So You Want to Be a Jewelry Designer
So You Want to Be a Jewelry Designer reinterprets how to apply techniques and modify art theories from the jewelry designer’s perspective. Reveals how to become a literate and fluent jewelry designer.
So You Want to Be a Jewelry Designer reinterprets how to apply techniques and modify art theories from the jewelry designer’s perspective. Reveals how to become a literate and fluent jewelry designer.
This is the exhibition brochure for Quebec artist Gabrielle Desmarais’s first solo exhibition, Les Espaces-Satellites, held at Galerie Noel Guyomarc’h from June 10–July 10, 2021. For the occasion, the gallery will be transformed into an immersive landscape in which over 40 works will be displayed, all of which were created as maquettes of familiar or …
At present the jewelry maker is not just a person cloistered in the workshop concentrating on the process and production of jewelry-making for a client. Today a jeweler develops the necessary skills to promote and manage him/herself in the international context. Strengthening these two core principles of the practice will provide those just entering the …
Jewelry-making techniques bring materials together within a composition. Techniques construct the interrelationship among parts so that they preserve a shape, yet still allow the piece of jewelry to move with the person as the jewelry is worn. And techniques manipulate the essence of the whole of the piece so as to convey the artist’s intent …
This is the catalog for Elegy, which was scheduled for March 10–April 9, 2020 and invited 12 Australian women artists to present jewelry and objects that facilitate mourning for a world in peril. The project asked us to recognize the profound mental and emotional impacts of climate change on individuals and society, and to acknowledge …
Materials establish the character and personality of jewelry. They contribute to understanding whether the piece is finished and successful. However, there are no perfect materials for every project. Selecting materials is about making smart, strategic choices. This means relating your materials choices to your design and marketing goals. It also frequently means having to make …
“Il gioiello 3.0: dalla funzione all’User Experience” (The jewel 3.0: From Function to the User Experience) is a PhD thesis by Roberto Zanon. It focuses on the functional jewel with special attention to interaction design referencing wearable technologies, the development and application of industrial technologies, the cycle from discovery to market, interdisciplinary research, and innovation. …
The jewel 3.0: From Function to the User Experience Read More »
A catalog showing examples of works by Martina Dempf from 2006 until today. Under the heading “Touching Wood—And Other Materials in Martina Dempf’s Jewelry,” Barbara M. Henke writes, “With the transformation into an object meant for the human body, the artist removes the transience from the natural material, drawing the viewer’s attention to the beauty …
Martina Dempf: Wood Cocoons Hybrids. Jewelry 2006–2018 Read More »
Teaching literacy in jewelry design is a lot like teaching literacy in reading and writing. We want our students to comprehend. We want them to be able to be self-directed in organizing and implementing their basic tasks. We want them to be able to function in unfamiliar situations and respond when problems arise. We want …
Teaching Disciplinary Literacy: Strategic Learning In Jewelry Design Read More »
Color is the single most important design element, whether used alone or in combination with other design elements. Yet jewelry creates a series of dilemmas for the colorist, not always anticipated by what jewelry designers are taught in a typical art class. This article reviews the basic concepts of color theory and suggests how to …
Jewelry designers want to be successful. But things can get a little muddled when thinking about how to get there. Our teachers, our friends, our colleagues often disagree on this point, and tell us to look for conflicting measures of success. We can often lose sight of what we want to end up with. The …
The Goal-Oriented Designer: The Path To Resonance Read More »
Peter Bauhuis’s material experiments often “play” visual tricks; for example, in his show Armillaria, at Gallery Funaki, he displays a little “bronze” cup in the cabinet of curiosities he has fashioned from the pristine walls of the Crossley Lane space. The cup, which is part of “the Kolomna Report,” the official announcement he made of …