Jewelry brings our desires into existence. The jewelry designer collaborates with the assumptions, expectations, values, and perceptions the universe presents us with to make good things happen.
How To Bead A Rogue Elephant: Musings Of A Jewelry Designer: Desire Read More »
How dreams are made between the fickleness of business and the pursuit of jewelry design. A must-read for anyone serious about making money selling jewelry.
Conquering the Creative Marketplace Read More »
So You Want to Be a Jewelry Designer reinterprets how to apply techniques and modify art theories from the jewelry designer’s perspective. Reveals how to become a literate and fluent jewelry designer.
So You Want to Be a Jewelry Designer Read More »
“Through this work, I research some of the earliest recorded forms of human mark making such as cross-hatching, carving, and engraving, and use these as visual and poetic references in new abstract works. Through painstaking marking, cutting, and collecting, I draw attention to the basic human impulse to record information through permanent acts, and its
Lynn Batchelder | Remains Read More »
Jewelry-making techniques bring materials together within a composition. Techniques construct the interrelationship among parts so that they preserve a shape, yet still allow the piece of jewelry to move with the person as the jewelry is worn. And techniques manipulate the essence of the whole of the piece so as to convey the artist’s intent
Techniques and Technologies Read More »
Exhibition catalog for “Striking Gold: Fuller at Fifty.” As Fuller marked its 50-year anniversary in 2019, it turned to gold to commemorate this milestone with “Striking Gold: Fuller at Fifty” in its Stone and Barstow galleries. This invitational project explores the storied traditions, contemporary interpretations, skillful applications, and conceptual rigor of gold as an artistic
Striking Gold: Fuller at Fifty Read More »
With the current generation of master craftspeople preparing to “age off” the bench, the jewelry industry needs to know where to look for trained workers. This paper presents the survey data collected from the top jewelry trade schools, university metals programs, and other jewelry field programs in the US and Canada which currently serve as
Jewelers: the Next Generation Read More »
For many years my work has explored qualities unique to jewelry as a medium. In my Lumina Series brooches, I focus on the fact that when worn, jewelry is viewed in motion. Many of these Lumina brooches call attention to this quality by dramatically shifting color or deepening in color intensity depending on the angle
Donald Friedlich: Lumina Series Glass Jewelry Read More »
Whenever you create a piece of jewelry, it’s important to try to anticipate how your choice of materials, techniques, and technologies might positively or negatively affect how the piece moves and feels (which is called Support) when worn and how its components maintain shape and integrity (called Structure). Toward this end, it’s important to redefine
ARCHITECTURAL BASICS OF JEWELRY DESIGN Building In The Necessary Support and Structure Read More »
The artist creates something out of nothing. The jewelry artist does the same, but also imposes this act on the person who wears the result, and who, in turn, decides whether to display or demonstrate its desirability and wearability, and all within a particular context or situation. So we start with nothing into something. That
POINT LINE PLANE SHAPE FORM THEME Creating Something Out Of Nothing Read More »
