Dans la ligne de mire. Scènes du bijou contemporain en France September 20, 2013–March 2, 2014 Musée des Arts Décoratifs, Paris, France Circuits bijoux, parcours du bijou contemporain (“Jewel circuit, a route/itinerary of contemporary jewelry”) is one of the most ambitious cultural events concerning contemporary jewelry to take place in the past 10 years in Europe, […]
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JOYA 2013 was the fifth edition of a now-international fair that was born as “Joyas a la Carta” in 2007—a mainly local event to promote contemporary jewelry that followed the models of other fashion events taking place in Barcelona. The initiative to promote contemporary jewelry took form under the care and direction of Paulo Ribeiro
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Shift October 18–November 21, 2013 Indiana University, Bloomington, Indiana, USA Exhibition overview, Shift, 2013, Grunwald Gallery, Indiana University, Bloomington, Indiana, photo: Michelle Given Within the American Midwest, it is a rare opportunity to come across exhibitions of contemporary jewelry or galleries with an art-jewelry focus. It is neither Germany nor the Netherlands, and with the
Since 2005, AJF has been funding catalogs and exhibitions as part of its aim to advocate for contemporary art jewelry through education, appreciation, and support for the field. AJF believes that exhibitions and catalogs are an essential part of the contemporary art jewelry infrastructure, by documenting history, fostering curatorial skills, providing opportunities for writing about contemporary art
Overall view of the exhibition hall, Sieraad International Jewellery Art Fair, Amsterdam, photo: Ward Schrijver November 7–10, 2013 Every September, the Gashouder (“gasholder’”) in Amsterdam is a bit like the biblical Tower of Babel. During the Sieraad (“jewel”) International Jewellery Art Fair, many languages are spoken by both the participating artists—of whom only 35 percent
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Cindi Strauss, assistant director at the Museum of Fine Arts Houston, Texas, and AJF chair Susan Cummins take a long stroll through Design Miami’s jewelry galleries, and each bring back their favorite pieces. With comments.
Best of Design Miami 2013 Read More »
The dimensions of the wall showcase—33 meters long, 3 meters high, and 90 centimeters deep —are quite unusual. This is the place destined for jewelry exhibitions in the relatively new venue of the CODA Museum in Apeldoorn, Netherlands. The museum houses an important collection of contemporary Dutch and international jewelry that reaches back to the
Exhibition view, Fashion Jewelry: The Collection of Barbara Berger, 2013, Museum of Arts and Design, New York, photo: Ed Watkins It is to this thrill of the glorious and to Berger’s keen eye for evocative jewelry that the Museum of Arts and Design pays homage by showcasing some 450 pieces from the 4500 objects of
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The Glass House, Marzee Graduate Show, 2013, Galerie Marzee, Nijmegen, Netherlands, photo: Michiel Heffels This unique event—incorporating the exhibition, the Marzee Graduate Prize* for the most promising students, a symposium for participants the day after the opening, and a small display of work by last year’s prizewinners—is a manifest demonstration of the passion and commitment
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View of exhibition entrance, La Frontera, 2013, Museo Franz Mayer, México D.F., Mexico, photo: Mike Holmes/Velvet da Vinci Historically, Guerrero has the rougher reputation—its mountains were home to Lucio Cabañas and his guerrilla in the 70s, for example—but Michoacán is now renowned for drug cartel activity, and during the week before I left for the
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A piece of reality, contemporary jewelry as a memory system February 16–20, 2013 Taller Tierra y Plata, Tlalpan Centro, Mexico City, Mexico This workshop then traveled to Guadalajara (Mexico), Santiago de Chile (Chile), and San José (Costa Rica). Kamata’s workshop is the second in the series Taller Viajero organized by Otro-Diseño Foundation (Mexico), Walka Studio
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Poster, Framed – the exhibition as a self-portrait, 2013, Stedelijk Museum ’s-Hertogenbosch, ’s-Hertogenbosch, design: Ben Lambers/Studio Aandacht Choosing Ted Noten as the first Framed curator establishes the museum’s position as a museum of the twenty-first century with a self-appointed mandate to merge fine art, design, and crafts. Ted Noten’s work is very eye catching, and he himself
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