Agathe Saint Girons: À Taaable!
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2019
Bauhaus 100, a 2019 Exhibition at Galerie Elsa Vanier
In 1919, while naming the Bauhaus school, Walter Gropius proclaimed that his goal was “to create a new guild of craftsmen, without the class distinctions which raise an arrogant barrier between craftsman and artist.” The Bauhaus style was marked by the absence of ornamentation and by the harmony between the function of an object or
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Stirring Voices from an Ancient Land
In the burgeoning world of international art jewelry, beset by both lookalikes and provocateurs boldly competing for attention, the authenticity and directness of Israel’s art jewelry has consistently set it apart. Yet Ursula Ilse-Neuman only fully appreciated what makes this country’s work exceptional after having the opportunity to live there for the past two years.
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Verdadero es lo hecho: Ex votos and contemporary jewellery
Throughout history and in different cultures, devotees have offered their gods the material representation of some grace received. Ex-votos made of metal used to be popular in Argentina. Arms, hands, livers, lungs and tongues, even full bodies, were put on the saints’ clothes or left at church altars. They were carried back and forth, put
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TIME / TIME PAST
This is the catalog for Time/Time Past, an exhibition of contemporary jewelry by Iris Eichenberg and Marta Costa Reis. Time/Time Past was held in Lisbon, at Galeria Reverso, July 20–September 15, 2018; and at Munich Jewellery Week 2019, at Goldberg Studios, March 13–16, 2019. Courtesy of Marta Costa Reis.
A Place in Time
A thesis, written by Dierra Jones, for an MFA in jewelry. Storytelling is rooted in our daily lives, giving individuals the ability to connect and understand the world we live in. These stories are often memorable through one’s connection to time and place. In the jewelry field, place is significant in the life of an
Striking Gold: Fuller at Fifty
Exhibition catalog for “Striking Gold: Fuller at Fifty.” As Fuller marked its 50-year anniversary in 2019, it turned to gold to commemorate this milestone with “Striking Gold: Fuller at Fifty” in its Stone and Barstow galleries. This invitational project explores the storied traditions, contemporary interpretations, skillful applications, and conceptual rigor of gold as an artistic
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Jewelers: the Next Generation
With the current generation of master craftspeople preparing to “age off” the bench, the jewelry industry needs to know where to look for trained workers. This paper presents the survey data collected from the top jewelry trade schools, university metals programs, and other jewelry field programs in the US and Canada which currently serve as
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Teaching Disciplinary Literacy: Strategic Learning In Jewelry Design
Teaching literacy in jewelry design is a lot like teaching literacy in reading and writing. We want our students to comprehend. We want them to be able to be self-directed in organizing and implementing their basic tasks. We want them to be able to function in unfamiliar situations and respond when problems arise. We want
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Lecture-Stockholm_2019
A transcript of a lecture Kinga Zobel gave at Galerie Platina about quality in art.
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THE JEWELRY DESIGNER’S APPROACH TO COLOR
Color is the single most important design element, whether used alone or in combination with other design elements. Yet jewelry creates a series of dilemmas for the colorist, not always anticipated by what jewelry designers are taught in a typical art class. This article reviews the basic concepts of color theory and suggests how to
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What Is Jewelry Really?
We create and wear jewelry because we do not want to feel alone. But “not wanting to feel alone” can mean different things to different people. The jewelry artist must have insight here. The artist needs to understand what jewelry really is in order to make successful choices about forms, materials, design elements, inspirations, techniques,
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