A piece of reality, contemporary jewelry as a memory system February 16–20, 2013 Taller Tierra y Plata, Tlalpan Centro, Mexico City, Mexico This workshop then traveled to Guadalajara (Mexico), Santiago de Chile (Chile), and San José (Costa Rica). Kamata’s workshop is the second in the series Taller Viajero organized by Otro-Diseño Foundation (Mexico), Walka Studio […]
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Poster, Framed – the exhibition as a self-portrait, 2013, Stedelijk Museum ’s-Hertogenbosch, ’s-Hertogenbosch, design: Ben Lambers/Studio Aandacht Choosing Ted Noten as the first Framed curator establishes the museum’s position as a museum of the twenty-first century with a self-appointed mandate to merge fine art, design, and crafts. Ted Noten’s work is very eye catching, and he himself
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This year’s Society of North American Goldsmiths’ (SNAG) conference “Meta-Mosaic“ was held in May in Toronto, Canada. It was co-chaired by Paul McClure of George Brown College and Melanie Egan of the Harbourfront Centre, an “innovative not-for-profit cultural organization that creates events and activities of excellence.”[i] The Harbourfront Centre boasts a metals studio in its own craft department hosting “six to
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The 2013 conference of the Society of North American Goldsmiths (SNAG) was held in Toronto, Canada, in May and was organized by Paul McClure of George Brown College and Melanie Egan of the Harbourfront Centre. The conference was a gathering of mainly North American professional jewelers, academics, and students. The activities included lectures, short PechaKucha-like presentations, interviews, exhibitions, a trunk
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Robert Baines, Peter Bauhuis, Manfred Bischoff, Bettina Dittlmann, Georg Dobler, David Huycke, Daniel Kruger, Christa Lühtje, Bruno Martinazzi, Francesco Pavan, Dorothea Prühl, Gerd Rothmann, Jacqueline Ryan, Philip Sajet, Bernhard Schobinger, Hubertus von Skal, Tanel Veenre, Graziano Visintin Exhibition view, Neuer Schmuck für die Götter (New Jewelry for the Gods), 2013, the State Collections of Antiques, Munich,
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Roberta Bernabei. Contemporary Jewellers: Interviews with European Artists. Oxford: Berg Publishers, 2011. Bernabei begins with a historical overview of European jewelry from the Middle Ages to the present day. All too often, the studio art movement is touted as the father of the studio jewelry movement, leaving students with little sense of the origins of
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Location view, Otto Künzli. Die Ausstellung, 2013, temporary exhibition hall at Die Neue Sammlung, Munich, photo: Ben Lignel For someone who is so well known (professor at Munich’s Academy of Fine Arts, perhaps the most prestigious jewelry course in the world; widely cited by other jewelers and writers as a key figure in contemporary jewelry;
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Exhibition view, Beginning Middle Endless, Brant Gallery, Massachusetts College of Art and Design, Boston, photo: Celine Browning Beginning Middle Endless was born out of a desire to forge a connection between MassArt and Alchimia. Heather White, curator of the show and professor of the MassArt participants, collected the necklace halves from 40 students on two
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Though not widely known, Paul Mergen is an American metalsmith and educator who has been practicing with focus and purpose for 50 years. In fact, his work has existed outside the mainstream of the metal and jewelry fields, in semi-isolation, for the better part of his career. Mergen’s recent retrospective, So What 50, at the
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Jo Bloxham, ed. Transplantation: A Sense of Place and Culture. England: University of Lincoln, 2012. photo: Zoe Brand When I finally received the 80-page catalog, my first thoughts were of the fresh and inviting look created by the graphic designer—a mostly white cover with green text and an image of Bridie Lander’s sparse leafy neckpiece.
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Jean-Michel Othoniel, The Secret Happy End, 2008, Murano glass, Saint Just’s mirror glass, metal, vintage carriage, 106.3 x 145.7 x 59.2 inches (270 x 370 x 150 cm), Brooklyn Museum, gift of Galerie Emmanuel Perrotin, Paris/Miami, and the artist, 2010.11, photo: artist Throughout his career, Othoniel has referenced the body, as a whole and in
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With Nhat-Vu Dang, Jantje Fleischhut, Gésine Hackenberg, Iris Nieuwenburg, Evert Nijland, Ted Noten, Ruudt Peters, Lucy Sarneel, and Manon van Kouswijk This is the third in a new series called “in Sight.” We have asked a maker, a curator, and an historian to discuss From the Coolest Corner, an ambitious event that was just launched in Oslo,
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