Antinomie: Marianne Anselin | Ambroise Degenève
Antinomie: Marianne Anselin | Ambroise Degenève Read More »
For the 2nd edition of “Parcours Bijoux” in Paris, Elsa Vanier wanted to bring together new designers from all over the world and our permanent designers. Since the sale of jewelry from overseas carries numerous constraints in light of France’s very demanding regulations on precious metals, and having admired titanium jewelry in Geneva and at
Titanesque, a 2017 Exhibition at Galerie Elsa Vanier Read More »
This year’s Studio Jewelry and Art Jewelry Auction (which takes place December 1, 2022) offers a diverse selection of 136 objects for collectors and jewelry lovers. This is the catalog for it. From Quittenbaum Art Auctions, Munich.
Studio Jewelry and Art Jewelry Read More »
An exhibition brochure. As a collector and wearer, Susan Grant Lewin selects pieces for her collection that resonate with her intellect, aesthetic, and keen sense of identity. In this regard, jewelry takes on a performative role, acting as both an intimate treasured possession and a public expression of the wearer’s— and the maker’s—thoughts and feelings.
American Jewelry: The Susan Grant Lewin Collection at the Yale University Art Gallery Read More »
Craftspace invited Rebekah Frank to explore queerness in relation to the expansive field of metalworking and metalsmithing. Explore the scope of the project at https://craftspace.co.uk/queer-metals/.
Queer + Metals: Shaped by Us Read More »
The catalog for the exhibition held June 4–July 2, 2022. “I am particularly fond of photographs,” says the artist. “Sometimes they are old and show bygone places or people of times past, but quite often I use photos I took myself of trunks, flowers, lonesome lanes, or landscapes. These pictures turn into pieces of jewelry.
Bettina Speckner: Navegar é Preciso (Sailing Is Necessary), at Galeria Tereza Seabra Read More »
Composed of plastic debris, the sculptures and jewelry by Bridget Catchpole, beyond a seductive and magical aesthetic, carry within them a deeper reflection on our behavior and our responsibilities.
Still the Ocean Sounds the Same, Sculptures and Jewelry by Bridget Catchpole Read More »
Last year, when we all had to stay at home because of COVID, Karin van Paassen had the idea to compose a booklet with texts and images from 100 people about a piece of jewelry with a story. Stories bring jewelry alive. The stories were moving, surprising, emotional, endearing, sad, beautiful, intense, soft, and hard.
With his new series, BARA, Ruudt Peters has created a series of graphite objects all of which center around the subject of emerging darkness. The shaped forms follow Mircea Eliade’s reconstruction of ideas for cosmic origin. Hence, these small, secluded, and shadowed objects at the verge between hollowness and hallowing seemingly introduce a material and
BARA: Cosmic Nascency Read More »
The Danish Arts Foundation’s main mission is to support Danish artists and ensure that citizens from all over the country can experience high quality art. With the Danish Jewellery Box exhibition, the foundation wants both to showcase both the significance and development of contemporary Danish jewelry art and pay tribute to the German Danish Cultural
Catalog for Danish Jewellery Box Read More »
What is contemporary jewelry? What is the background of the medium, and how does it stand now and possibly in the future? “Contemporary Jewelry in Perspective” examines the field with abundant photographs and thought-provoking insights. Featuring some of the most notable jewelry writers and other contributors from around the world—as well as hundreds of striking
Contemporary Jewelry in Perspective Read More »
Pilosities brings together three artists whose works are similar in their choice and use of raw materials: Human hair, feathers, and furs. In Haptic stones, Lore Langendries wishes to arouse curiosity by displaying hairs—fine imagery and a visual illusion. Pieces look like solid rocks rounded off by the action of nature but they feel like