Reviews

Un peu de terre sur la peau; A Bit of Clay on the Skin: New Ceramic Jewelry

  Willemijn de Greef, Halssieraad Touw, Necklace, hemp rope, red ceramic, 800 x 300 x 50 mm, photo: Frans Kup After Limoges, New York and Taipei, the 140 contemporary ceramic ornaments in Un peu de terre sur la peau arrived at the Musée des Arts Décoratifs de Paris in March. (After it closes in August, the […]

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‘The Heat is On’ and the Air Conditioning is Blasting

About 600 conference attendees arrived in Scottsdale, Arizona in 100-degree weather for the 2012 SNAG conference (May 23-26) aptly titled The Heat is On. The setting was surreal—a vast, dry, desert landscape covered in suburban sprawl, swimming pools and lush golf courses, in a state whose Secretary of State was actually questioning the validity of the

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Emmy + Gijs + Aldo

Exhibition Poster Emmy van Leersum Aldo Bakker Aldo Bakker, Watering Can Another noteworthy complaint involved the size and clarity of the text and photos. I found myself straining to read label information and decipher images.  The font, at times, appears to be in the single digits. I speculate that this reduction is motivated by the

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Joyaviva: Live Jewellery From Across the Pacific

The Joyaviva exhibition at RMIT Gallery features objects, jewelry, film projection and related printed materials all under the inclusive moniker of ‘Live Jewellery from across the Pacific.’ However it is much more than a discrete thematic exhibition of contemporary wearables by 23 artists from Australia, Chile and New Zealand. It is part of a larger Joyaviva project that spans

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Crafting Modernism: Midcentury American Art and Design

Installation, Crafting Modernism: Midcentury American Art and Design, Museum of Arts and Design, New York Installation, Crafting Modernism: Midcentury American Art and Design, Museum of Arts and Design, New York Romona Solberg, Shaman Necklace, 1968, sterling silver, Alaskan ivory, found objects, 10 3/8 x 5 3/8 x 3/4 inches, Museum of Arts and Design, New

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Postmodernism: Style and Subversion, 1970-1990

Postmodernism is an ambitious and extensive exhibition. It is the latest in a loose series of exhibitions of major art movements, such as art nouveau and art deco, to be held at the V&A Museum. Like postmodernism itself, the exhibition is a complex and sometimes perhaps, a confusing experience. As an introduction, visitors read: ‘… of all the movements in art and design history, postmodernism is perhaps the most controversial’ and ‘with its unstable mix of theatrical and theoretical, the movement defies definition.’ This elusive and inconsistent subject is what the exhibition aims to examine.

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ArtPrize 2011

Mia Tavonatti, Crucifixion, 2011 Huang, Numinous Community, 2011 The top-prize winners over the past three years have been highly technical and competent works displaying a mastery of medium and an understanding of how to illusionistically render a subject in two-dimensions. In the contest’s first year Ran Ortner’s 19-foot wide, photo-realistic, oil-on-canvas rendering of ocean surf

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