DesignLab #11 | LithoMania January 21–April 3, 2022 Kunstgewerbemuseum der Staatlichen Museen zu Berlin, Germany Claudia Banz, Ute Eitzenhöfer (eds), LithoMania Design Lab #11, Stuttgart: Arnoldsche, 2022. In the exhibition LithoMania, gemstone and jewelry students from Idar-Oberstein look from a distance at their primal material, the gemstone. They ask questions full of curiosity and criticality […]
Have They Left Any Stones Unturned? Read More »
Réka Fekete, A Dance of Light and Shadow, self-published, 2021. Réka Fekete doesn’t have much time left. There is a time in our lives when things fall apart and we feel unable to control the slow collapse. It happens to all of us. Réka doesn’t want to have a recurring cancer at age 39. She
Deganit Stern Schocken: How Many Is One: Jewellery/Objects/Installations, Stuttgart: arnoldsche Art Publishers, 2021. Like her jewelry, the title of Deganit Stern Schocken’s monograph, How Many Is One, is intriguing, stimulating, not easily unraveled, but rewarding when you pry deeper. Even the first word “How” in the unpunctuated title is challenging as it can be read
Form, Function, Expression Read More »
Shinji Nakaba/ UBUI (First Time) November 6–December 31, 2021 Gallery Loupe, Montclair, NJ, US The historical, the erotic, and the overlooked only begin to describe the jewelry of the unconventional Japanese jeweler Shinji Nakaba (b. 1950). The artist was virtually unknown in the West until 2001, when his work began to achieve wider recognition.[1] As
Sensual Attractions Read More »
Betty Cooke: The Circle and the Line September 19, 2021–January 2, 2022 The Walters Art Museum, Baltimore, MD, US A successful retrospective exhibition feels like an immersive experience. The visitor should almost get the impression of traveling in a time machine. There’s a certain magnificence in viewing so much of an artist’s body of work
Circles, Lines, and Good Designs Read More »
Hearts + Flowers September 16–November 12, 2021 In the Gallery at Brooklyn Metal Works, Brooklyn, NY, US In Hearts + Flowers, jewelry and hand-held objects explore the topic or format of the souvenir in some way. The show started as an open call-for-entry curated by Jessica Andersen and Leslie Shershow. The exhibition is organized into loose
Quiet Elegance: The Jewelry of Eleanor Moty, ed. Matthew Drutt, with contributions by Bruce W. Pepich, Matthew Drutt, and Helen W. Drutt English. Stuttgart: Arnoldsche Art Publishers, 2020. It is a well-established fact that European contemporary jewelers are better represented with beautifully designed, fully illustrated, scholarly monographs than their American counterparts, regardless of the latters’
A Tasteful Tribute to an Exquisite Aesthetic Read More »
Werke und Tage March 10–August 30, 2020 Staatliche Antikensammlung, Munich, Germany Danish Jewellery Box March 13–August 1, 2021 Museum für Angewandte Kunst Köln, Cologne, Germany Since 1974, regularly changing committees in the Danish Arts Foundation (founded in 1964) have acquired artworks from all artistic disciplines, including applied arts. Its national jewelry collection (comprising about 350
The Wanderings of the Danish State-Owned Jewelry Collection Read More »
Susan Cummins, Damian Skinner, and Cindi Strauss, In Flux: American Jewelry and the Counterculture. Stuttgart: Arnoldsche Art Publishers, 2020 The cover of the book In Flux, image courtesy Arnoldsche Art Publishers In Flux: American Jewelry and the Counterculture traces the figures, aesthetics, and techniques that blur distinctions between cultural turmoil and studio jewelry. Authors
The Making of a (Counterculture) Jeweler Read More »
Helen Britton is an eminent contemporary artist whose art transforms the profane into the precious. Elena Alvarez Lutz has now turned her philosophy into a film. This review is based on the documentary’s German premier at Dok.Fest Munich. Alvarez Lutz has submitted the documentary to film festivals around the globe, so you should have an opportunity to
To Speak with a Golden Voice July 16, 2020–April 11, 2021 Bill Reid Gallery of Northwest Coast Art, Vancouver, Canada “One basic quality unites all of the works of mankind that speak to us in human, recognizable voices across the barriers to time, culture, and space: the simple quality of being well made.” —Bill Reid
All Is Possible: Mary Ann Scherr’s Legacy in Metal February 21—December 23, 2020 Thomas E. Cabaniss Historic Residence, Gregg Museum of Art & Design, North Carolina State University, Raleigh, North Carolina, US Mary Ann Scherr, All Is Possible, n.d., cuff, sterling silver, from the collection of Suijin Li Snyder, photo: Jason Dowdle All Is Possible
