strauss, In Flux: American Jewelry and the Counterculture. Stuttgart: Arnoldsche Art Publishers, 2020 The cover of the book In Flux, image courtesy Arnoldsche Art Publishers In Flux: American Jewelry and the Counterculture traces the figures, aesthetics, and techniques that blur distinctions between cultural turmoil and studio jewelry. Authors

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