Kiff Slemmons, Pride of Paper exhibition, Suyama Peterson Deguchi Architects Kiff Slemmons, Pride of Paper exhibition, Suyama Peterson Deguchi Architects. Photo: Mike Holmes It was not only the notion of tradition or the installation of the work in such a grand austere space that was notable, but also the precious nature of the work. Meticulously […]
Best in Show: Exhibitions at the SNAG Conference 2011 Read More »
Exhibition in Motion: Objects Performed took place at the Bellevue Arts Museum in Bellevue, Washington on the evening of May 28, 2011, in conjunction with the Society of North American Goldsmiths (SNAG) conference. Objects Performed was a marked shift in the format of SNAG’s annual exhibition in motion, from a runway fashion show to an
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‘Affective Objects: Art, Design and the Image of Craft’ was a lecture by Glenn Adamson in which an unfailing theorist animated his well-published philosophies in a new and entertaining way. Adamson’s keynote presentation, on May 27, 2011, kicked off three days of lectures at the Society of North American Goldsmiths Conference (SNAG). Adamson, the deputy
Rhetorics of Craft Read More »
I have a habit of making calendars, almost obsessively – in my sketchbook, by the computer and pinned up in my studio. So I know that it’s only been a month since I returned from Seattle and the SNAG conference, but it feels like a full season has passed. Somehow I’m still scrambling to avoid
Similes and Metaphors: SNAG Conference 2011 Read More »
Opening night at SOFA NY The Park Avenue Armory is much as the name suggests: a building completed in 1881 for the Seventh Regiment of the National Guard. SOFA NY (April 14-17, 2011) is held in the Wade Thompson Drill Hall, a huge space of about 200 by 300 feet with a barrel-vaulted roof spanned
Notes from SOFA NY 2011 Read More »
Victoire de Castellane, Quo Caïnus Magic Disco, 2010, Lacquered silver, white gold, diamonds, and smoky quartz, Bracelet: 3 3/8” x 3 3/8” With base: 5 7/8” x 5”. Photo courtesy Gagosian Gallery & Victoire de Castellane The display is bare enough. Four whitewashed tables occupy, but do not crowd, Gagosian’s second floor ‘project space.’ Two
Victoire de Castellane: Fleurs d’Excès Read More »
Chile is a land of earthquakes, but it isn’t just a case of the earth moving. In November 2010, the tectonic plates of the emerging scene of contemporary Chilean jewelry moved to unexpected places in this part of the globe. The catalyst? Ruudt Peters came to openly share his particular way of understanding contemporary jewelry, the
Ruudt Peters: Philosopher Stone Read More »
On a terrible winter day in New York City, with snow piled up on sidewalks and narrow paths cutting through canyons of grey slushy muck, I made my way to the Museum of Arts and Design. On view was the exhibition Think Again: New Latin American Jewelry. With over 50 Latin American jewelry artists contributing almost
Think Again: New Latin American Jewelry Read More »
Hoping to get some idea of the ramifications of fine art’s turn to the handmade, I started reading By Hand: The Use of Craft in Contemporary Art, edited by Shu Hung and Joseph Magliaro. As the editors write in their preface:
By Hand: The Use of Craft in Contemporary Art Read More »
Kambui Olujimi, Untitled from The Blackout Collection, 2010-11, mixed media, photo: Catharine Clark Gallery, San Francisco Each sculpture, a hybrid of equal part necklace and handcuff, hang on the wall throughout the gallery. The show is tidy, with each piece staying closely within a simple format. But within that format variations arise allowing for an
Kambui Olujimi: Love to Lose Read More »
Conferences stimulate the development of critical discourse in the craft world. In the United States, the American Craft Council, the National Council on Education for the Ceramic Arts, the Society of North American Goldsmiths all organize craft-specific gatherings that fuel ideas and provide face-to-face networking. Craft is a small fish in a big pond at
Craft’s Emerging Identity: The CAA Conference 2011 Read More »
The second book by English publishers Black Dog to take stock of contemporary jewelry practice in the new millennium. The geographical spread is not too bad and the jewelry itself is nicely introduced with short texts (by Beccy and Indigo Clark) and a judicious use of object-only and contextual photography. Amy Sackville’s introduction sets the
New Directions in Jewellery II Read More »
