Cindi Strauss, assistant director at the Museum of Fine Arts Houston, Texas, and AJF chair Susan Cummins take a long stroll through Design Miami’s jewelry galleries, and each bring back their favorite pieces. With comments.
Best of Design Miami 2013 Read More »
The dimensions of the wall showcase—33 meters long, 3 meters high, and 90 centimeters deep —are quite unusual. This is the place destined for jewelry exhibitions in the relatively new venue of the CODA Museum in Apeldoorn, Netherlands. The museum houses an important collection of contemporary Dutch and international jewelry that reaches back to the
Exhibition view, Fashion Jewelry: The Collection of Barbara Berger, 2013, Museum of Arts and Design, New York, photo: Ed Watkins It is to this thrill of the glorious and to Berger’s keen eye for evocative jewelry that the Museum of Arts and Design pays homage by showcasing some 450 pieces from the 4500 objects of
The Coups de Coeur of Barbara Berger: A Narrative of Adornment Read More »
The Glass House, Marzee Graduate Show, 2013, Galerie Marzee, Nijmegen, Netherlands, photo: Michiel Heffels This unique event—incorporating the exhibition, the Marzee Graduate Prize* for the most promising students, a symposium for participants the day after the opening, and a small display of work by last year’s prizewinners—is a manifest demonstration of the passion and commitment
MARZEE GRADUATE SHOW 2013 Read More »
View of exhibition entrance, La Frontera, 2013, Museo Franz Mayer, México D.F., Mexico, photo: Mike Holmes/Velvet da Vinci Historically, Guerrero has the rougher reputation—its mountains were home to Lucio Cabañas and his guerrilla in the 70s, for example—but Michoacán is now renowned for drug cartel activity, and during the week before I left for the
Jewels on the Border: La Frontera Exhibition Read More »
A piece of reality, contemporary jewelry as a memory system February 16–20, 2013 Taller Tierra y Plata, Tlalpan Centro, Mexico City, Mexico This workshop then traveled to Guadalajara (Mexico), Santiago de Chile (Chile), and San José (Costa Rica). Kamata’s workshop is the second in the series Taller Viajero organized by Otro-Diseño Foundation (Mexico), Walka Studio
Jiro Kamata’s Workshop Read More »
Poster, Framed – the exhibition as a self-portrait, 2013, Stedelijk Museum ’s-Hertogenbosch, ’s-Hertogenbosch, design: Ben Lambers/Studio Aandacht Choosing Ted Noten as the first Framed curator establishes the museum’s position as a museum of the twenty-first century with a self-appointed mandate to merge fine art, design, and crafts. Ted Noten’s work is very eye catching, and he himself
Framed—The Exhibition as a Self-Portrait Read More »
This year’s Society of North American Goldsmiths’ (SNAG) conference “Meta-Mosaic“ was held in May in Toronto, Canada. It was co-chaired by Paul McClure of George Brown College and Melanie Egan of the Harbourfront Centre, an “innovative not-for-profit cultural organization that creates events and activities of excellence.”[i] The Harbourfront Centre boasts a metals studio in its own craft department hosting “six to
IN SIGHT SERIES / SNAG TORONTO Read More »
The 2013 conference of the Society of North American Goldsmiths (SNAG) was held in Toronto, Canada, in May and was organized by Paul McClure of George Brown College and Melanie Egan of the Harbourfront Centre. The conference was a gathering of mainly North American professional jewelers, academics, and students. The activities included lectures, short PechaKucha-like presentations, interviews, exhibitions, a trunk
In Sight Series / SNAG Toronto Read More »
Robert Baines, Peter Bauhuis, Manfred Bischoff, Bettina Dittlmann, Georg Dobler, David Huycke, Daniel Kruger, Christa Lühtje, Bruno Martinazzi, Francesco Pavan, Dorothea Prühl, Gerd Rothmann, Jacqueline Ryan, Philip Sajet, Bernhard Schobinger, Hubertus von Skal, Tanel Veenre, Graziano Visintin Exhibition view, Neuer Schmuck für die Götter (New Jewelry for the Gods), 2013, the State Collections of Antiques, Munich,
New Jewelry for the Gods: Artifactual Relevance Read More »
Roberta Bernabei. Contemporary Jewellers: Interviews with European Artists. Oxford: Berg Publishers, 2011. Bernabei begins with a historical overview of European jewelry from the Middle Ages to the present day. All too often, the studio art movement is touted as the father of the studio jewelry movement, leaving students with little sense of the origins of
Contemporary Jewellers: Interviews with European Artists Read More »
Location view, Otto Künzli. Die Ausstellung, 2013, temporary exhibition hall at Die Neue Sammlung, Munich, photo: Ben Lignel For someone who is so well known (professor at Munich’s Academy of Fine Arts, perhaps the most prestigious jewelry course in the world; widely cited by other jewelers and writers as a key figure in contemporary jewelry;
A Künzli for Our Time? Read More »
