This book is a cabinet of wonderful curiosities, particularly for people who are knowledgeable about twentieth and twenty-first century art history. It will also drive you slightly mad, like being invited to a grand buffet and only allowed to pick one or two dishes.
Private Passion: Artists’ Jewelry of the 20th Century Read More »
There are a small number of fairs – the SOFA shows in the United States and COLLECT in London – that actively show contemporary jewelry. Until now, those were the only market venues for high-end jewelry galleries. Entrance, Design Miami Basel COLLECT began in London in 2004. It was started and is still run by
Show Time: Contemporary Jewelry and the Design Fair Read More »
The Spirit of Stone event that took place in Lappeenranta, Finland, in early May 2011 gathered together students and teachers from European jewelry schools, as well as others interested in jewelry and stone. In addition to a symposium, the event also involved workshops, an exhibition and a jewelry art and design competition. Head of an
The Spirit of Stone Read More »
Kiff Slemmons, Pride of Paper exhibition, Suyama Peterson Deguchi Architects Kiff Slemmons, Pride of Paper exhibition, Suyama Peterson Deguchi Architects. Photo: Mike Holmes It was not only the notion of tradition or the installation of the work in such a grand austere space that was notable, but also the precious nature of the work. Meticulously
Best in Show: Exhibitions at the SNAG Conference 2011 Read More »
Exhibition in Motion: Objects Performed took place at the Bellevue Arts Museum in Bellevue, Washington on the evening of May 28, 2011, in conjunction with the Society of North American Goldsmiths (SNAG) conference. Objects Performed was a marked shift in the format of SNAG’s annual exhibition in motion, from a runway fashion show to an
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‘Affective Objects: Art, Design and the Image of Craft’ was a lecture by Glenn Adamson in which an unfailing theorist animated his well-published philosophies in a new and entertaining way. Adamson’s keynote presentation, on May 27, 2011, kicked off three days of lectures at the Society of North American Goldsmiths Conference (SNAG). Adamson, the deputy
Rhetorics of Craft Read More »
I have a habit of making calendars, almost obsessively – in my sketchbook, by the computer and pinned up in my studio. So I know that it’s only been a month since I returned from Seattle and the SNAG conference, but it feels like a full season has passed. Somehow I’m still scrambling to avoid
Similes and Metaphors: SNAG Conference 2011 Read More »
Opening night at SOFA NY The Park Avenue Armory is much as the name suggests: a building completed in 1881 for the Seventh Regiment of the National Guard. SOFA NY (April 14-17, 2011) is held in the Wade Thompson Drill Hall, a huge space of about 200 by 300 feet with a barrel-vaulted roof spanned
Notes from SOFA NY 2011 Read More »
Victoire de Castellane, Quo Caïnus Magic Disco, 2010, Lacquered silver, white gold, diamonds, and smoky quartz, Bracelet: 3 3/8” x 3 3/8” With base: 5 7/8” x 5”. Photo courtesy Gagosian Gallery & Victoire de Castellane The display is bare enough. Four whitewashed tables occupy, but do not crowd, Gagosian’s second floor ‘project space.’ Two
Victoire de Castellane: Fleurs d’Excès Read More »
Chile is a land of earthquakes, but it isn’t just a case of the earth moving. In November 2010, the tectonic plates of the emerging scene of contemporary Chilean jewelry moved to unexpected places in this part of the globe. The catalyst? Ruudt Peters came to openly share his particular way of understanding contemporary jewelry, the
Ruudt Peters: Philosopher Stone Read More »
On a terrible winter day in New York City, with snow piled up on sidewalks and narrow paths cutting through canyons of grey slushy muck, I made my way to the Museum of Arts and Design. On view was the exhibition Think Again: New Latin American Jewelry. With over 50 Latin American jewelry artists contributing almost
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Hoping to get some idea of the ramifications of fine art’s turn to the handmade, I started reading By Hand: The Use of Craft in Contemporary Art, edited by Shu Hung and Joseph Magliaro. As the editors write in their preface:
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