Isabel Dammermann in her workshop, Wennigsen, Germany, photo: Andrea Seifert OHMYBLUE recently presented Isabel Dammermann’s first solo show. Since graduating from Alchimia in Italy in 2008, Isabel, who hails from Hanover, Germany, has established herself as an international artist with a love of materials and a clear aesthetic voice. Sandra Wilson caught up with her […]
Isabel Dammermann: Treasuries & Transience Read More »
Karen Pontoppidan in her office, Akademie der Bildenden Künste, Munich, February 2016, photo: Benjamin Lignel The news of Karen Pontoppidan’s nomination as the successor to Otto Künzli at the head of the Munich academy’s jewelry department was viewed—with excitement, surprise, joy, and worry—as a tidal change. She was picked from a wide cast of artists
In Conversation with Karen Pontoppidan Read More »
Jorge Castañón, Las Madrigueras, 2007, necklace, ebony, itin wood, eucalyptus, linen, 210 x 450 x 20 mm, photo: artist Jorge Castañón is a significant jeweler in Argentina. He has developed his work both as a jeweler and as a craft master, springing from a traditional craftsmanship approach to contemporary jewelry. In 1990 he founded the
Jorge Castañón: Gestures, Repairs, and other Emergencies Read More »
Travis Chantar, (left) Julian Woodhouse, 2015; (right) Ledom, 2015, both from Tribe by Chantar Cut flowers are an iconic representation of ephemerality, the cycle of beauty and the process of death. Flowers and Tribes, two photographic series by New-York-based Travis Chantar, depict young, nude sitters adorned with ephemeral petal arrangements and body-paintings. I was
The Ephemeral Art of Petals, Paints and Bods Read More »
Debbie Adamson, (left) Pine Necklace, 2016, laminated vinyl, rubber cord, 150 x 150 x 11 mm (not including length of cord); (right) Brooch: Accumulations Cream, 2016, plastic, copper, steel, 80 x 80 x 10 mm, photo: artist Growing up surrounded by the beauty of rural New Zealand, Debbie Adamson has been profoundly affected by the
Debbie Adamson: Accumulations of Plastic Matter Read More »
Daniel Kruger, Necklace, 2014, silver, acrylic, pigment, 540 mm long, largest element: 85 x 85 mm, photo Udo W. Beier Olga Zobel is the director of Galerie Biró, a gallery that serves as a benchmark in the field. A pivotal player in the establishment of Munich as the European capital of contemporary jewelry, Zobel is also
Vanessa Arthur, Lost Pin Collection, 2016, wet cement slab, buffed vessel and pins, cement, copper, sterling silver, stone, brass, 9-karat gold, thermo-set paint, various dimensions, photo: artist I have admired Vanessa Arthur’s work for a while—she is part of New Zealand’s New Generation of Jewelers (one hesitates to capitalize, but it does feel like a
Vanessa Arthur: Unmonumental Fever—Excavating the Everyday Read More »
(left) Karen Rotenberg wearing Réka Fekete, Untitled, 2012, brooch, wood, enameled steel, found object, zinc paint, silver, 75 x 115 mm, photo: Michael Rotenberg; (right) Michael Rotenberg wearing Chrisoula Papahatzi, Returning Home, 2015, brooch, steel, 90 x 50 x 20 mm, photo: Karen Rotenberg Karen and Michael Rotenberg are an elegant and distinctive presence on
Interview with Collectors Karen and Michael Rotenberg Read More »
Collage of the 2016 top-10 finalists, courtesy of Halstead Halstead, a family-run wholesale importer and distributor of jewelry findings, and a corporate sponsor of AJF, just announced the 2016 winner of its yearly award to be Niki Grandics. AJF’s editor takes the opportunity to catch up with company president Hilary Halstead Scott to ask her
Hilary Halstead Scott Read More »
Motoko Furuhashi and Demitra Thomloudis, Site #2, 2016, brooch, nickel silver, brass, silver, land segment, ink jet print, gesso, 100 x 110 x 45 mm, photo: Motoko Furuhashi Leading us down the road to the heart of the country, where the artists live, CrossPASS is an exhibition of both collaborative and individual jewels by Demitra
Motoko Furuhashi and Demitra Thomloudis: CrossPASS Read More »
Masako Onodera, My Dear, 2015, stole, repurposed fur coat, oxidized parts from silver-plated coffee pot, thread, 305 x 178 x 1,270 mm, photo: artist Shadow Themes, the brainchild of writer and educator Marjorie Simon and jewelry artist Biba Schutz, is a group exhibition at Reinstein|Ross that peers into the intuitive minds and fluid studio practices
Marjorie Simon and Biba Schutz: Shadow Themes Read More »
Henriette Schuster, Conglomerates, 2016, rings, silver, blackened silver, gold, largest 35 x 25 x 20 mm, photo: artist Now in its second iteration, the Mari Funaki Award for Contemporary Jewellery is an international biennial award founded in memory of the life and legacy of its namesake, Australian artist Mari Funaki. In this interview, Katie Scott,
