Christina Odegard and Bronze Sculptures, undated, bronze, 406 to 914 mm tall, photo: Matin Christina Odegard’s deep appreciation for the beauty and elegance of natural materials, as well as her extensive exploration of form, is apparent in her work. Meanwhile, “shibumi” is a Japanese word referring to a particular aesthetic of simple, subtle, and unobtrusive […]
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Didier, Ltd. booth, Masterpiece London, the grounds of the Royal Hospital Chelsea, Royal Borough of Kensington and Chelsea, London, UK, photo: Didier, Ltd. Didier, Ltd. is a London-based gallery founded in 2006 by Didier and Martine Haspeslagh. It specializes in jewelry created by leading modern masters—painters and sculptors—who are recognized internationally for their art. Didier,
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Samantha Skelton’s jewelry booth at ACC Baltimore, photo: artist A maker with a background in large-scale sculptural work and an avid interest in graphic design, Samantha Skelton was awarded the Halstead Grant in 2015. In this interview, the Pittsburgh-based jewelry designer and artist talks about her career after receiving the grant, and what a day
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Pile of Anna Norrgrann’s A4 aluminum sheets/necklaces in her studio, photo: artist Anna Norrgrann, an emerging Swedish jewelry artist, is already making waves as the 2015 Graduate of the Year at Klimt02 and by exhibiting her collection of deceptively simple jewelry in the Netherlands, Spain, and China. In this interview, we talk about Anna’s favored
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Carlier Makigawa, Rings, 2016, necklace, 18-karat gold, blackened silver, photo: Fred Kroh The visual presence of Carlier Makigawa’s jewelry is situated comfortably between purely precise architectural constructions and organic geological formations. In this interview, the artist discusses her latest works, on view at Gallery Funaki, and her intuitive process for creating dynamic structural compositions in
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Rocks at a small cove on Rottnest Island, Western Australia, photo courtesy of Nancy Mēgan Corwin Facèré Jewelry Art Gallery recently presented Marine Life Evolved, an exhibition of new work by Nancy Mēgan Corwin inspired by the artist’s extensive travels, collection, and study of sea-based life. With a close attention to detail and pattern, Corwin
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Patti Bleicher, Thomas Gentille, and Petra Hölscher, Die Neue Sammlung—The Design Museum, Munich, photo: AJF The overview of Thomas Gentille’s work at the Neue Sammlung provided an unprecedented access to the American artist’s 50-year career, and an excellent opportunity to revisit our understanding of his work. Minimal, formalistic, two-dimensional: These are some of the qualities
Melissa Cameron, RPG @ 1:9 (pin), 22m radius @ 1:9 (neckpiece), Anti-personnel Round (pin), Un-handle (pendant), 2015, powder-coated steel trowel, stainless steel, polyester-cotton ribbon, largest 440 x 125 x 35 mm, photo: artist In her latest body of work, Body Politic, Melissa Cameron departs from earlier themes to explore the political arena. Melissa confronts her
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Zorya, Virus Crystallized Cluster Necklace worn by Jodie Hruby, 2014, linen flax rope, white crystals, magnetic stainless steel clasp, 500 mm in circumference, photo: Tomáš Brabec and Patrik Borecký As part of Stockholm Design Week 2016, and in conjunction with the Czech Centre in Stockholm, Platina has shown the work of design duo Daniel Pošta and Zdeněk
Zorya (Daniel Pošta and Zdeněk Vacek): Virus Read More »
Karin Roy Andersson, Gray Necklace, 2015, necklace, scales of recycled plastic (from snuff boxes, oil bottle, and glycol bottle) sewn together with wire, steel frame, silver, 150 x 230 x 50 mm, photo: artist The Swedish collector Inger Wästberg is a big advocate of Swedish contemporary jewelry and has helped to bring more attention to
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Rachel Bell, Empty Vessel/Blank Slate (installation view), 2015, pendants, American white oak, 22-karat gold leaf, sterling silver, linen, cotton, each 68 x 30 x 10 mm, total 250 x 300 mm, photo: Masterworks Gallery Masterworks Gallery, in Aukland, New Zealand, is a contemporary craft gallery run by mother-daughter team Christine Hedlund and Eloise Kitson. Together,
Yutaka Minegishi, Poo Ring, 2013, ring, lignum vitae, 34 x 26 x 23 mm, photo: Arne Schultz Yutaka Minegishi’s minimalist work embraces the exploration of form and the nuances of natural materials. Working directly with the material, with no predetermined plan or sketch, Yutaka creates intimate tactile work. We spoke with him last summer to
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