Reviews

Emmy + Gijs + Aldo

Exhibition Poster Emmy van Leersum Aldo Bakker Aldo Bakker, Watering Can Another noteworthy complaint involved the size and clarity of the text and photos. I found myself straining to read label information and decipher images.  The font, at times, appears to be in the single digits. I speculate that this reduction is motivated by the

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Joyaviva: Live Jewellery From Across the Pacific

The Joyaviva exhibition at RMIT Gallery features objects, jewelry, film projection and related printed materials all under the inclusive moniker of ‘Live Jewellery from across the Pacific.’ However it is much more than a discrete thematic exhibition of contemporary wearables by 23 artists from Australia, Chile and New Zealand. It is part of a larger Joyaviva project that spans

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Crafting Modernism: Midcentury American Art and Design

Installation, Crafting Modernism: Midcentury American Art and Design, Museum of Arts and Design, New York Installation, Crafting Modernism: Midcentury American Art and Design, Museum of Arts and Design, New York Romona Solberg, Shaman Necklace, 1968, sterling silver, Alaskan ivory, found objects, 10 3/8 x 5 3/8 x 3/4 inches, Museum of Arts and Design, New

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Postmodernism: Style and Subversion, 1970-1990

Postmodernism is an ambitious and extensive exhibition. It is the latest in a loose series of exhibitions of major art movements, such as art nouveau and art deco, to be held at the V&A Museum. Like postmodernism itself, the exhibition is a complex and sometimes perhaps, a confusing experience. As an introduction, visitors read: ‘… of all the movements in art and design history, postmodernism is perhaps the most controversial’ and ‘with its unstable mix of theatrical and theoretical, the movement defies definition.’ This elusive and inconsistent subject is what the exhibition aims to examine.

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ArtPrize 2011

Mia Tavonatti, Crucifixion, 2011 Huang, Numinous Community, 2011 The top-prize winners over the past three years have been highly technical and competent works displaying a mastery of medium and an understanding of how to illusionistically render a subject in two-dimensions. In the contest’s first year Ran Ortner’s 19-foot wide, photo-realistic, oil-on-canvas rendering of ocean surf

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Jewels, Gems, and Treasures: Ancient to Modern

John Paul Cooper, Brooch, 1908, 15-karat gold, ruby, moonstone, pearl, amethyst, chrysoprase, Museum of Fine Arts, Boston, gift of Susan B. Kaplan John Paul Cooper, Brooch, 1908, 15-karat gold, ruby, moonstone, pearl, amethyst, chrysoprase, Museum of Fine Arts, Boston, gift of Susan B. Kaplan The gallery in which Jewels, Gems, and Treasures is housed is a reasonably

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Atelier Janiye and the legacy of Master Jeweler Miye Matsukata

‘Miye Matsukata was among the first mid-century American studio jewelers to develop an expressionist feeling of spontaneity in one-of-a kind jewelry pieces. Known for combining precious and non-precious materials in open and abstract compositions, Matsukata embraced the incorporation of found objects and antique pieces, as well as alternative construction techniques in enamel and crocheted metals.

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