In the wake of AJF Asia correspondent Anja Eichler’s profiles of Ubi Gallery and of professor Shannon Guo, we are happy to publish Eichler’s analysis of Professor Guo’s work. The author got access to the booming Chinese scene, and she is profiling for AJF those movers and shakers who are practically building it from the […]
Griddle Incense Ass—or—Lost in Translation Read More »
In 2013, Rutger Emmelkamp took over the direction of the jewelry department at the Gerrit Rietveld Academie in Amsterdam. The success of the academy’s alumni, on the one hand, and the glowing reputation of the department’s former directors—Ruudt Peters, Iris Eichenberg, Manon van Kouswijk, and Suska Mackert—on the other, has made the “succession” a matter of
Myra Mimlistch-Gray spread, AJF Best of Interviews Dorothea Prühl spread, AJF Best of Interviews “We culled 18 provocative conversations with luminaries in the field from the more than 70 interviews we have had published with luminaries in this field since we began reporting more than 15 years ago,” said AJF Board board Chair chair
ART JEWELRY FORUM PUBLISHES BEST OF INTERVIEWS Read More »
Overall view of the exhibition hall, Sieraad International Jewellery Art Fair, Amsterdam, photo: Ward Schrijver November 7–10, 2013 Every September, the Gashouder (“gasholder’”) in Amsterdam is a bit like the biblical Tower of Babel. During the Sieraad (“jewel”) International Jewellery Art Fair, many languages are spoken by both the participating artists—of whom only 35 percent
The Sieraad Fair in Amsterdam Read More »
Sponsored by Cranbrook Academy of Art and Art Jewelry Forum In this talk, Mònica Gaspar uses the term “object-ography” (writing about objects) to describe her practice, which finds her curating around and researching on the encounters and “dis-encounters” between people and things in everyday life. She introduces the audience to some of the art jewelry,
An Evening with Mònica Gaspar at Cranbrook Read More »
Contemporary jewelry is, with just about 10 years of age, a comparatively young field in China. But, if the missionary zeal and perseverance of the few key players I interviewed is anything to go by, we can be certain that Chinese jewelry will play an important part in the contemporary scene just a few years
China: Contemporary Jewelry on the Rise, Part 1 Read More »
“A scholarly, thoughtful, and serious compendium of thinking about contemporary jewelry, from uncovering its origins to considering its definition among the do-it-yourself trend … A tome for the eclectic reader and fan of today’s artistry in jewelry.” Booklist Mill Valley, California, USA—Art Jewelry Forum (AJF) announces an expanded schedule of special events organized in
Art Jewelry Forum Speakers Tour Extends Across the US Read More »
The Identity Crisis Begins in School Craft is at a crossroads. We are at a moment when fields are expanding and constantly in flux, when departments are being defunded or cut entirely, and when academic programs are constantly forced to justify their existence. In the face of these demands, academic craft is in the crosshairs,
New Horizons: Craft, Academia, and the 21st Century— A Polemic Read More »
A piece of reality, contemporary jewelry as a memory system February 16–20, 2013 Taller Tierra y Plata, Tlalpan Centro, Mexico City, Mexico This workshop then traveled to Guadalajara (Mexico), Santiago de Chile (Chile), and San José (Costa Rica). Kamata’s workshop is the second in the series Taller Viajero organized by Otro-Diseño Foundation (Mexico), Walka Studio
Jiro Kamata’s Workshop Read More »
The Hammer Room, Ädellab, Konstfack University College of Art and Design, Stockhom, Sweden, photo: Fredrik Ingemansson Ruudt Peters, who took over the department of metals in 2004, chose the name Ädellab, which means “precious laboratory.” This is a funny name for a program whose students aren’t as concerned with using precious materials as they are
The State of Things Read More »
After graduating from the Gerrit Rietveld Academy in Amsterdam in 1994, Iris Eichenberg worked as an independent artist and art educator, as well as a part-time curator. She began teaching jewelry in 1996 at the Gerrit Rietveld Academy and has given numerous workshops at various art academies in Europe, Asia, Africa and North America. Eichenberg
European Jewelry, Nostalgia, and Trans-Atlantic Exchange Read More »
It was the day after the opening of the Galerie Marzee graduation show, during the symposium where graduates were invited to present their work. A young Chinese jeweler asked one of the girls in the room to come and sit on a chair in front of him. He, standing behind her, took a golden chain
The Victory of Non-Precious Handwork: The Marzee Graduation Exhibition 2011 Read More »
