Liesbeth den Besten and Benjamin Lignel, Art Jewelry Forum Speakers Tour, California College of the Arts, San Francisco, California, October 25, 2013 The art jewelry scene has been expanding exponentially in the past 10 years, both through online platforms with well-curated articles and images of jewelry and through more conventional outlets, such as museums, galleries, […]
On Dissolving and Disseminating Read More »
Jane Dodd, Ice Bandit, 2014, brooch, beef bone, sterling silver, ebony, garnets, found costume jewelry, 40 x 70 x 13 mm, photo: artist Susan Cummins: Can you describe the Kete fair and symposium event? Caroline Billing: Kete was a four-day art fair and symposium that was recently held in Wellington, New Zealand. It is a
Kete with Dodd, Haydon and Wilkinson Read More »
Left to right: Lisa Cimino, Ring, circa 2005, sterling silver, resin; Patrizia Locino, Ring, 2011, sterling silver, rubber bands, epoxy resin; Amy Faust, Ring, circa 2007, sterling silver, Coke bottle beach glass; Lisa Crowder, Ring, 2013, sterling silver, thread, enamel; Christine Simpson Forni, Ring, 2013, sterling silver, gold leaf, enamel; Unknown craftsperson, Ring, platinum, diamond
I Wouldn’t Let Him Go To Jared Read More »
Pose for Invitation Susan Cummins: Where does the title Vintage Violence come from? Brigitte Schorn: It comes from John Cale’s first solo album. Volker Atrops: Yes, and it is a totally different context, but in our case it fits very well—“vintage jewelry” and “violence” because we pushed the material against all the rules into the
Volker Atrops and Brigitte Schorn: Vintage Violence Read More »
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10 Best Up-and-Comers at Schmuck Read More »
Arline Fisch is an American jewelry pioneer. She is also one of the earliest American post-war jewelers to be shown and collected in and outside of the US. Starting the San Diego State University metalsmithing program and teaching there for more than 40 years, she has influenced hundreds of jewelers who studied under her. Still
Arline Fisch: Hanging Gardens Read More »
“Hello World. It’s us.” Thus opens, with typical paper-sword-rattling, Overview magazine’s sixteenth issue (and first paper edition), launched in Munich to celebrate Wunderruma and the small invasion of New Zealand makers that came with it. (The publication is written, typeset, and distributed by the Jewelers Guild of Greater Sandringham. It is free. It is uncensored.
The Golden Standard of Schmuckashau Read More »
We seem to be having a moment when jewelry couples are having exhibitions together. This one, with Georg Dobler and Margit Jäschke, is at Loupe Gallery and is titled Twogether. They both answered questions for me about their work and their lives. Portrait of Georg Dobler, 2007, photo: Bettina Goetsch Susan Cummins: How did you
Georg Dobler and Margit Jäschke: Twogether Read More »
Sarah Rhodes has been researching the role that practice plays in collaboration between designers and African grassroots craft producers, examining how craft and design practices can act as tools for communication and exchange. Exploring collaboration through making with two grassroots, Cape Town-based craft businesses—Imiso Ceramics and Kunye—a co-creation methodology for practice has developed, capitalizing on the differing
Bridging the Divide Read More »
In the wake of AJF Asia correspondent Anja Eichler’s profiles of Ubi Gallery and of professor Shannon Guo, we are happy to publish Eichler’s analysis of Professor Guo’s work. The author got access to the booming Chinese scene, and she is profiling for AJF those movers and shakers who are practically building it from the
Griddle Incense Ass—or—Lost in Translation Read More »
Helen Britton, Lucky Teeth, 2014, pendants, 750 gold (edition of 10), silver with gold (edition of 50), 20 x 150 x 5 mm, photo: artist Susan Cummins: What does Unheimlich, the title of your exhibition, mean? Helen Britton: Unheimlich can be loosely translated as “uncanny,” although the German meaning is more complex. When we look
Helen Britton: Unheimlich Read More »
Hans Stofer, String Theory No.1, 2013, object, mixed media, 300 x 350 x 250 mm, photo: artist Susan Cummins: Since I have not seen the work in this show in person, can you please confirm that the objects you are using are the real thing, and therefore a shoe is the scale and material of
Hans Stofer: String Theory Read More »
