jewelry

American Jewelry: The Susan Grant Lewin Collection at the Yale University Art Gallery

An exhibition brochure. As a collector and wearer, Susan Grant Lewin selects pieces for her collection that resonate with her intellect, aesthetic, and keen sense of identity. In this regard, jewelry takes on a performative role, acting as both an intimate treasured possession and a public expression of the wearer’s— and the maker’s—thoughts and feelings.

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Bettina Speckner: Navegar é Preciso (Sailing Is Necessary), at Galeria Tereza Seabra

The catalog for the exhibition held June 4–July 2, 2022. “I am particularly fond of photographs,” says the artist. “Sometimes they are old and show bygone places or people of times past, but quite often I use photos I took myself of trunks, flowers, lonesome lanes, or landscapes. These pictures turn into pieces of jewelry.

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MyJewel

Last year, when we all had to stay at home because of COVID, Karin van Paassen had the idea to compose a booklet with texts and images from 100 people about a piece of jewelry with a story. Stories bring jewelry alive. The stories were moving, surprising, emotional, endearing, sad, beautiful, intense, soft, and hard.

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BARA: Cosmic Nascency

With his new series, BARA, Ruudt Peters has created a series of graphite objects all of which center around the subject of emerging darkness. The shaped forms follow Mircea Eliade’s reconstruction of ideas for cosmic origin. Hence, these small, secluded, and shadowed objects at the verge between hollowness and hallowing seemingly introduce a material and

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Pilosities

Pilosities brings together three artists whose works are similar in their choice and use of raw materials: Human hair, feathers, and furs. In Haptic stones, Lore Langendries wishes to arouse curiosity by displaying hairs—fine imagery and a visual illusion. Pieces look like solid rocks rounded off by the action of nature but they feel like

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