Articles

Thomas Gentille, Brooch, 1991, in eggshell inlay, wood, 2 ⅜ x 2 ¾ x 1 inches (60 x 70 x 25 mm), The Museum of Fine Arts, Houston, Helen Williams Drutt Collection, museum purchase funded by Ellen English, 2002.3773 © Thomas Gentille, photo: © The Museum of Fine Arts, Houston; Thomas R. DuBrock

Remembering Thomas

My friendship with Thomas Gentille became the best friendship one can have, long and deep, and I must admit it is somewhat difficult to write a remembrance at this moment, such a short time since his passing. I met Thomas through his presence in a book, Susan Lewin’s One of a Kind: American Art Jewelry […]

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Nikki Couppee, Necklace, in brass, acrylic, faux pearls, sterling silver, approximately 22 inches (559 mm) long, photo: Pistachios

On Offer

April 2026, Part 1 Right now, when the world feels upside-down, we all could use a treat. It feels great to treat ourselves to a terrific piece of art jewelry while celebrating and supporting artists and the galleries who show them! Art Jewelry Forum’s international gallery supporters celebrate and exhibit art jewelry. Our bi-monthly On Offer series allows this extensive network

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Have You Heard

April 2026, Part 1 Art Jewelry Forum is pleased to share all jewelry news. If you’re a member of AJF, you may add news and ideas to this bi-monthly report by submitting here. If you aren’t a member, but would like to become one, join AJF here. Some of the news items below have no accompanying

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Ildikó Dánfalvi, I Really Wanted…, from the Mirroring of Traces series, 2024, necklace in steel, lacquer, Plexiglas (with guilloché), 19 ⅝ x 3 ½ x ⅝ inches (500 x 90 x 15 mm), photo: courtesy of the artist and Galerie Door

On Offer

March 2026, Part 2 Right now, with the way the world feels, we could all use a treat. What a pleasure to get a terrific piece of art jewelry for ourselves while celebrating and supporting artists and the galleries who show them! Art Jewelry Forum’s international gallery supporters celebrate and exhibit art jewelry. Our bi-monthly On Offer series allows

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Benedict Haener, Sugar Free Peach Necklace, 2025, in glass, resin, diamonds, photo: Raisa Durandi

AJF Announces the Winner of the 2026 Young Artist Award, Supported by Karen and Michael Rotenberg

Lynchburg, VA, USA—Art Jewelry Forum (AJF) is pleased to announce that Benedict Haener, from Switzerland, has won the 2026 Young Artist Award. Haener was selected from more than 60 applicants from a number of different countries. He receives an unrestricted cash prize of US$7,500.  Through the Young Artist Award, AJF supports new and exciting work

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(Left to right, top to bottom) Marie-Caroline Locquet, Zhipeng Wang, Steven KP, Benedict Haener, and Corrina Goutos

AJF Announces the Finalists for the 2026 Young Artist Award, Supported by Karen and Michael Rotenberg

Lynchburg, VA, US—Art Jewelry Forum (AJF) is pleased to announce the five finalists for the 2026 Young Artist Award. They are, in alphabetical order:  Corrina Goutos (US/Germany) Benedict Haener (Switzerland) Steven KP (US) Marie-Caroline Locquet (France) Zhipeng Wang (China)  The jewelry artists will be presented to the audience on the main stage of the Internationale

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Peter Bauhuis, Replika, ring in silver, photo courtesy of Thereza Pedrosa Gallery

On Offer

March 2026, Part 1 Right now, we could all use a treat. It feels good to get a terrific piece of art jewelry for ourselves while celebrating and supporting artists and the galleries who show them! Art Jewelry Forum’s international gallery supporters celebrate and exhibit art jewelry. Our bi-monthly On Offer series allows this extensive network of international galleries to showcase

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Dian Zi headdress (detail), Qing Dynasty, 19th century, in kingfisher feathers, cardboard, basketry, semiprecious stones, freshwater pearls, glass beads, metal wires, textile fibers, 10 x 1 ⅛ x 7 ⅞ inches (25 x 29 x 20 cm), photo: © Marion Delarue

From Museum to Studio

Last year, Marion Delarue, a French artist who works mainly with wearable objects, was selected for a research residency at the Musée des Arts Décoratifs (MAD) in Paris. The goal of the residency was to study objects from the museum’s collections, with special access to storage areas and the restoration workshop. Her research focused on

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