Wall at Susan Beech’s house, work by (just jewelry, left to right): Hanna Hedman, Vera Siemund, Nancy Worden, Christoph Zellweger, Pierre Cavalan, Heather White van Stolk, Anthony Roussel, Susanne Klemm, Marilyn da Silva, Maria Phillips, Jasmin Winter, Hanna Hedman, Lori Talcott, Kiff Slemmons, photo: John White I have known Susan Beech for about 30 years. […]
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Exterior and interior view, Gallery O, Seoul, Korea, photo: Gallery O Founded in 2001, Gallery O is a leading gallery in South Korea for local and international contemporary jewelry. Its founder, jewelry artist Miwha Oh, holds degrees in metalsmithing, museum studies, and gemology, and has applied her extensive education to raising the visibility of contemporary
Patina Gallery sits in the historic museum district of Santa Fe, 2015, photo: Peter Ogilvie Eighteen-year-old Patina Gallery was an early champion of European studio jewelers and has been particularly adept at creating cultural synergies with the vibrant local scene in New Mexico: For the second year in a row, their summer exhibition features work
Alternatives Gallery, view of the façade, Rome, photo: Andrea Lombardo Alternatives Gallery, located in the historical center of Rome, has met the challenge of selling to a relatively conservative clientele by being remarkably proactive in promoting itself and the field on a national and international level, and by launching no-gram, the first online gallery devoted
Placement, a collaboration between art jewelers and street artists, May 2015, Gallery at Reinstein|Ross, New York, photo: Andrew Schloss Bella Neyman is the director of the Gallery at Reinstein|Ross in New York, which specializes in contemporary jewelry. With a background in arts administration and several critically acclaimed exhibitions under her belt, she mixes writing and curating,
Janna Syvänoja, Untitled, 2014, necklace, recycled paper, steel wire, 250 x 220 x 75 mm, photo: artist Janna Syvänoja is a Finnish artist who, by a slow and meditative process, creates art jewelry from recycled paper. Using such fragile material, she is able to create depth in form, each slice meticulously layered by hand. Often
(from left to right) Aaron Patrick Decker, Soft, 2015, brooch, wool, nickel, silver, white gold, 30 x 40 x 2.5 mm; Campaign 2, 2015, brooch, white gold, army blanket wool, nickel silver, 100 x 30 x 10 mm; Tiny, 2016, brooch, leather, nickel, silver, 30 x 30 x 32.5 mm, photo: courtesy of the artist
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Liz Clark, Magnolia Laurel, 2016, necklace, steel, sterling silver, 584 x 76 mm, photo: Arthur Hash As a former marine biology major and current jewelry artist, Liz Clark finds inspiration in flowers, which accompany us through life events and speak for us when words fail. For her exhibition at Heidi Lowe Gallery, Clark counter-intuitively pairs
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Marianne Anselin, Plier, 2013, cuff and rings, sterling silver, gold, patinated iron, height of cuff 130 mm, photo: Elsa Vanier French jewelry artist Marianne Anselin prefers iron, rusted patinated steel, and cast iron as her materials of choice, forging them into detailed impressions of leaves, shells, and other shapes borrowed from nature. Inspired by walks
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Panjapol Kulpapangkorn, Jewellery Is at My Feet/The Show Is Yours, project launched in 2012, memory containers from participants, memory objects in clear plastic bags, mixed media, size of container: 110 x 130 mm, photo: artist For Panjapol Kulpapangkorn, building community, working with memory, and getting to know people from distant places through his participatory project,
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(left) April Higashi, Tidepool Pendant, 2016, oxidized silver, 508 mm; (right) Joshua Wendler, Springbok Antelope Skull Ring, 2016, 18-karat gold-plated silver, 6 x diameter 20 mm, photo: Shibumi Gallery Shibumi Gallery, in Berkeley, has just opened an exhibition “for men,” looking to address its male patrons’ reticence toward ornaments. This is an exhibition that started with
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Damselfrau, Liorin, 2015, mask, mixed media, selfie Magnhild Kennedy, a.k.a. Damselfrau, is a Norwegian artist living in London. A self-taught maker of masks, Kennedy dances on the blurry lines of fashion, design, and craft, a space she isn’t wanting to define. Although she doesn’t consider herself a jeweler, her work has a strong dialogue
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